Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano

Recueil Collector (limité à 1000 exemplaires) avec Illustrations et textes en français et en anglais. Réalisé pour et autour de l'album "Lift" interprété par le compositeur Koki Nakano (piano) et Vincent Ségal (violoncelle), le livre propose la partition du premier titre de l'album "petite pièce pour un inconnu", et de nombreux textes explicatifs sur la démarche du compositeur. "Dans le minuscule studio des Buttes-Chaumont où Koki résidait, je pouvais avec mon archet toucher le piano droit et de la main gauche faire chauffer de l?eau, mais en sortant j?avais l?impression d?avoir été sur Mars, au bord d?un lac, dans un loft berlinois, avec des fées. La musique ne signifie rien et pourtant c?est une question de vie et de mort pour Koki Nakano. Vincent Segal" Co-édition No Format / Editions Bourgès R.

The present volume contains a selection of very easy recital pieces for violoncello and piano which can be played in the first position after 1-2 years of cello lessons. The selected pieces are original works from the Renaissance period to the present day: from the Baroque minuet, the classical sonatina or the Romantic character piece to contemporary music and tango, blues or pop. The pieces are suitable for individual, group and chamber music lessons, for practising on one's own and especially for the first auditions, concerts or competitions. A musical journey through 500 years of cello music! / Violoncelle Et Piano

Par BORSARELLO FREDERIC. harm. A. Bernaud / Niveau : Difficile / méthode - études / Etude / Violoncelle et Piano ou 2 Violoncelles

Par BORSARELLO FREDERIC. harm. A. Bernaud / Niveau : Intermédiaire / méthode - études / Etude / Violoncelle et Piano ou 2 Violoncelles

16 Spooky morceaux à jouer et à chanter. Inclut le support CD. Hoojum, Boojum, higgery perruquier, assistants United ! et Trick, traiter ou Tango - quelques-unes des pièces captivante de la magique de nouveaux livres sorcières ' Brew et Potion de l'Assistant. Le mélange novateur de tunes rythmiques, rhymes descriptives et accompagnements jazzy passionnantes sont définies pour capturer l'imagination de tous les débutants. Chaque livre and CD contient: - enseignement points - formation rythmique - suggestions pour la pratique - superbes graphiques - fun et paroles utiles - varié et inspirant tunes. Enfants vont être ensorcelés par la sorcellerie visuel et musical contenue dans les sorcières ' Brew et Potion de l'Assistant livre suivi. Contes de sorcières et des assistants ont enthr MAREN1 les enfants et les adultes pendant des siècles et ont inspiré un travail remarquable des auteurs, des compositeurs et des illustrateurs. / Violoncelle Et Piano

12 Selections from Sondheim Musicals. Par SONDHEIM STEPHEN. This collection features intermediate-level arrangements for cello and piano accompaniment in a range flattering to the cello. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. / Niveau : Moyen / Recueil / Violoncelle et Piano