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Cello
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11 Top Hits for Cello
Cello
[Sheet music + Audio access]
Hal Leonard
Now instrumentalists can play-along with some of today's top hits! These songboo...
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Now instrumentalists can play-along with some of today's top hits! These songbooks feature solo instrumental arrangements with professionally-recorded demonstration and backing tracks so after a little bit of practice, you can sound like you're playing with the band! Songs include: Anti-Hero (Taylor Swift) · As It Was (Harry Styles) · Easy on Me (Adele) · Flowers (Miley Cyrus) · Glimpse of Us (Joji) · Golden Hour (JVKE) · Hold My Hand (Lady Gaga) · I Ain't Worried (One Republic) · Lift Me Up (Rihanna) · Made You Look (Megan Trainor) · Until I Found You (Stephen Sanchez). Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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Edward Elgar: Cello Concerto Miniature Score: Cello: Score
Cello
[Sheet music]
Novello & Co Ltd.
Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a co...
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Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a cornerstone of the solo Cello repertoire. In contrast with Elgar's earlier Violin Concerto which is lyrical and passionate the Cello Concerto written in the aftermath of the First World War is for the most part contemplative and elegiac. The four-movement concerto scored for solo Cello 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani and Strings did not achieve wide popularity until the 1960s however is now regarded to 'rank not only among his finest works but among the greatest ofits kind' (Michael Kennedy).Sir Edward William Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Although Elgar is often regarded as ‘typically English’ most of his musical influences were not from England but from continental Europe.
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Johann Sebastian Bach: Suite I G Major BWV 1007: Cello: Instrumental Album
Cello
Wiener Urtext
This separate edition of the first suite for Cello solo by Johann Sebastian Bach...
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This separate edition of the first suite for Cello solo by Johann Sebastian Bach contains the musical text of the well-regarded Wiener Urtext edition with all six Cello suites of Bach by Ulrich Leisinger. Thanks to new findings Leisinger managed to re-evaluate the sources which did not leave the structure of the musical text and the associated delicate problem of the slurs untouched. His re-evaluation gave reasons for a stronger freedom from the manuscript copy of Anna Magdalena Bach which had always been cited as main source until then despite its being very unreliable with regard to the articulation; thus the new edition leads to moreconvincing solutions. This separate edition is the perfect starting point to study Bach's suites for Cello solo in class and provides amateurs with a technically accessible masterpiece in Cello literature.
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Blackwell: Cello Time Starters: Cello: Instrumental Tutor
Cello
Oxford University Press
Building on the success of the Cello Time series Cello Time Starters provides t...
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Building on the success of the Cello Time series Cello Time Starters provides the best possible foundation for the budding string player. Carefully paced to suit young learners the book supports players through the important early stages step by step-from how to hold your instrument and bow through basic notation to pieces using the 1st 2nd and 3rd fingers. Packed with quizzes games and songs as well as colour illustrations to demonstrate each stage Cello Time Starters also includes a CD of performances and backing tracks to encourage and enhance progress throughout.The Starters books provide a thoroughpedagogical approach that supports the early years of learning up until the end of Joggers and the Starters and Joggers books work well when used in conjunction.
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4 Seiten
Cello
Schott
Vier Seiten for violoncello is an attempt to present an event that in reality ta...
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Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight line of motion.When I composed the piece, the fatal accident of Ayrton Senna came to my mind again and again - an accident which was shown on TV in slow motion again and again until it became unbearable. The fast motion of the car immediately before the crash into a concrete wall, a motion which was no longer purposeful but out of control and which had the car pulled to and fro and from side to side, was followed by that crash. In this extreme slow motion, it is no longer shown as a crash but as the fast telescoping of carbon fibre, metal and human body parts.After this crash, as a postlude so to speak, everything suddenly slowed down, tyres and automotive particles floating in the air, the torso of the vehicle swinging until the motion stopped. It was not until this moment that I realized that the whole presentation of the incident had been accompanied by paralyzing silence. / Violoncelle
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Franz Joseph Haydn: Haydn - Violoncello Concerto in C Major HobVIIb:1: Cello
Cello
[Sheet music + Audio access]
Music Minus One
Music Minus One Cello Deluxe 2-CD Set-Franz Josef haydn's beautiful Concerto in ...
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Music Minus One Cello Deluxe 2-CD Set-Franz Josef haydn's beautiful Concerto in C major for Violoncello and orchestra is a treat as well as an absolute requirement for any serious cellist. Strangely though it lay dormant and unknown in a Prague library until it was dicovered in 1961 and brought to light after nearly two hundred years! Since its reintroduction it has become one of the most popular of all violoncello concerti and deservedly so. This concerto was most likely written in the mid-1760s while Haydn was Kapellmeister to Prince Esterhazy. Its splendid memorable themes perfectly showcase the solo instrument against a beautifully and sensitively orchestrated backdrop all of which come together toillustrate Papa Haydn's mastery of form melody and orchestration. Its lovely classical charm beautifully captured here by virtuoso roman Wiszniowski and the Plovdiv Philharmonic will enchant you from beginning to end. Then play it yourself with maestro Todorov and the Plovdiv Philharmonic as your accompanists! This MMO learning and performance edition of one of the great classical cello masterpieces is not to be missed!
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Donald Miller: Music From Around The World For Solo and Ensemble: Cello:
Cello
[Sheet music]
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Easy
Mel Bay
Cello-Bass-Many selections in this volume are unique and until now have been ina...
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Cello-Bass-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The piecesmaybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is notnecessary. The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment ANDensemble score downloads are available for use with this title.
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Cello Scales Arpeggios & Studies: Cello: Instrumental Tutor
Cello
Trinity College London
This item contains all the scales arpeggios and studies required for Trinity Co...
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This item contains all the scales arpeggios and studies required for Trinity College London’s Cello Exams for Initial to Grade 8 valid from 2016. Newly commissioned studies are also included for Grades 1–5 which may be used as an alternative to scales and arpeggios. Selected pieces for Trinity College London Violin Exams for 2016-2019 expertly graded and edited by leading music educators. This item contains only the Violin part. **Please note: Orders for this title will not ship until 27/07/2015.**
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Richard Kershaw: Mellow Cello: Cello: Instrumental Album
Cello
[Sheet music + CD]
-
Easy
Fentone Music
18 tuneful and jazzy pieces for the beginner celli-The tunes in Mellow Cello are...
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18 tuneful and jazzy pieces for the beginner celli-The tunes in Mellow Cello are designed to provide an introduction to jazz and popular music styles for young cellists ranging from beginners to performers at a somewhat more advanced level. The first pieces use only open strings both pizzicato and bowed: here the cellist gains experience in counting rests as well as exploring the four strings. From pieces 4 to 9 the fingers are brought into play starting with the first finger only until all four are used. The pieces in the second half of the book allow the cellist to explore a variety of jazz styles. A piano accompaniment part is included for concert performances.
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Max Reger: Three Suites for violoncello solo: Cello: Instrumental Album
Cello
Carus Verlag
Op. 131c-The rediscovery of the original manuscripts of Max Reger's works for vi...
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Op. 131c-The rediscovery of the original manuscripts of Max Reger's works for violin viola and cello op. 131a-d represents a minor sensation. These late works for solo strings dating from 1914 and 1915 the last of which was only published posthumously were only known from the first printed editions until now and a scholarly-critical edition based on all the sources has long been desirable. The new edition from the Max-Reger-Institut now fills this gap.
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Cheryl Frances-Hoad: Excelsus: Cello: Instrumental Work
Cello
Cadenza Music
Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a sui...
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Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a suite each movement being based on a passage from the Requiem mass text. Although I spent many hours refining my interpretation of the words the work is ultimately a more instinctive reaction to the evocative language of the excerpts. However my stance was always totally atheistic and this infiltrates everything from the mood through the disregard for the text’s order to the instrumentation (the use of a lone figure which I viewed as a musical equivalent to the ‘first person’ offending against the liturgical norms which areconcerned with people as a community). Musically the entire work is based on two themes one melodic (the Rex Tremendae or ‘King of Awful Majesty’ theme which is heard at the very opening) and one chordal (the Lux Aeternum (Light eternal) chords not revealed in their pure form until the pizzicato passage that concludes the suite). The order ofthe movements is as follows: Requiem Aeternum (Grant them eternal rest)Kyrie (Lord have mercy)Tuba Mirum (Hark the Trumpet)Sanctus (Holy holy)Dies Irae (Day of Wrath)Agnus Dei (Lamb of God)Quid Sum Miser (What shall I a wretch say then?)' - Cheryl Frances-Hoad
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Karsten Fundal: Figure and Ground Study I: Cello: Score
Cello
[Partitions]
Wilhelm Hansen
The image and concept of this piece is easiest to describe by using the visual i...
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The image and concept of this piece is easiest to describe by using the visual images of the Dutch artist M. C. Escher. He made many woodcuts where the whole surface of the picture has a figurative function often just in black and white. For example a row of white ducks 'transversing' the painting which are described by black ducks transversing in the opposite direction. In this way the two figures describe each other so to speak.In this piece melody has been approached in a similar way: a melody is used which can be framed in rhythmically different groupings - in groups of fours or fives etc- thus creating new hierarchical melodies which grow more and moreobvious to the ear. The initial melody then becomes background to the new melody until disappearing and a new rhythmical pattern is imposed on the second melody and so forth. Later the different 'rhythm melodies' are woven together creating a new perceptual image one that is at the same time actually a 'holographic' reproduction of the initial melody. The latter situation is similar to the way Bach makes hidden 3- or 4-part counterpoints in his Cello suites by intersecting the parts successively into beautifully interwoven patterns.The very static sections of the piece are chiefly inspired by the powerful singing of the buddhist-monks of Tibet who are able to relax their vocal chords to such an extent that they create an overpowering deep note not normally thought to be produced by a human voice. Figure and Ground Study I was first performed by Mats Olofson at the Numus Festival 1995.
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Carl Reinecke: Sämtliche Sonaten: Cello: Instrumental Work
Cello
Wiener Urtext
Having been the conductor of the Leipzig Gewandhaus Orchestra for many years Ca...
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Having been the conductor of the Leipzig Gewandhaus Orchestra for many years Carl Reinecke was one of the most important figures among musicians in the second half of the 19th century. His three sonatas for Violoncello and Piano are of amazing musical quality which puts them right up with sonatas of Johannes Brahms. It is all the more surprising however that a noteworthy Urtext edition of these works did not exist up until now; cellists often had to fall back on copies of the first editions only a few of which were extant. This gap is now closed by the Wiener Urtext Edition - right in time for the 100th anniversary of the composer's death. Itencompasses all three sonatas in one volume thus adding three masterpieces of Romantic chamber music to the less than comprehensive repertoire of the 19th century for Violoncello and Piano.
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Claude Debussy: La Mer: Orchestra: Part
Cello
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
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Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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Metallica: Best of Metallica for Cello: Cello Solo: Instrumental Album
Cello
[Sheet music + Audio access]
-
Intermediate
Cherry Lane
Instrumental Play-Along-This unique collection features twelve songs for solo in...
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Instrumental Play-Along-This unique collection features twelve songs for solo instrumentalists from the legendary hard-hitting metal band.Now many instrumentalists can play their favourite Metallica songs. Each soloist is supported by great backing tracks.
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