Have fun playing the Cello. Par KOEPPEN GABRIEL. The second lesson book in the trailblazing new Koeppen Cello Method, putting the emphasis on having fun with your cello! Taking a playful and effective approach to learning the cello, the Koeppen Cello Method breaks new ground, sprucing up the usual Baroque and Classical repertoire by adding pieces in popular styles: rock, bossa nova, reggae, swing and more! Exciting pieces and exercises in these styles illustrate specific musical concepts and techniques, whilst teacher-pupil duets feature throughout, encouraging strong ensemble skills right from the get-go. Structured in an easy and understandable way, the Koeppen Cello Method lays the foundation for a solid technical and musical training. There is a core Lesson Book and a supplementary Tune Book at each level. All books are accompanied by a CD which will help motivate and inspire. For players from around the age of 10 right up to adult learners. / Méthode / Méthode / Violoncelle

100 facili melodie da 3 a 8 note di autori classici. The volumes of the ?Play Happy? series contain 100 pieces from the classical repertoire arranged for beginners at their first steps in playing an instrument. These editions include: a part with piano accompaniments, the backing tracks both in download (mp3 files) and on the attached CD (audio files).

The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the most famous Cello works of the Baroque era. Thanks to their moderate technical demands the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene they form a focus of the Cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc & Boivin but on a copy from Naples revised by Vivaldi himself as well as on two othermanuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part the edition comprises a Piano (Harpsichord) score with realized Basso Continuo which should be very welcome to pupils and amateurs. An unrealized Basso Continuo part has been added for the professional Continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself they bear witness to the contemporary Basso Continuo practice and can serve as a guide for the execution of Vivaldi's unfigured Bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.

This fascinating introduction to the world of Baroque style and technique is perfect for players both young and adult who are learning on the modern Cello. Play Baroque! contains Twenty-six masterpieces from the Baroque period arranged and edited for Cello with teaching notes and Piano accompaniments. Angela East provides lively insights into bowing fingering vibrato and other aspects of baroque performance practice that are sure to enhance the study of this repertoire for all teachers. This book will also appeal to those who wish to study a historical style to enhance their experience of learning the instrument.Suitable for performers of a wide range of abilities from beginners to confident performances at an intermediate level this practical accessible guide is of invaluable benefit to any cellist who wants to learn about the Baroque style.   

Urtext. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer's études have been part of the standard repertoire in cello lessons for generations. Our new edition of the 12 Études Op. 107 follows the original sources and contains the original text. While the Dotzauer études are usually only available in selected editions today, opus 107 is edited here in its entirety, as conceived by the composer himself. Notes on studying and on the performance practice (dynamics, vibrato, change of position, ornamentation, bowings) make the new edition an ideal reference edition for music lessons. The Études Op. 107 contain some of Dotzauer's best-known études of medium difficulty, in the 1st to 4th position and with major technical problems such as arpeggios, velocity, string crossings, slow and fast bowing, double stops, two-part playing, etc. / Date parution : 2022-02-15/ Etude / Violoncelle