This first book of Easy Classics For Cello contains thirteen well-known pieces by composers including Bach Schumann Purcell Handel Mozart and Beethoven arranged for Cello and Piano by Watson Forbes.

This text presents beginning cello technique and basic music reading fundamentals. There is an emphasis on using melodies and classical pieces to instruct each new concept. The 28 lessons include basic technique and readingskills scales in the keys of D G C and F and bowing techniques such as dynamic contrast slurs accents and staccato bowing. There are 47 melodies presented including works by Bach Beethoven Brahms Handel Mozart and otherclassical composers.The book includes access to online audio containing all of the exercises and pieces recorded with solo cello and piano accompaniment. It is useful as a teaching and practice tool as well as a performanceaccompaniment track.

Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik were issued many years ago by the Könemann Music Budapest. The first edition was quickly sold out and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto)and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann's Etude-caprice and Jenkinson’s Dance of the sylphids the lighter kind include Joplin's Ragtime. Book II Contents: 1. Aldrovandini G. A. V.: Sonata2. Bella Domenico dalla: Sonata 3. Boni Pietro Giuseppe Gaetano: Sonata Op. 1 No. 5 4. Passionei Carlo: Sonata 5. Bach Johann Sebastian: Air BWV 1068/II 6. Tartini Giuseppe: L'arte del arco 7. Haydn Joseph: Sonatina Hob. XI:101 5 108 8. Albrechtsberger Johann Georg: Scherzando 9. Boccherini Luigi: Minuetto 10. Mozart Wolfgang Amadeus: Divertimento from KV 487 11. Beethoven Ludwig van: Andante con variazioni WoO 44b 12. Schubert Franz: Ave Maria Op. 52 No. 6 13. Mendelssohn-Bartholdy Felix: Lied ohne Worte Op. 19 No. 4 14. Schumann Robert: Schlummerlied Op. 124 No. 16 15. Goltermann Georg: Étude-caprice Op. 54 No. 4 16. Tchaikovsky P. I.: Chanson triste Op. 40 No. 2 17. Dvorák Antonín: Appassionato Op. 75 No. 3 18. Massenet Jules: Air de Ballet (Scene pittoresque)

The piece is a stream of impressions coming to one's mind where the direct relation between one event and the next can seem irrational. But the sum of all events creates a certain soundspace a certain direction. And althoughfragmented the form is the result of the interaction between three carefully calculated waveforms.Stream was commissioned by the Cologne Philharmonic for the 1999 Bach Festival as a part of a series of concertsfeaturing 6 leading cellists each playing one Bach solo suite and one commissioned work. Composition commissioned by Koln Musik.

Piatti’s Twelve Caprices Op. 25 are the daily bread of all advanced players of the Cello: Sir Yehudi Menuhin mentioned them in the same breath with the Bach Suites. Now Henle is presenting the veryfirst urtext edition of this opus with information on sources and alternative readings and with fold-out pages to solve the previously knotty problem of page turns.

12 Capricci op. 25 for Violoncello solo-One of the most celebrated cellists of his day virtuosic composer Alfredo Piatti performed with the likes of Liszt and Mendelssohn Bartholdy. His 12 Capricci Op. 25 are a must for all advanced Celloplayers.Piatti's 12 Capricci have been compared by Sir Yehudi Menuhin to the Cello Suites by J. S. Bach - in fact Menuhin referred to the two works as the 'Old and New Testament' of Celloliterature. This Henle Urtext publication is the very first time that the work has been produced in a practical study edition.

Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Cellists and presents a broad selection of well-known pieces from the repertoire of classical music, opera, musicals, jazz and tunes from all over the world for all occasions, from solemn ceremonies to happy celebrations. This includes performances as part of public or private ceremonies to mark birthdays, weddings, funerals, anniversaries and jubilee celebrations as well as concerts in schools. The selection ranges from popular classical works such as Bach's 'Air', Mozart's 'Little Night Music' or Schumann's 'Reverie' and well-known operatic melodies through to medleys featuring waltzes, Dixieland or folk songs through to tangos and a few jazz standards. As the second cello part includes symbols for harmonies, it can also be played at will on keyboard, guitar and/or bass. Enjoy your gig!/ Recueil / Violoncelle

Suites 1-3-Bach’s six suites for violoncello were composed in a relatively short period (1717-23) along with other great string works. The development of musical and technical demands increases almost exponentially throughout.Thisfirst volume with accompanying CD contains the first three suites BWV 1007-1009 as edited by Tim Hugh.

15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) ? Can Can (from Orpheus in the Underworld) (Offenbach) ? Jesu, Joy of Man's Desiring (J.S. Bach) ? Morning Mood (from Peer Gynt) (Grieg) ? Ode to Joy (from Symphony No. 9) (Beethoven) ? William Tell Overture (Rossini) ? and more.

Une suite substantielle en six mouvements, composée en 2001 comme une commission pour le concours de violoncelle de Turku. Le titre a ses racines dans le manuscrit original de partitas de Bach pour violon dont il utilise le vieux italien nom partia. Cependant, les mouvements n'ont aucune similitude structurale directe avec les partitas baroques et leurs titres sont empruntés à une période de temps de Bach. Seuls les textures dans les divers mouvements sont en quelque sorte rappelle celui de leurs prédécesseurs. La suite commence avec un carrousel ressemblant Sinfonia, suivi par Coranto, Aria, Boria, Double et Giga. Un ajout important pour le répertoire violoncelle solo. / Violoncelle

Discipline / Instrument : violoncelle Difficulté : 4 Genre : Méthode - études Média : Partition Nombre de pages : 23 Editeur : Delrieu Date de parution : 13/03/1938 Sommaire BACH - DOTZAUER - FIORILLO - GRÜTMACHER - KAYSER - KREUTZER - MAZAS - QUARENGHI - SAINT-SAËNS - SERVAIS Notice 8 volumes d'études progressives sélectionnées par Louis R. Feuillard

Contenu : Recueil d'études progressives choisies, doigtées et annotés par L.R. Feuillard: C-N. BAUDIOT, J. MARTINN, B. CAMPAGNOLI, R.KREUTZER, F. MAZAS, Fr. GRÜTMACHER, L. SPOHR, I. FIORILLO, J. DONT, J. MARTINN, H-E. KAYSER, I. FIORILLO, Fr. GRÜTMACHER, J. MARTINN, J. DONT, H-E. KAYSER, J-L. DUPORT, F. MAZAS, J. DOTZAUER et J-S. BACH