SKU: PE.EP68766

ISBN 9790300762760.

Each of these five movements for solo cello uses a different technique to extend the performer's control over various dimensions of the music. The composer writes:

There are five pieces. In the first, second and fifth there are phrase sequences with free pauses between them. There are also notations for just dynamics (sounds free), and for just rhythms (free sounds). The third and fourth pieces are on grids of 6 x 6 and 8 x 8 bars, allowing continuities to be chosen in variously free ways.

The fifth piece, consisting of a series of passages that may be performed in any sequence, may also be played as a cello duo, with the second cellist playing a different sequence.

The Anton of the title is the dedicatee, cellist Anton Lukoszevieze, who gave the world premiere of this suite at St James' Church, Islington, London on September 21, 2018. This performing edition is a facsimile of the composer's autograph manuscript. At moderate tempi, the total duration of the work may be approximately 15 minutes.

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SKU: BT.MUSM570366453

English.

'Brice Catherin, a cellist and a composer exploring the notion of the one-man-band concept, commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects), his feet, his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre, both strong, frequent features of my compositional oeuvre. After several meetings and experimentation with Brice, I chose asetup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself, but also helps create unique soundscapes that blend together with the sounds from the spring drums, the human voice (whistling, groans and other effects), a singing bowl, a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony), thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy, harmonious, distorted, etc.), based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C), played and recorded using a variety of attacks and triggering objects and methods. Emmelia is also the name of my baby daughter, who has been my constant inspiration since she was born.' - Evis Sammoutis.

SKU: HL.49018052

ISBN 9790220131585. UPC: 884088567095. 9.0x12.0x0.075 inches.

In addition to Bryars' many vocal laude there are a growing number of connected instrumental works. Tre Laude Dolce for solo cello is the second of these to be released as a Schott Edition publication and follows Bryars' Lauda (con sordino) originally for cello and piano. Based on the same principals as the composer's vocal laude and as always, attempting to retain the purity and austerity of the original form, Tre Laude Dolce is characterised by long phrases and open structures; a beautiful work perfect for any good cellist.

SKU: HL.14043277

ISBN 9788759830987. International (more than one language).

Niels Rosing-Schow 's 2014 piece Views From A High Place for solo Cello. Version B. The work 'Views from a High Place' is a rhapsodic piece revisiting characteristic solo passages from both of my Cello concertos. The different musical 'views' share the instrument's high register as the point from which there is a view. Version B was written for the Danish String Players Contest 2014. - Niels Rosing-Schow.

SKU: KV.3611872

The pieces in the Fun Club will provide light relief between exams, consolidate what has been learned and move you to the next grade. In a variety of styles: classical, jazz, contemporary, rock, easy listening and ethnic. Each one explores a different aspect of cello technique and dynamic. The FREE companion CD gives a full performance and also a backing track. There's even a slower 'practice speed' recording to play along to as you learn. Offered in three graduated difficulty levels.

SKU: HL.14043276

ISBN 9788759830970. International (more than one language).

Niels Rosing-Schow 's 2014 piece Views From A High Place for solo Cello. The work 'Views from a High Place' is a rhapsodic piece revisiting characteristic solo passages from both of my Cello concertos. The different musical 'views' share the instrument's high register as the point from which there is a view. - Niels Rosing-Schow .

SKU: SP.TS558

ISBN 9781585609185.

Due to the success of our Instrumental Fingering Posters, we thought it would be helpful to create a smaller version that could be tucked comfortably into any method book as a reference guide. Unbeknownst to us after days of research, we were left with countless questions, much confusion, and a slew of poorly crafted images from contradicting publications. That being said, we realized that there weren't truly any trustworthy resources in print and decided to address the void. We consulted experts in every category asking questions until both we and they and we were satisfied. Finally, a guide to fingering for beginners that even the experienced players will find beneficial. Santorella's Basic Fingering Charts are essential for anyone that picks up an instrument. Initially intended for beginners but after understanding the importance of false fingerings or more appropriately called, alternate fingerings their necessity is vital for playing certain musical passages on a particular instrument. In addition, after observing the difficulties that students had in identifying key signatures, we decided to include the Circle of Fifths diagram and every major scale in two octaves in every key including their enharmonic counterparts. After all was said in done, we now know, we now have the best educational products available for fingering in the industry. Our Basic Fingering Charts are perfect for private students, classroom study, or simply for a quick and easy reference guide while practicing at home. These graphic reference guides for assorted brass, reeds, woodwinds, and orchestral strings are specifically available for Clarinet, Bass Clarinet, Trumpet, Flute, Piccolo, Recorder, Baritone Horn, Trombone, Bass Trombone, Alto Sax, Soprano Sax, Tenor Sax, Baritone Sax, French Horn, Euphonium, Tuba, Oboe, Bassoon, Violin, Viola, Cello, and Bass. Every chart displays the entire range of each instrument by clearly depicting the fingering for each note including all their enharmonic substitutions. Each chart includes a diagram identifying the levers, valves, keys, slides, frets and more of each and every instrument. Learn where, when, and why to place your fingers. Now is the time to truly start playing with assured confidence.