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Cello, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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I Could Sing Of Your Love Forever Vol.4
Cello, Piano
Hal Leonard
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship ...
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Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano
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3 18Th-Century Sonatas (Cello/Keyb) (BREVAL / CHINZER / PORTA)
Cello, Piano
[Sheet music]
Faber Music Limited
Par BREVAL / CHINZER / PORTA. Les premières éditions modernes des trois sonate...
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Par BREVAL / CHINZER / PORTA. Les premières éditions modernes des trois sonates violoncelles eighteenth-century attrayants de capacité technique modérée. Ensemble, ils offrent une introduction inestimable à la littérature d'une période qui a vu une grande floraison dans le développement du violoncelle. Ces éditions performantes pratiques fournissent l'ornementation suggérée pour violoncelle et des réalisations de clavier qui ont été maintenues délibérément simples. / Date parution : 2000-08-17/ Recueil / Violoncelle et Piano
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Sonata In C For Cello And Piano (BREVAL JEAN-BAPTISTE)
Cello, Piano
[Sheet music]
Stainer and Bell
Par BREVAL JEAN-BAPTISTE. Sonata No. 1 In C is a beautiful work for Cello with P...
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Par BREVAL JEAN-BAPTISTE. Sonata No. 1 In C is a beautiful work for Cello with Piano Accompaniment, by French-born composer Jean-Baptiste Breval (1756-1825). The solo cello part is also included on a separate insert./ Répertoire / Violoncelle et Piano
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5 Pieces Breves
Français
Cello, Piano
[Sheet music]
Billaudot
Référence unique par son ISBN 9790043065241 cette partition musique de Altier ...
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Référence unique par son ISBN 9790043065241 cette partition musique de Altier Stéphane n'est autre que CINQ PIECES BREVES qui a été composée pour Violoncelle Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Billaudot. La référence catalogue de cette oeuvre est GB6524. / Violoncelle Et Piano / Partition
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Concertino #4 En Ut Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concertino #1 En Fa Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concertino #2 En Ut Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concerto #1 En Sol Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Breval J.b. - Concertino N°2 En Ut Maj. - Violoncelle, Piano
Français
Cello, Piano
-
Beginner
Durand
Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et...
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Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et piano Support : Partition Style/Genre : classique Date de parution : nov.-32 Nombre de pages : 16
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Concertino #3 En La Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concertino #5 En Ré Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Concerto #2 En Ré Maj. (BREVAL JEAN-BAPTISTE)
Français
Cello, Piano
[Sheet music]
Delrieu
Par BREVAL JEAN-BAPTISTE. / classique / Répertoire / Violoncelle et Piano
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Breval J.b. - Concertino N°1 En Fa Maj. - Violoncelle, Piano
Français
Cello, Piano
Durand
Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et...
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Compositeur/Auteur : BREVAL Jean-Baptiste Discipline/Instrument : violoncelle et piano Support : Partition Style/Genre : classique Date de parution : févr.-32 Nombre de pages : 12
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Concerto for Cello and Orchestra (Concertstück)
Cello, Piano
[Sheet music]
Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...
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Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
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Sonata Op. 6 (STRAUSS RICHARD)
Cello, Piano
[Sheet music]
Universal Edition
Par STRAUSS RICHARD. In 1880 Richard Strauss began composing the 'Sonata for cel...
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Par STRAUSS RICHARD. In 1880 Richard Strauss began composing the 'Sonata for cello and piano' op. 6. Before it went to print in 1883 he revised the complete piece. Only the first movement remained unaltered. Strauss dedicated the 'Sonata for cello and piano' in F major to his friend Hans Wihan (at that time solo cellist with the court orchestra of Munich), who also took part in the premiere of the piece in Nuremberg. In 1880 Richard Strauss began composing the 'Sonata for cello and piano' op. 6. Before it went to print in 1883 he revised the complete piece. Only the first movement remained unaltered. Strauss dedicated the 'Sonata for cello and piano' in F major to his friend Hans Wihan (at that time solo cellist with the court orchestra of Munich), who also took part in the premiere of the piece in Nuremberg./ Répertoire / Violoncelle et Piano
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Complete Shorter Works (Cello And Piano) (SAINT-SAENS CAMILLE)
Cello, Piano
[Sheet music]
Faber Music Limited
Par SAINT-SAENS CAMILLE. Saint-Saens' life-long admiration of the cello led to s...
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Par SAINT-SAENS CAMILLE. Saint-Saens' life-long admiration of the cello led to some of his finest compositions. This edition, by celebrated cellist Steven Isserlis and Saint-Saens scholar Sabina Teller Ratner, brings together a collection as varied as it is appealing for Solo Cello with Piano Accompaniment. This volume includes some of Saint-Saens' best-loved pieces such as Allegro Appasionato and Le Cygne alongside his previously unpublished Gavotte . Primary sources have been consulted in preparation of the edition, which includes performance notes by Steven Isserlis and an informative introduction. The solo cello part is also included on a separate insert. / Niveau : Elémentaire / Date parution : 1998-07-16/ Répertoire / Violoncelle et Piano
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Sonata Per Violoncello E Pianoforte (PILATI MARIO)
Cello, Piano
-
Intermediate
Ricordi
Revisione Sull'Autografo Di Rina You. Par PILATI MARIO. The artistic production ...
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Revisione Sull'Autografo Di Rina You. Par PILATI MARIO. The artistic production of the Neapolitan composer Mario Pilati (Naples, 1903-1938) has recently been undergoing a reappraisal. Having died at a young age, he never had the opportunity to gain the recognition he deserved, and much of his music has, in fact, fallen into oblivion. Less well-known than his Sonata in La (Sonata in A major) written a few years later for the same formation, his Sonata per violoncello e pianoforte (Sonata in D major for cello and piano) was composed in 1922 when the composer was nineteen years old, in the ninth year of his compositional studies in the class of Maestro Antonio Savasta. The Sonata, based on the opening of a piece by Carl Reinecke, is in sonata form, and develops over a single movement. In the piece, which has got clear post-romantic connotations, the expressive vein, singing lines and lyricism that would also distinguish Pilati’s later works can already be heard. / Niveau : Intermédiaire / Date parution : 1905-07-10/ Répertoire / Violoncelle et Piano
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
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It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Barry John - James Bond Collection + Cd - Cello And Piano
Cello, Piano
[Sheet music + CD]
-
Intermediate
Alfred Publishing
Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cel...
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Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cello (with Piano Acc.) Level: Level 2-3 The arrangements in this new series were written especially for violin, viola, and cello, taking into account the specific needs of each instrument. All the arrangements are completely compatible with each other and can be played in small ensembles or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. Each song on the fully orchestrated accompaniment CD includes a demo track, which features a live string performance, followed by the play-along track by itself. Titles are: Diamonds Are Forever * For Your Eyes Only * From Russia with Love * Goldfinger * The James Bond Theme * Live and Let Die * Nobody Does It Better * On Her Majesty's Secret Service * Thunderball * Tomorrow Never Dies * The World Is Not Enough * You Only Live Twice.
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Sonate Für Klavier Und Violoncello
Français
Cello, Piano
G. Henle
The e minor Cello Sonata is the first work for one solo instrument and piano whi...
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The e minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata 'whose two instruments are both absolutely easy to play? - and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. Our new edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings- as always, the cello part is enhanced with additional markings. / Violoncelle Et Piano
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Fantaisies Faciles Fur Violoncello Und Klavier
Cello, Piano
Bosworth
Among the many works Offenbach wrote for the Cello, is a series of operatic fant...
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Among the many works Offenbach wrote for the Cello, is a series of operatic fantasies. Of these, there is a set of six under the title Fantaisies faciles Op.69-74, published in 1853. The new edition herewith confines itself to just three of the pieces based on operas which remain in the repertoire today. The original printed editions have been revised, with misprints corrected, passages where the Cello and Piano parts differ made to correspond and questions in the music text settled by recourse to the original opera score. / Violoncelle Et Piano
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Song Without Words For Violoncello And Pianoforte Op. 109 (MENDELSSOHN-BARTHOLDY FELIX)
Cello, Piano
Barenreiter
Op. 109. Par MENDELSSOHN-BARTHOLDY FELIX. This standard work of the cello litera...
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Op. 109. Par MENDELSSOHN-BARTHOLDY FELIX. This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA 9096 and BA 9097) which was published in 2016. Mendelssohn scholar R. Larry Todd edited the scholarly-critical edition of ?Song without Words?. This work is not based on the surviving autograph manuscript, which could not have been the basis for the posthumous first edition, but rather on the only plausible source: the German first edition itself. This was published in 1868 as op. 109 and is unquestionably based on an untraceable complete final manuscript, perhaps once previously owned by the dedicatee, French cellist Lisa Barbier Cristiani. The publication is free from editorial amendments and modern performance instructions and provides an excellent basis for musical interpretation./ Répertoire / Violoncelle et Piano
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Sonata For Violoncello And Piano F Major Op. 99
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...
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Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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6 Suites For Unaccompanied Cello (BACH JOHANN SEBASTIAN)
Cello, Piano
[Sheet music]
Stainer and Bell
Par BACH JOHANN SEBASTIAN. For the advancing cellist, Bach's Six Suites For Unac...
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Par BACH JOHANN SEBASTIAN. For the advancing cellist, Bach's Six Suites For Unaccompanied Cello provide a wonderful addition to your repertoire. This is Paul Tortelier's revised edition (1983) of his original score from 1966./ Répertoire / Violoncelle et Piano
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Sonata Op. 11
Cello, Piano
Schott
Composed in 1919, Hindemith thoroughly revised his sonata two years later. Compo...
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Composed in 1919, Hindemith thoroughly revised his sonata two years later. Composer and pianist Fazil Say has taken up the challenge to reconstruct the piano part on the basis of the cello part and the structure of the extant middle movement. / Violoncelle Et Piano
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Brahms J. - Sonata E Minor Op.38 - Violoncelle Et Piano
Cello, Piano
G. Henle
E minor - revised edition - with marked and unmarked string part - cello and pia...
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E minor - revised edition - with marked and unmarked string part - cello and piano fingering: Kanngiesser, Claus fingering: Schilde, Klaus editor: Behr, Johannes editor: Voss, Egon
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Best Of Cello Classics
Cello, Piano
Schott
Best of Cello Classics' contains 15 popular performance pieces for cello and pia...
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Best of Cello Classics' contains 15 popular performance pieces for cello and piano from four centuries. The Baroque works also contain a continuous bass part. Apart from standard works and 'classics' such as the famous sonatas by Breval (C major), de Fesch (D minor), Vivaldi (E minor) or Saint-Saëns' 'The Swan' from 'The Carnival of Animals', this volume also contains lesser known works, like Recercada primera by Ortiz, sonatas by Cirri and Romberg, as well as some charming little character pieces by Lee, Goltermann, Nölck and Trowell. The majority of the works can, for the most part, be played in the first four positions. Some pieces containing a few notes in the neck positions are nevertheless easily playable as well. / Violoncelle Et Piano
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Piazzolla, Astor : 25 Piazzolla Tangos for Cello and Piano
Cello, Piano
[Sheet music]
Hal Leonard
25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arra...
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25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for cello and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. Includes Piazzolla's most famous tangos ?Libertango? and ?Oblivion.? Appropriate for the intermediate to early advanced player. Includes separate pull-out cello part. / Musiques du monde / Partition /
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Rêve D'Amour Vlc/Piano
Français
Cello, Piano
Eschig
Ce document, unique par son ISBN 9790045015237 a été conçu par Liszt Franz et...
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Ce document, unique par son ISBN 9790045015237 a été conçu par Liszt Franz et a pour titre REVE D'AMOUR VLC/PIANO . Il fait partie de la catégorie Classique. / 1 Ou 2 Violoncelle(s) Et Piano / Partition
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Traversee Du Rêve
Français
Cello, Piano
[Sheet music]
Billaudot
La référence GB4257 de l'éditeur Billaudot dont l'auteur célèbre est Pecou ...
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La référence GB4257 de l'éditeur Billaudot dont l'auteur célèbre est Pecou Thierry, qui a pour titre TRAVERSEE DU REVE, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition
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