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Cello, Piano
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Season of Carols: Cello and Accomp.: Instrumental Album
Cello, Piano
Hal Leonard
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (...
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Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Ernest Bloch: Schelomo: Cello and Accomp.: Instrumental Work
Cello, Piano
Schirmer
Ernest Bloch (1880-1959) was a Swiss-born Jewish composer. Schelomo: Rhapsodie H...
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Ernest Bloch (1880-1959) was a Swiss-born Jewish composer. Schelomo: Rhapsodie Hébra que was the last and best known works of his Jewish Cycle in which he attempted to find some sort of musical identity - the Jewish state having not yet come into existence when he was writing. The solo Cello is intended to represent the voice of King Solomon while the orchestral accompaniment is often seen to express Solomon?s hidden thoughts. This edition has had the accompaniment transcribed for the Piano and includes a separate score for the Cello part.
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Sonate
Cello, Piano
[Sheet music]
Bote and Bock
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almo...
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Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty. / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
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Max Bruch: Kol Nidrei Opus 47 for Violoncello and Orchestra: Cello: Instrumental
Cello, Piano
G. Henle
Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bru...
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Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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6 Easy Concert Pieces Op. 12
Cello, Piano
Schott
Hugo Schlemüller (1872-1919), pianist, teacher and music writer, taught violonc...
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Hugo Schlemüller (1872-1919), pianist, teacher and music writer, taught violoncello in the preparatory school of Dr. Hoch's Conservatoire in Frankfurt. During this time, he wrote numerous works for violoncello lessons for beginners, among them the easy performance pieces Op. 12.The pieces with piano accompaniment are playable in the first close position throughout and are suitable for students at the end of the first year of training who also wish to master a few little musically demanding challenges from time to time.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Les Filles du Forgeron
Cello, Piano
[Sheet music]
Bote and Bock
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who mov...
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Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the „École de Paris“. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the „Association of Young Polish Musicians“, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak‘s enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. . / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
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Rodgers And Hart The Best Of - Piano-Vcl (RODGERS RICHARD / HART L)
Cello, Piano
[Sheet music]
Hal Leonard
Par RODGERS RICHARD / HART L.. 27 de leur mieux, y compris : ensorcelé, tomber ...
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Par RODGERS RICHARD / HART L.. 27 de leur mieux, y compris : ensorcelé, tomber en amour avec amour, n'est-il pas romantique?, la Dame est un clochard, My Funny Valentine et plus encore ! / Date parution : 2005-06-27/ Recueil / Violoncelle et Piano
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