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Cello, Piano
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
(+)
It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Christopher Norton: The Microjazz Cello Collection 1: Cello: Instrumental Album
Cello, Piano
Boosey and Hawkes
The Microjazz Cello Collection is the latest volume in the hugely popular Microj...
(+)
The Microjazz Cello Collection is the latest volume in the hugely popular Microjazz series intended for solo Cello with Piano accompaniment. It contains 26 easy pieces in popular styles such as jazz blues rock 'n' roll and reggae all expertly arranged by Christopher Norton. This collection contains all the pieces formerly contained in Microjazz for Starters together with a selection of brand new pieces as well. Suitable for beginner cellists this book contains pieces featured on the Trinity College London syllabus for Initial and Grade One Cello exams.
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Classical Highlights: Cello: Instrumental Album
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Schott
arranged for cello and piano-Classical Highlights presents the best-known and mo...
(+)
arranged for cello and piano-Classical Highlights presents the best-known and most popular performance pieces of the classical repertoire in arrangements for cello and piano. Every cellist looking for a popular classic for teaching or performing purposes will make a find here.
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
(+)
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
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Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Sergei Rachmaninov: Vocalise Op.34 No.14: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
Boosey and Hawkes
Rachmaninov wrote the wordless Vocalise in 1912 originally for Voice and Piano....
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Rachmaninov wrote the wordless Vocalise in 1912 originally for Voice and Piano. It is probably one of his most popular Vocal works famous for its beautiful soaring melody. This popularity has led the work to be transcribed for several instruments and this edition is for Cello with Piano accompaniment. Set for the ABRSM Cello Syllabus Grade 7.
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Maurice Ravel: Pièce En Forme De Habanera: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Leduc, Alphonse
As a prestigious composer of the early 20th century Maurice Ravel's Pièce En ...
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As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for the Cello by Paul Bazelaire contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies Pièce En Forme De Habaneraclearly exemplifies these qualities through flourishing Cello lines and evocative chordal and rhythmic Piano accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyablepiece for the Cello repertoire. In addition the clear print of separate Cello and Piano parts in this edition of Pièce En Forme De Habanera add to an irresistible purchase for budding cellists.
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Camille Saint-Saëns: The Swan - Cello/Piano: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
G. Henle
Charles-Joseph Lebouc organised the première of this work and also played the...
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Charles-Joseph Lebouc organised the première of this work and also played the cello part. With the composer's permission he then adapted this sonorous romance accompanied by two pianos in the original for Violoncello and onePiano.Henle are presenting the first ever Urtext edition of this popular cello work. The second Piano part is reproduced in small print thus permitting a comparison of the two versions. Two Cello parts are provided onewith markings and one without.
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The Piano Guys: The Piano Guys - Covers: Cello and Accomp.: Artist Songbook
Cello, Piano
[Sheet music]
Hal Leonard
Album Songbook-Nine of the most popular covers by the YouTube superstars whose v...
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Album Songbook-Nine of the most popular covers by the YouTube superstars whose video mashups featuring creative Piano and Cello arrangements have brought them a worldwide audience. This collection features Piano solo arrangements with an optional Cello part for the songs: Bless the Broken Road Fight Song Line upon Line Say Something A Sky Full of Stars Thinking Out Loud What Are Words When You Say Nothing at All and Jesu Joy of Man's Desiring.
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Gabriel Fauré: Romance In A Op. 69 For Violoncello And Piano: Cello: Score and
Cello, Piano
G. Henle
For Violoncello And Piano-This brief utterly charming and tuneful piece was pro...
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For Violoncello And Piano-This brief utterly charming and tuneful piece was probably committed to paper in 1894 though Fauré based it on an older version for cello and organ. The subsequent tempo change to ?Andante quasi Allegretto? made the work?soriginal title of ?Andante? obsolete. The change of name to ?Romance? was also better suited to its songlike nature. After its first performance in November 1894 the piece rapidly became popular and is a well-loved encore piece atconcerts today. This ?Romance? continues the Henle Urtext series of short pieces for cello by Fauré for which we have been able to engage David Geringas to add the performance markings.
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Felix Mendelssohn Bartholdy: Cello Works Complete Volumes 1 & 2: Cello:
Cello, Piano
Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...
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For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
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Felix Mendelssohn Bartholdy: Cello Works Complete Volume 2: Cello: Instrumental
Cello, Piano
Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...
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For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
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Felix Mendelssohn Bartholdy: Cello Works Complete Volume 1: Cello: Instrumental
Cello, Piano
Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...
(+)
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
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Gabriel Fauré: Papillon Op 77 Cello/Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
for Violoncello and Piano-After the great success of his Élégie (HN 563) Faur...
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for Violoncello and Piano-After the great success of his Élégie (HN 563) Fauré?s publisher Hamelle urged him to write another similarly effective piece for cello and piano. Papillon was probably already composed in 1884 though it was only published in1898. Whereas Fauré just wanted to call it ?Piece for violoncello? his publisher insisted on a more evocative title and ultimately succeeded in giving it its present name (meaning ?butterfly?). But Fauré is said to have beenindignant remarking: ?Butterfly or dung fly use whatever you want?. The success of the work proved Hamelle right Papillon is today just as popular with cellists as the Élegie and is now available as a Henle Urtext edition.
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Cyril Scott: Lullaby Op.57 No.2 for Cello and Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Novello & Co Ltd.
Lullaby (Op. 57 No. 2) was first composed in 1908 for Voice and Piano with lyr...
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Lullaby (Op. 57 No. 2) was first composed in 1908 for Voice and Piano with lyrics by Christina Rosssetti. It was transcribed for Cello or Violin and Piano by the famous cellist Charles Warwick Evans (1885-1974) in 1918.Cyril Scott (1879-1970) was a British composer pianist and poet. His most popular works which he is largely remembered by today were written in the years preceding the Second World War however he continued to compose prolifically in the face of indifference from the outside world right up until his death at the age of 91. His music is predominantly in the Romantic style and now serves as an enchantingreminder of a bygone age.
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Kenneth Leighton: Elegy: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Alfred Lengnick
The Elegy for Cello and Piano was composed in 1949. It was originally conceived ...
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The Elegy for Cello and Piano was composed in 1949. It was originally conceived as the slow movement of a cello sonata which was never completed. It is a beautifully moving piece in its own rights that has – quite deservedly so – become popular with cellists.
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Yo-Yo Ma: Yo-Yo Ma & Friends - Songs of Joy & Peace: Piano Vocal and Guitar:
Cello, Piano
[Sheet music]
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Intermediate
Hal Leonard
Ten songs arranged for cello piano and voice from the 2008 CD featuring popular...
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Ten songs arranged for cello piano and voice from the 2008 CD featuring popular classical cellist Yo Yo Ma and a star-studded assembly of guest artists. With separate cello staves for all!
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M. Goddard: Buffoonery For Cello And Piano: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
Spartan Press
This piece was originally written for the trombonist Michael Skitt as the final...
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This piece was originally written for the trombonist Michael Skitt as the final 'prank' movement of a concerto for trombone and orchestra. By popular request the piece has been given a separate piano part and has since been proved equally entertaining for trombone bassoon or cello!Grade: 8
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Intermezzo and Other Favourites for Cello: Cello: Instrumental Collection
Cello, Piano
Kevin Mayhew
Some of the most popular classical melodies arranged for cello and piano by a re...
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Some of the most popular classical melodies arranged for cello and piano by a renowned arranger.
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Edward Elgar: Salut D'Amour: Cello: Instrumental Work
Cello, Piano
Schott
Edward Elgar wrote relatively few works for the piano but his Salut d'amour Op....
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Edward Elgar wrote relatively few works for the piano but his Salut d'amour Op.12 - Love's Greeting has proved to be very popular over time. Written when he was still a struggling little known composer this beautiful ode to his wife still shows all the compositional skill and imagination that are to be found in his larger-scale compositions. This arrangement is for Cello and Piano accompaniment written in D major.
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