for Chamber Orchestra. Par HENZE HANS WERNER. Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella ’Concierto Barocco’ by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze./ Répertoire / Orchestre de Chambre

for large ensemble. Par TURNAGE MARK-ANTHONY. One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed. Snapshots starts off by revealing bits of each of the two bars (with episodes placed in-between). The full two bars of music are then revealed at the end of the piece. Snapshots is a tribute to Olly [Oliver Knussen] on his 50th birthday. Mark-Anthony Turnage/ Répertoire / Ensemble de Musique de Chambre

Par WAGNER JOSEF FRANZ. Concert Piece For Violin And Orchestra/ Répertoire / Orchestre de Salon

Par WAGNER JOSEF FRANZ. Concert Piece For Violin And Orchestra/ Répertoire / Orchestre de Salon

for flute clarinet percussion piano violin and cello-Subtilior Lamento is a piece that draws some inspiration from the music of the so-called ‘Ars Subtilior’ movement of the fourteenth century. This early music features rhythmic complexities linear ornamentation and harmonic intricacy. In my piece I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece’s structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium - Hannah LashInstrumentation: fl.cl-perc(vib chimes)-pno-vn.vc