SKU: HL.48018277
UPC: 073999182774.
Cello Solo.
SKU: HL.51483306
UPC: 196288206811. 9.25x12.0x0.071 inches.
The serenade flourished in Mozart's era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvorák's cheerful and relaxed op. 22 came into being in 1875, during a very happy time for him both professionally and privately. Heput his personal stamp on the five-movement composition by incorporating stylized Slavonic dances. The spirited finale captivates by restating themes from the previous movements. Since its premiere in 1876 the work, with its melodic richness and particular harmonic modulations, has enjoyed great acclaim from audiences and critics alike. Today it is among Dvorák's most popular and most frequently performed compositions. As well as the autograph and printed editions, the composer's copy of the printed score with autograph corrections and additions has been consulted for Henle's Urtext edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.48022511
12.0x8.25x0.605 inches.
The second part of the Colourstrings Cello School is now available. It is an extensive tutor including 145 pages introducing songs in positions where the melody can be played with natural harmonics. This will greatly help the student to develop correct intonation.
SKU: HL.49018807
ISBN 9790001169738. UPC: 884088668075. 8.25x11.75x0.243 inches.
Hummel's piece for solo violoncello and 13 strings follows Hermann Hesse's famous poem 'Stufen' ('Steps') with regard to form and content. Hummel, a cellist himself, arranges the solo part with playing techniques and tone colours that are typical of the instrument. The work begins and ends with a perfect fifth which sets a clear, concise motif. Short phrases in distinctive bowing patterns and harmonics determine the intensive dialogue between solo instrument and the group of 13 string instruments. At the end, the tension leads to an all-explanatory B-A-C-H theme: an unmistakable homage to the old master.
SKU: BO.B.3726
Written in 2001, this work was conceived by the need to enlarge the repertoire of works for solo cello, an important goal since the repertoire of such works is limited. Most cellists are limited to performances of such well-known solo works as the Suites of Bach, written almost 300 years ago, as well as other classics of the genre by Max Reger, Zoltan Kodaly, Benjamin Britten, Gaspar Cassado, Enric Casals, etc.The intention of the Suite Exotique is to revolutionize the concept of the Baroque suite by transforming the suite into a collection of modern dances, which are both contemporary and widely recognized today. Thus, the dances of the Baroque suite, such as Allemande, Courante, Sarabande are substituted for the Tango, Milonga, Blues in such a way that the traditional formal structure of six movements of Baroque dances is modernized by rhythms and contemporary styles which coexist in the Modern world, but are separate from and do not pertain to those works which are normally considered to belong to the realm of cultured music.Apart from the fusion represented by the mixture of a Baroque genre with modern, urban musical language found in this work, the subtitle exotica is appropriate due to the originality of writing such a work for cello solo. This work allows the interpreter to explore and take full advantage of their technical, artistic and expressive abilities.This work establishes a total symbiosis between the instrument and the evolutionary transformation of its musical language which in turn creates a style adapted to the expressive requirements of the work itself. The specific techniques and qualities of the cello are placed in service of the required style and concept of each movement of the Suite. At the same time those stylistic characteristics are transformed and adapted to the particular characteristics of the cello and taking full advantage of the instruments polyphonic, sonic, aesthetic qualities as well as its timbre.The Suite Exotique was premiered in August, 2003 during the International Music Festival of Ibiza by the Russian cellist Svetlana Tovstukha.
SKU: M7.VHR-3865
ISBN 9783864340666. German.
In Band 3 wird die Grifftechnik auf die 4. Lage nach oben sowie die halbe Lage nach unten ausgedehnt. Während das Cello bei Kompositionen wie Elegie, Erinnerung an Katjuscha oder Am großen Fluss seine wunderschöne melancholische Seite zeigen darf, begeistern schwungvolle Tänze wie Reise nach Bessarabien, Tango oder Seguidilla sowohl Spieler als auch Zuhörer! Nach unzähligen Anfragen von 'Fiedel-Max-begeisterten' Cello-Pädagog/-innen wurden die animierenden Vortragsstücke aus dem gleichnamigen Violin-Schulwerk Fiedel-Max liebevoll und fachgerecht für das Violoncello adaptiert. Entstanden sind 4 Bände mit Charakterstücken unterschiedlichster Stilrichtungen, die - progressiv angeordnet - einerseits die Spieltechnik entwickeln und andererseits die Fantasie und den Gestaltungswillen der jungen Cellistinnen und Cellisten nachhaltig anregen. Auf den beiliegenden CDs sind alle Stücke als Hörversion (Cello und Klavier) und auch als Mitspielversion (nur Klavierbegleitung) zu hören.
SKU: HL.49003453
ISBN 9790001033954. UPC: 073999897272. 9.25x12.0x0.182 inches. German - English - French.
All lower positions including thumb positions. Moderately difficult to difficult.