Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik were issued many years ago by the Könemann Music Budapest. The first edition was quickly sold out and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto)and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann's Etude-caprice and Jenkinson’s Dance of the sylphids the lighter kind include Joplin's Ragtime. Book II Contents: 1. Aldrovandini G. A. V.: Sonata2. Bella Domenico dalla: Sonata 3. Boni Pietro Giuseppe Gaetano: Sonata Op. 1 No. 5 4. Passionei Carlo: Sonata 5. Bach Johann Sebastian: Air BWV 1068/II 6. Tartini Giuseppe: L'arte del arco 7. Haydn Joseph: Sonatina Hob. XI:101 5 108 8. Albrechtsberger Johann Georg: Scherzando 9. Boccherini Luigi: Minuetto 10. Mozart Wolfgang Amadeus: Divertimento from KV 487 11. Beethoven Ludwig van: Andante con variazioni WoO 44b 12. Schubert Franz: Ave Maria Op. 52 No. 6 13. Mendelssohn-Bartholdy Felix: Lied ohne Worte Op. 19 No. 4 14. Schumann Robert: Schlummerlied Op. 124 No. 16 15. Goltermann Georg: Étude-caprice Op. 54 No. 4 16. Tchaikovsky P. I.: Chanson triste Op. 40 No. 2 17. Dvorák Antonín: Appassionato Op. 75 No. 3 18. Massenet Jules: Air de Ballet (Scene pittoresque)

Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle

Scholarly critical edition with many corrections in the score and orchestral parts.Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm.?Prélude A L?Aprés-Midi D?Un Faune? often referred to as the first composition of the ?modern? era is one of Debussy?s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter?s scholarly-critical edition.Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed.Bärenreiter?s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy?s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.

Extended instrumental solo taken from MacMillan's 70-90-minute 'Since it was the day of Preparation ? ' for voices and ensemble, commissioned by the Hebrides Ensemble, Edinburgh International Festival, Soli Deo Gloria and Kings Place, and first performed by the Hebrides Ensemble at the 2012 Edinburgh Festival.The parent work sets the Resurrection narratives from St John's Gospel. Five instrumental solos for different instruments (theorbo, cello, clarinet, harp, horn) are reproduced unabridged. They serve as prologue and interludes at respective points of the work. / Violoncelle

The composer Patrick Burgan and the giant of French music Henri Dutilleux formed real elective affinities with each other. Dutilleux never missed an oppor­tunity to mention the high esteem in which he held the younger musician’s work. Dedicated to the memory of Henri Dutilleux Songe À La Douceur takes its title from the 2nd verse of 'L’Invitation au Voyage' from the 'Fleurs du mal' by Baudelaire – a poet who was a constant source of inspiration for Dutilleux.    Burgan invites listeners to explore the musical universe of the French master: the numerous quotations of his work duly flagged in the score form a superb constellation that stretches from the Mystère de l’Instant to the Deuxième Symphonie via the quartet Ainsi la nuit Métaboles and the concerto for cello Tout un monde lointain. Reflecting L’Invitation au Voyage the composer follows the principle of verse and refrain and the hypnotic return of the soft chords in pizzicato echoes the famous lines: “Là tout n’est qu’ordre et beauté / Luxe calme et volupté”. This tribute in the form of a delicate alchemy combines sparkle sweetness and spirit.

Chill-out pieces to enjoy between exams-Fun Club provides chill-out pieces to relax with and enjoy between exams. The lively tunes consolidate what has been learnt and move the pupil on to the next grade. The funky FREE CDs contain a demonstration ofeach track as well as an accompaniment. For Grade 2-3 Cello.Includes 11 fun pieces: Barney's boogie Celtic dance Chill out zone Creatures of the night Fish 'n' chips rag Groovy baby King Clown Seven seas hornpipe Stroll on Take a stroll and Tarantella.

Stuff All the Pros Know and Use-Ready to take your Cello playing to the next level? This book presents valuable how-to insight that cellists of all levels can benefit from spanning classical to rock music and everything in between. The text photos music diagrams and accompanying demo audio tracks provide a terrific easy-to-use resource for a variety of topics including: bowing techniques non-classical playing electric cellos accessories gig tips practicing recording and much more.

Introduces cello technique from the start taking the player up to grade one level. This title takes an imaginative child-orientated approach throughout encouraging interaction and the exploration of new sound worlds through a variety of music.

Bags of Style takes you on a fantastic musical journey through ten centuries of time from the 12th to the 21st century. This is great material for concerts or to liven up history or drama lessons. Each piece is complete in itself so does not need an accompaniment but for fun you could ask a friend to improvise a simple rhythm on drum or percussion to fit with your part. Written and arranged by the UK’s leading string pedagogue Mary Cohen creator of a wide range of imaginative teaching publications.

One of Haydn's most attractive concertos from the mid seventeenth century the Concerto For Violin In C has only recently been re-discovered. In this charming concerto the soloist is accompanied by a String Orchestra a scoring which can be easily mastered by amateur ensembles. This Urtext edition is taken from the Henle Complete Edition of the Works of Joseph Haydn.

Ce film original de Disney Channel raconte l'histoire de deux schoolers haute qui découvrent leur amour pour le chant et contester leurs cliques dans le processus. Ce recueil de chansons comprend neuf chansons de la bande originale de record, Best-seller, tout arrangé pour violoncelle, avec spécialement enregistré des pistes de soutien. Chansons comprennent : Breaking gratuit, chef de la Get'cha dans le bâton de jeu, début de quelque chose de nouveau, le statu quo, ce que j'ai été Looking For et plus encore ! / Violoncelle / 24 pages / Partition

Des classiques aux hits d'aujourd'hui, ces chansons intemporelles sont maintenant disponibles en arrangements faciles pour violon, alto et violoncelle. Chaque livre de la chaîne inclut des accompagnements de piano, une partie de la chaîne amovible, et un accompagnement orchestré CD entièrement. / Violoncelle