Buxton Orr’s fantasies on famous themes are expert explorations of their source work rendered as brilliant new composition as is the virtuoso A Carmen Fantasy. It is equally demanding and rewarding in both parts. The composer also arranged it for Orchestra.British composer Buxton Orr was best known for his film and television scores particularly for the Hammer horror films and for a successful one-act opera The Wager. Upon becoming a professor at the Guildhall School of Music he founded their Contemporary Music Ensemble and was later conductor of the London Jazz Composer’s Orchestra.

The autograph score of Lalo’s much played concerto is lost. Written in 1876 the only remaining sources are the first edition score and parts as well as the autograph Piano reduction by Lalo. Hugh Macdonald the highly acclaimed editor of French music has discovered that Lalo’s Piano reduction was used as a working score by Lalo himself. He continued to make alterations to the work in the reduction even after the work was officially published. These changes provide for many corrections in the solo part as we know it but also call for some orchestral passages to be re-orchestrated to match up with Lalo’s finalalterations.First ever critical edition of this romantic masterpiece.Preface in English / German / French.Score orchestral parts Piano reduction.First ever critical commentary (Eng) integrated in the score.Full score and parts (BA6999) and Cello & Piano reduction (BA6999-90) available for sale.

Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. These four pieces can be played for a recital or a contest separately or following one another by upper-intermediate players and above. This volume features:  I. Andantino moderato – two first parts starting with a solo of Piano including many accidentals some trills and some pizzicatos  II. Lento– starts by an exchange of sets of chords between the Piano and the Cello which is played a second time at the end of the piece  III. Moderato –starts by the Piano on its own which is the joined by the Cello  IV. Allegretto moderato – swapping from pizzicato to bow few times in the suite  Bohuslav Martinu (1890-1959) is a Czech composer and a violinist. Even though he was interested in different genres (including Romanticism Jazz and Expressionism) he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for the Cello by Paul Bazelaire contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habaneraclearly exemplifies these qualities through flourishing Cello lines and evocative chordal and rhythmic Piano accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyablepiece for the Cello repertoire. In addition the clear print of separate Cello and Piano parts in this edition of Pièce En Forme De Habanera add to an irresistible purchase for budding cellists.

Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.

Easy pieces for Cello and Piano complimenting Musicland Cello Book 1. Can also be played in String Ensemble, Violin, Viola and Double Bass parts available. / Violoncelle Et Piano

These Fantasiestucke or Fantasy Pieces - a title denoting short and expressive pieces without a specified form - were originally written for clarinet and piano; Schumann himself later made arrangements of this work for cello and for violin. The piano and clarinet parts are notated in the score of this edition; however the solo alternative cello part is also included on a separate insert.

Easy Piano Arrangements with Optional Cello Parts-The Piano Guys are a YouTube sensation. Their eclectic mix of classical film score rock and pop favourites and so on are clever and inspiring. Written for easy piano with pull out cello part.

This substantial addition to the intermediate Cello repertoire in the celebrated \'Fiddler\' format includes Cello melody accompaniment and easy parts with Piano accompaniment and Guitar chords and with performance/backing CD. Around 20 pieces in a wide variety of styles from folk to tango drawn from and comaptible with the \'The Fiddler Play Along Collection\' Violin and Viola books

Par SCHNEIDER FRIEDRICH. Friedrich Schneider is known today above all for his extensive oeuvre in the area of the oratorio. No less important, however, in addition to his symphonic work, is his group of works for piano and/or chamber music. His cello sonata in F major, with all four movements large in scale, was probably composed in 1831 for the daughter of the Cologne music patron, Dr. Erich Heinrich Verkenius. With its expressiveness, monumental structure, and post-Beethovenian sensuality, this sonata already seriously anticipates Romanticism. Our edition offers two solo parts: an unmarked original text as well as a version with fingerings and bowings by the Leipzig based cellist Jürnjakob Timm./ Répertoire / Violoncelle et Piano

Die Virtuose Tafelmusik Von Don Juanquijote-Don Juanquijoten Virtuoosinen Pöytämusiikki (also known as Die Virtuose Tafelmusik Von Don Juanquijote) by Aulis Sallinen was written in celebration of the 70th birthday of Arto Noras and first performed on 12 May 2012 by Arto Noras and Ralf Gothòni in the Helsinki Music Centre.Includes Piano (or Accordion) score with both Cello and Viola parts.