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CLASSICAL - BAROQUE - ROMANTIC
Cello, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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4 Guitars (Quartet) (161)
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CD (93)
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Recorder (85)
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Brass ensemble (80)
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Treble (Alto) Recorder (77)
Trombone (76)
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Euphonium, Piano (duet) (65)
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Edition Critique des oeuvres d… (63)
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Mezzo-Soprano voice (63)
Double Bass (62)
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Organ, Trumpet (duet) (59)
Mezzo-Soprano voice, Piano (58)
Baritone voice, Piano (57)
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Marching band (55)
Recorder Quartet (54)
Flute ensemble (53)
Clarinet, Orchestra (52)
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2 Flutes, Piano (52)
Horn and Orchestra (51)
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Flute, Oboe, Clarinet, Bassoon… (48)
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Soprano voice (46)
Concert band, Choral (46)
Choral 3-part (46)
Piano, Vocal and Guitar (45)
Descant (Soprano) Recorder (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Hautbois 1 Clarinette en Sib 1… (44)
String Quintet: 2 violins, vio… (43)
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Flûte Traversière, Hautbois,… (36)
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Violoncello, Basso continuo (35)
Descant (Soprano) Recorder, Ba… (35)
Chant (35)
Parties Orchestrales (35)
2 Violons, Cordes et Basse Con… (35)
4 Violons, Cordes et Basse Con… (34)
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Guitare et Musique de Chambre (34)
Saxophone en Mib et Piano (34)
4 Violons, 2 Altos, Violoncell… (33)
Viola da Gamba (33)
Flute Trio: 3 flutes (33)
Flute, Violin, Keyboard (basso… (33)
Mandolin (33)
Soprano (32)
DVD Opera and Ballets (32)
2 Violins, Piano (32)
Tenor Saxophone and Piano (32)
Oboe and Orchestra (32)
Cello, Guitar (duet) (30)
Flûte Traversière ou Flûte … (30)
Flute and String Quartet (30)
Recorder Ensemble (30)
Piano Trio: Violin, Viola, Pia… (30)
Flute, Cello, Piano (trio) (29)
Saxophone Soprano, Saxophone A… (29)
Tuba (29)
Piano et Orchestre (29)
Recorder, Bass Continuo (29)
Oboe, Violin, Viola and Violon… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Guitar, String Quartet (28)
3 Clarinettes en Sib et Clarin… (28)
Violin, Organ (28)
Tenor voice (27)
4 Cellos (27)
2 Recorders, Basso continuo (t… (27)
Harpsichord and Strings (26)
Bass Trombone and Piano (26)
Organ, Piano (duet) (26)
Accordion and Orchestra (26)
Accordion, String(s) (26)
Vocal duet, Piano (25)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Flûte Traversière 3 Clarinet… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Flute Quartet: Flute, Violin, … (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Flûte Traversière 2 Violons … (24)
Baritone voice (23)
Guitar, Orchestra (23)
Recorder, Guitar (duet) (23)
1 Piano, 6 hands (23)
Flûte Traversière ou Flûte … (22)
Quintette à vent (22)
Oboe, Bassoon (duet) (22)
Cornet and Piano (22)
Choral, Orchestra (22)
2 Bassoons (duet) (22)
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Flûte à Bec Alto, Cordes et … (21)
Saxophone Quintet: 5 Saxophone… (21)
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Partition D'Orchestre (21)
Orchestre à Cordes et Basse C… (20)
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Clarinet Ensemble (20)
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Viola and orchestra (19)
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Clarinette, Viola and Piano (t… (18)
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Choral TTBB (17)
Cello Ensemble (17)
Solistes SATB, Choeur SATB/SAT… (17)
Bass guitar (17)
Accordion ensemble (17)
2 Hautbois (17)
Low voice (17)
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Choral 2-part (16)
Flûte Traversière, Violon, B… (16)
Flute and Strings Trio (16)
Recorder, Violin, Basso contin… (16)
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Conducteur (16)
String quartet: 4 violins (16)
Flûte Traversière, Hautbois,… (16)
Flûte Traversière ou Flûte … (16)
High voice (15)
Oboe, Basso continuo (15)
Viola, Cello (duet) (15)
Solistes SATB, Choeur SATB, 2 … (15)
Snare drums, Piano (15)
2 Trumpets, Keyboard (piano or… (15)
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Bassoon, Orchestra (15)
Violin, Horn and Piano (15)
Music Theory (14)
Flute, Viola and harp (14)
Trio (14)
Bass Clarinet, Piano (14)
Flûte Traversière, Violon et… (14)
Tenor (14)
Flute, Clarinet (duet) (14)
Mandolin, Guitar (duet) (14)
Flute, Harpsichord (14)
Flute, Violin, Viola (14)
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2 Trumpets (duet) (13)
Cello, Organ (13)
Clarinette en Sib et Clarinett… (13)
2 Flutes, Violoncello (13)
Voice, Clarinet, Piano (13)
All Instruments (13)
Flûte Traversière, Cordes et… (13)
Trio avec Piano (13)
Harp and Piano (13)
1 ou 2 Hautbois (13)
Oboe, Organ (13)
English horn, Piano (13)
4 Violons, Violoncelle, Cordes… (13)
Guitare, Violon, Alto (12)
Choral SSAATTBB (12)
Alto, Cordes et Orgue ou Clave… (12)
Clarinet and Strings (12)
Voice and Orchestra (12)
Saxhorn and Piano (12)
Vibraphone (12)
2 Recorders, Piano (12)
Hautbois 1 Clarinette en Sib 1… (12)
Vibraphone, Piano (12)
Piccolo et 3 Flûtes (12)
Choral SSAA (12)
2 Violons, Violoncelle Obligat… (12)
String Quintet: 2 violins, vio… (11)
Trumpet, Trombone (duet) (11)
Lute (11)
Quatuor (11)
Percussion Ensemble (11)
2 Violons, Violoncelle, Cordes… (11)
3 Trombones et Trombone Basse (11)
String Trio: 2 violins, viola (11)
Soprano Saxophone and Piano (11)
Voice, String Quartet (11)
Solistes SATB, Choeur SATB, Fl… (11)
3 Hautbois et Cor Anglais (11)
Xylophone, Piano (11)
Viola da Gamba, Basso continuo… (11)
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Cello, String Bass (duet) (10)
2 Oboes and English horn (10)
Oboe, Guitar (duet) (10)
4 Voix Mixtes (10)
Libretto (10)
Flûte à Bec F2, F1, C1 et F (10)
Clavier ou Orgue Electronique (10)
Orchestre à Cordes avec 2 Vio… (10)
Hautbois, Cordes et Basse Cont… (10)
Flute, Violin, Violoncello and… (10)
Harmonium (10)
Double bass, Orchestra (10)
Livret (10)
Viola, Guitar (duet) (10)
Solistes SATB, Choeur SATB, 2 … (10)
Flute and Vibraphone (10)
Solo S, Choeur SATB/SATB, 2 Or… (10)
Soprano voice, Orchestra (10)
Solistes (SATB), Choeur Mixte … (10)
Symphonic Band (10)
2 Cellos, Piano (10)
Saxophone Soprano, 2 Saxophone… (10)
Woodwind Quintet (10)
Ensemble (10)
Brass Quartet: 2 trumpets, 2 t… (10)
Choeur SATB/SATB, 2 Orchestres… (10)
Trio A Cordes (10)
Violon et autres Cordes en Sol… (10)
Violon, Orchestre à Cordes et… (10)
Cordes (10)
Voice, Organ (10)
Ensemble Instrumental (10)
Travaux Pour Choeurs (9)
Choeur SATB, 2 Violons, Alto e… (9)
Orchestre à Cordes avec 4 Vio… (9)
Solo instrument and Organ (9)
1 ou 2 Flûtes Traversières (9)
Flute, Violin (9)
Quintette de Cuivres (9)
Musical course - Solfege (9)
Flute, Violin, Piano (9)
2 Trombones (duet) (9)
Percussion, Piano (duet) (9)
Snare drums (9)
Percussion (9)
Flute, Trombone (duet) (9)
C Instruments (9)
2 Flutes, Basso continuo (9)
Violon, Ensembles de Cordes et… (9)
Clavecin (9)
5 Recorders (9)
2 Flûtes Traversières et Gui… (8)
2 Clarinettes Sib, Cor en Fa 1… (8)
Clarinette en Sib (1 Partition… (8)
Saxophone and Orchestra (8)
2 Hautbois, Cor Anglais et Bas… (8)
Clarinet and Accordion (8)
Trio à Cordes (8)
Bandoneon, Flute (8)
Guitar, Violin, Viola, Violonc… (8)
Flûte Traversière Hautbois, … (8)
Petite Clarinette Mib 5 Clarin… (8)
2 French horns (duet) (8)
Guitare, Voix, Clarinette (8)
2 Viola da Gamba, Basso contin… (8)
Flûte à Bec F2, 2 Violons et… (8)
Choral Unison (8)
Jeune Orchestre de Vents et ou… (8)
Hautbois, Clarinette et Basson… (8)
Flûte à Bec Alto ou Flûte T… (8)
2 Violons, Violoncelle et Orch… (8)
Flûte Traversière Hautbois, … (8)
Flûte Traversière Clarinette… (8)
Flûte Traversière Violoncell… (8)
2 Oboes, 2 Horns and 2 Bassoon… (8)
Violin, Viola and Orchestra (8)
2 Cors et Cordes et Basse Cont… (8)
Guitare, Flûte Traversière V… (8)
Hautbois, Violon et Basse Cont… (8)
Octuor (8)
4 Hautbois (8)
2 Trompette en Dos 1 Cor en Fa… (8)
Flute, Clarinet, Horn and Bass… (8)
Solistes SSATBB, Choeur SATB/S… (8)
2 Trompettes Sib, 1 Cor, 1 Tro… (8)
Bassoon, Violoncello (8)
Flûte Traversière (1 Partiti… (8)
Marimba (8)
Violoncelle, Cordes et Basse C… (8)
Horn and String Quartet (Quint… (8)
Hautbois (1 Partition) Violons… (8)
Viola da Gamba, Harpsichord (8)
Guitare, Flûte Traversière A… (8)
Trompette Sib (1 Partition) Vi… (8)
Violon, Orgue Obligatoire, Cor… (8)
Flûte 1 Hautbois 1 Clarinette… (8)
Harp, Violin (duet) (8)
Solistes SSA, Choeur SATB, Hau… (8)
Brass Quartet: 4 trumpets (8)
Trombone ensemble (8)
Flûte-Piccolo, Cordes et Bass… (8)
Flûte Traversière, 2 Violons… (8)
Ténor (8)
Trombone, Organ (8)
Quintette à Cordes (8)
String Quintet : 2 Violins, Vi… (8)
Voix et Orchestre (8)
Oboe and String quartet (7)
Oboe, Bassoon and Piano (7)
4 Euphoniums (7)
2 French horns, Piano (7)
2 Flûtes Traversières, Corde… (7)
Guitare, Saxophone, Clarinette… (7)
2 Accordions (7)
Xylophone (7)
Organ, Voice (7)
2 Oboes (duet) (7)
Saxophone en Sib et Piano (7)
Organ, Strings (7)
2, 3 ou 4 Violons (7)
Clarinet, Bassoon (duet) (7)
Xylophone or Marimba or Vibrap… (7)
Choeur et Orchestre (7)
Soprano et Mezzo-Soprano (7)
Flute, Clarinet and Bassoon. (7)
Vocal duet (7)
Violon ou Violoncelle et Piano… (7)
Solistes SSAT, Choeur SATB, 2 … (6)
2 Harps (duet) (6)
Solistes SATB, Choeur SATB, 2 … (6)
Trumpet ensemble (6)
2 Euphoniums et 2 Tubas (6)
Violin, Cello, Clarinet (6)
4 Solistes, Choeur Et Orchestr… (6)
CD only (6)
Piccolo (6)
2 Saxophones, Piano (6)
Violon, Orchestre à Cordes et… (6)
Partie Séparée (6)
4 Violons, Violoncelle et Cord… (6)
2 Organs (duet) (6)
Ensemble de Chambre Mixte (6)
Solistes SATB, Choeur SATB, 2 … (6)
Flute, Oboe (duet) (6)
Timpani (6)
Kammerorchester (6)
Violin, Cello, Organ (6)
Choeur Mixte et Orchestre (6)
Piano, Guitar (Chords) (6)
3 Parties Solo, Choeur Et Orch… (6)
TTBB (6)
2 Violons, Alto, Violoncelle e… (6)
Trombone et Piano ou Orgue (6)
3 Trombones (trio) (6)
2 Violons, Orchestre à Cordes… (6)
4 Euphoniums ou Saxhorns et Ba… (6)
Flute, Bassoon (duet) (6)
Solistes SATB, Choeur SATB, Ha… (6)
3 Clarinettes en Sib, Clarinet… (6)
Double basses ensemble (6)
Solistes SATB, Choeur SATB, 2 … (6)
Flexible Instrumentation (6)
Horn Ensemble (6)
Flûte piccolo et Piano (6)
Saxhorn Basse et Piano (6)
Melody line, (Lyrics) and Chor… (6)
3 Trumpets (trio) (6)
Flûte Traversière ou Violon … (6)
Vocal duet, Organ (6)
Violon, Hautbois et Orchestre (5)
Medium Voice (5)
Solistes (SATB), Choeur Mixte … (5)
Harmonica (5)
Flautino, 2 Violons, Alto, Cla… (5)
Basson ensemble (5)
Solo S, Hautbois, 2 Violons, A… (5)
Brass Quartet: 4 horns (5)
2 Mandolines et Orchestre d'In… (5)
4 Solistes, Choeur Et Orchestr… (5)
Organ and Brass Quartet (5)
Claviers à percussion (5)
Flügelhorn (5)
Solistes SATB, Choeur SATB, 2 … (5)
Violoncelle, Orchestre à Cord… (5)
Harpsychord (5)
Clarinet, Organ (5)
String quintet (5)
Flute, Trumpet (duet) (5)
Flute, Clarinet, Piano (trio) (5)
DVD concert (5)
Flûte Traversière, Hautbois,… (5)
2 Violins, Guitar (trio) (5)
Basson, Cordes et Basse Contin… (5)
String Trio: 3 cellos (5)
Ochestre à Cordes (5)
Percussions et Piano (5)
2 Violons Obligatoires, Cordes… (5)
Voix Mixtes (5)
Solistes (STB), Choeur Mixte (… (5)
Clarinet, Harp (duet) (5)
Cello and Harpsichord (5)
Flute, Oboe, and Cello (5)
Clarinet, Horn, Piano (5)
Solistes SATB, Choeur SATB, Tr… (5)
3 Pianos (5)
2 Flutes and Harp (5)
Woodwind Trio: any 3 woodwinds… (5)
Musette (Hurdy Gurdy, Flûte T… (5)
Hohe Stimme und Klavier (5)
Hautbois, Basson et Orchestre (5)
Choeur de Femmes (5)
2 Violons, Alto, Violoncelle (5)
SingSt, Klavier (5)
2 Oboen, 2 Klarinetten, 2 Fag… (5)
English Horn (5)
4 Voix Mixtes et Orgue (5)
Violon, 2 Violons 'Per Eco' et… (5)
Chorale (5)
Flûte à Bec Alto ou Flûte T… (5)
Violon, Cordes et Orgue (5)
Flûte Traversière, Clarinett… (4)
Flûte Traversière, Hautbois,… (4)
Solistes SAT, Choeur SATB, 2 V… (4)
Flûte Traversière Hautbois e… (4)
Trompette Sib 1 Cor en Fa 1 Tr… (4)
3 Trompettes, 2 Trombones et T… (4)
2 Hautbois, 3 Trompettes, Timb… (4)
Piano et Quatuor à Cordes (4)
Doublebass and String quartet (4)
Solistes, Choeur et Piano (4)
2 Trompettes, Cor Et 2 Trombon… (4)
Quatuor D'Instruments à vent (4)
2 Flutes et Percussion (4)
Flûte Traversière Hautbois, … (4)
Flûte Traversière et Clarine… (4)
Saxophone, Trompette et Clarin… (4)
1 Piano, 3 hands (4)
Exemplaire Complet (4)
Voix et Instruments Variés (4)
2 Oboes, 2 Clarinets, 2 Horns … (4)
2 Violons, 2 Altos et Basse Co… (4)
Contrebasse, Bandonéon et Pia… (4)
Flute, Oboe, Piano (trio) (4)
Flûte (2 parts) Clarinette en… (4)
Cor Anglais, 2 Violons et Viol… (4)
Marimba et Piano (4)
Flûte Traversière, Violon ou… (4)
Oboe, Violin, Piano (4)
Flûte Traversière Violon, Ba… (4)
4 Cors ou Octuor de Cors (avec… (4)
2 Flutes et Violoncelle (ou B… (4)
Solistes SMSATB, Choeur SATB, … (4)
Flûte Traversière ou Flûte … (4)
Cornet Sib 1 Cor en Fa 1 Tromb… (4)
Organ and Orchestra (4)
Solistes ATB, Choeur SATB, Fl… (4)
3 Flûtes et Batterie Jazz (4)
Soli, Gemischter Chor 1 & 2, … (4)
Saxophone, Bandoneon, Double b… (4)
Hautbois, Cor et Piano (4)
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Benedetto Marcello - Six Sonatas - Cello Or Double Bass
Cello, Piano
[Score]
-
Intermediate/advanced
Schirmer
Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sona...
(+)
Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sonatas for Cello or Double Bass with Piano accompaniment. Songlist Six Sonatas For Cello (Double Bass) And Piano
18.99 EUR - Sold by Woodbrass
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Cello Solos Piano/Cello
Cello, Piano
[Score and Parts]
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Intermediate
Amsco Wise Publications
Arrangements de facile a moyen concu pour faire ressortir lesqualites remarquabl...
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Arrangements de facile a moyen concu pour faire ressortir lesqualites remarquable du violoncelle. Ce qui comprend les chansons folk, les dances et le travails par Debussy, Chopin et Brahms. Partition de violoncelle a part. / Violoncelle Et Piano / 160 pages / Partition
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Cello Collection Intermediate Level 2 Cd
Cello, Piano
[Sheet music + CD]
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Intermediate
Schirmer
Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spe...
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Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spectacles plein, et accompagnements de piano uniquement à être utilisés comme pistes d'accompagnement. / Violoncelle
29.30 EUR - Sold by LMI-partitions
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Cello Song
Cello, Piano
Chester
Une collection de quatorze morceaux pour le Violoncelle et le piano, présentant...
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Une collection de quatorze morceaux pour le Violoncelle et le piano, présentant quelques morceaux peu de-connus. Approprié aux joueurs intermédiaire-avancés (catégorie 5-8). / Violoncelle Et Piano
31.80 EUR - Sold by LMI-partitions
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Great Cello Solos Lloyd Webber
Cello, Piano
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Advanced
Chester
Pièces courtes essentiels pour le violoncelle sélectionnés et édité par Jul...
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Pièces courtes essentiels pour le violoncelle sélectionnés et édité par Julian Lloyd Webber en un seul volume attrayant. / Violoncelle
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Beethoven, Ludwig van : Sonatas For Piano And Violoncello
Cello, Piano
[Sheet music]
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Intermediate/advanced
G. Henle
Les cinq sonates pour violoncelle et piano de Beethoven représentent avec les s...
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Les cinq sonates pour violoncelle et piano de Beethoven représentent avec les suites pour violoncelle seul de Bach l?apogée de la littérature pour violoncelle. Parues entre 1797 et 1817, elles couvrent une grande part de la période créatrice du compositeur et reflètent des stations importantes de son évolution musicale. La présente édition révisée se base sur les résultats du «Kritischer Bericht» (parution automne 2008) de la «Beethoven-Gesamtausgabe», l?édition complète des ?uvres de Beethoven. L?édition Urtext bénéficie d?une composition typographique entièrement nouvelle, la partie de piano reprenant la mise en pages éprouvée de l?édition précédente. Le violoncelliste réputé David Geringas a conçu une partie de violoncelle totalement réorganisée incluant des changements de page optimisés. De plus, cette édition comporte une autre partie Urtext sans doigtés. / Classique / Doigtés: Ian Fountain, Doigtés vc.: / Partition / Edition Urtext
37.98 EUR - Sold by Note4Piano
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Vocalise Op. 34/14
Cello, Piano
[Score and Parts]
Boosey and Hawkes
L'édition fait partie du programme ABRSM (7e). / Violoncelle Et Piano
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Rieding O. - Concerto In B Minor Opus 35 - Violoncelle Et Piano
Cello, Piano
-
Intermediate
Bosworth
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Concerto for Cello and Orchestra (Concertstück)
Cello, Piano
[Sheet music]
Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...
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Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
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Cello Recital Album, Vol.1
Cello, Piano
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli. The 18 pie...
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18 Recital Pieces in First Position for Cello and Piano or Two Celli. The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the 'Early” Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The 'Cello Recital Album”, Volume 1 (BA 8994), can be used as a supplement to the 'Early Start on the Cello” method, Volumes 1 and 2 (BA 8996 and BA 8997). Collections of recital pieces for the cello: - Charming collections of easy pieces in first position - Each cello part is supported by a piano accompaniment for student performances - Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. - The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method. - A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students. / Recueil / Violoncelle et Piano
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Cello Recital Album, Vol.2
Cello, Piano
-
Easy
Barenreiter
The 12 pieces in Volume 2 are structured to follow the same progression of finge...
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The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the 'Early Start? method, Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.The 'Cello Recital Album?, Volume 2 (BA 8995), can be used as a supplement to the 'Early Start on the Cello? method, Volumes 2 and 3 (BA 8997 and BA 8998).Collections of recital pieces for the cello: - Charming collections of easy pieces in first position - Each cello part is supported by a piano accompaniment for student performances - Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. - The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method. - A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students. / Violoncelle Et Piano
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The Infant Paganini
Cello, Piano
-
Easy
Barenreiter
Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in ...
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Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are 'The Infant Paganini? and 'The Boy Paganini?.Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.The Mollenhauer fantasia 'The Infant Paganini? is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché, legato, spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of the Sassmannshaus Early Start on the Violin, volume 4.It (BA 10693) can be equally mastered by young cello students who are working with volume 4 of the Sassmannshaus 'Early Start on the Cello? and can manage first to fourth position.'The Boy Paganini? is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the violin (BA 10692), the technical requirements call for first to fifth position whereas on the cello (BA 10694), the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of 'Early Start on the Violin? and 'Early Start on the Cello? respectively in order to master this work. - Popular recital pieces for young violinists and cellists- Both works form an ideal continuation of the Sassmannshaus 'Early Start? methods- Pieces originally scored for violin now also available for the first time for cello / Violoncelle Et Piano
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The Boy Paganini
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in ...
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Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are 'The Infant Paganini? and 'The Boy Paganini?.Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.The Mollenhauer fantasia 'The Infant Paganini? is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché, legato, spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of the Sassmannshaus Early Start on the Violin, volume 4.It (BA 10693) can be equally mastered by young cello students who are working with volume 4 of the Sassmannshaus 'Early Start on the Cello? and can manage first to fourth position.'The Boy Paganini? is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the violin (BA 10692), the technical requirements call for first to fifth position whereas on the cello (BA 10694), the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of 'Early Start on the Violin? and 'Early Start on the Cello? respectively in order to master this work. - Popular recital pieces for young violinists and cellists- Both works form an ideal continuation of the Sassmannshaus 'Early Start? methods- Pieces originally scored for violin now also available for the first time for cello / Violoncelle Et Piano
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Sonata For Violoncello And Piano F Major Op. 99
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...
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Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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Allegro Appassionato Op. 43 For Violoncello And Piano
Cello, Piano
G. Henle
At the beginning of the 1870s, Saint-Saëns displayed a particular partiality fo...
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At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the violoncello. He composed his first cello sonata in December 1872, immediately after having completed the first cello concerto. It was presumably directly after this that he wrote the 'Allegro appassionato? for Cello and Piano op. 43 that also appeared in a version for orchestra three years later. We do not know why he wrote the work, but it is likely that after having written two weighty works for cello, Saint-Saëns wanted to write something 'easier? that was also suitable as an encore. David Geringas kindly provided the fingering and bowing for the brilliant cello part. / Violoncelle Et Piano
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
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It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Concert Pieces For Cello And Piano
Cello, Piano
[Sheet music]
Barenreiter
Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Col...
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Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Collection Editor: Sassmannshaus, Christoph Instrumentation of the work: Violoncello, Piano Product format: Piano reduction, Part(s), Teaching material Includes the following individual parts: Violoncello, Piano Binding: Stapled Pages / Format: 32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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Cello Concerto (WALTON WILLIAM)
Cello, Piano
[Sheet music]
-
Advanced
Oxford University Press
Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concert...
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Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concerto from the repertoire Derived from the new Walton Edition volume and fully consistent with that and the new hire material Cello and piano reduction of Walton's Cello Concerto, based on the edition published in the Walton Edition Violin and Cello Concertos volume. Dating from 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. Orchestral material is available on hire. / Niveau : Avancé / Répertoire / Violoncelle et Piano
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Hot Cello 2
Cello, Piano
[Sheet music + Audio access]
Schott
16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must...
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16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying mp3 pack. / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano
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Solo Time for Cello Book 2
Cello, Piano
[Sheet music + Audio access]
Oxford University Press
Par . collection for cello and piano, with audio tracks online Solo Time for Cel...
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Par . collection for cello and piano, with audio tracks online Solo Time for Cello is a two-volume series of concert pieces for the intermediate to advanced cellist. / Date parution : 2022-07-23/ Recueil / Violoncelle et Piano
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Sonata For Violoncello And Piano E Minor Op. 38
Cello, Piano
Barenreiter
The first three movements of Johannes Brahms' E minor Cello Sonata were composed...
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The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann's advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata op. 38 by Cornelius van Vliet and Edwin Hughes, Hugo Becker and Carl Friedberg, as well as Julius Klengel. The cellists' van Vliet, Becker and Klengel's fingering and bowing allows for a better understanding of their performance practice. As such, the Bärenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works' origins, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms' Chamber Music', text booklet BA 9600 / Violoncelle Et Piano
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Sonata No. 1 In D Minor Op. 109 For Violoncello And Piano (FAURE GABRIEL)
Cello, Piano
G. Henle
Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108,...
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Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for Cello and Piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the Cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued, but on account of increasing interest in Fauré ’s complete late chamber music, this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first criticaledition of this work. David Geringas, a master of his craft, supplied the markings in the Cello part. / Kolb, Fabian / Répertoire / Violoncelle et Piano
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Appassionato
Cello, Piano
Wiener Urtext
Volume 2 of the Cellissimo series contains 25 popular original pieces for cello ...
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Volume 2 of the Cellissimo series contains 25 popular original pieces for cello and piano from the Baroque, Classical and Romantic eras and is a real treasure trove for advanced pupils, students, teachers and cello lovers.The cello literature comprises a lot of major standard works for lessons, concerts and competitions. Apart from classics by Vivaldi, Bréval, Beethoven, Mendelssohn, Schumann, Faurè, or Saint-Saëns, the volume also contains several lesser known pieces, e.g. by August Nölck (1862-1928) and Georg Goltermann (1824-1898).The pieces are of medium technical difficulty which corresponds to grade 3-4 or grade 5-8 of the international examination system. Some pieces can be played in the 2nd to 7th position, while several works require putting the thumb under. All selected works are particularly suitable for the development of sound, vibrato, differentiated bowing technique, as well as the performer's personal interpretation and musical presentation.Some of the pieces come with a basso part (violoncello 2) which is available for download free of charge.Other editions:Volume 1: Arietta. 40 easy original pieces for violoncello and piano (Schott, ED 22353) / Violoncelle Et Piano
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Solo Time for Cello Book 1
Cello, Piano
[Sheet music + Audio access]
Oxford University Press
Par . collection for cello and piano, with audio tracks online Solo Time for Cel...
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Par . collection for cello and piano, with audio tracks online Solo Time for Cello is a two-volume series of concert pieces for the intermediate to advanced cellist. / Date parution : 2022-07-23/ Recueil / Violoncelle et Piano
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Selected Works For Cello And Piano
Cello, Piano
[Sheet music]
Dover Publications
The most celebrated cellist of his era, French composer Auguste Franchomme (1808...
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The most celebrated cellist of his era, French composer Auguste Franchomme (1808-84) created more than 50 works for the instrument in addition to numerous other pieces with Piano, Orchestral, or Chamber accompaniment. Suitable for intermediate to advanced players, this unique first edition of rare Cello and Piano works features a separate Cello part. / Violoncelle Et Piano
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Sonata in D-minor for cello and piano Op. 5a
Cello, Piano
Wilhelm Hansen
Par VAN DER PALS LEOPOLD. Sonata in D-minor for cello and piano, Op. 5a (1906) C...
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Par VAN DER PALS LEOPOLD. Sonata in D-minor for cello and piano, Op. 5a (1906) Composed by Leopold van der Pals / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano
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Two pieces for cello and piano, Op. 240
Cello, Piano
Wilhelm Hansen
Par VAN DER PALS LEOPOLD. Two pieces for cello and piano, Op. 240 (1960) compose...
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Par VAN DER PALS LEOPOLD. Two pieces for cello and piano, Op. 240 (1960) composed by Leopold van der Pals / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano
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