Arr. RESON'ANCHES. Par LEHN CYRILLE. / Niveau : Cycle 3 / Musique de Chambre / Date parution : 2023-03-21/ Répertoire / Musique de Chambre

Sur Les Mouvements Rotatoires En Quarts De Ton. Par WYSCHNEGRADSKY IVAN ALEXANDROWITSCH. Cette pièce est régie par un principe similaire à celle qui obtient dans le ' Etude sur le Carré magique sonore ' (BEL 174). 8 cycles d'intervalle succèdent à proximité et forment une sorte de mouvement octogone qui est érigé et puis démantelé. Le cycle des quintes diminuées arrive à une conclusion qu'après qu'il a traversé 13 octaves, c'est-à-dire au-delà des limites de ce qu'est réellement audible. La requête posèrent est plus apparente au début et à la fin, où la roue moud graduellement arrêter. Entre là sont des passages avec des grappes de ton denses et trilles cordal. (Gottfried Eberle)/ Répertoire / Orchestre de Chambre

Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed music’ and was commissioned by the Festival de Lille for the inauguration of the TGV North EuropeanParis-Lille line in 1993. This piece of sheet music runs continuously but was conceived as an abstract imaginary journey; or rather five inter-connected journeys each ending with a slow mainly stepwise melody which isonly heard in its 'genuine' form when the piece reaches its destination. Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic melodic harmonic motivic textural -constantly change their identity as they pass through different musical 'environments'. The opening bars establish both a recurrent rhythmic principle - 9 11 or 13-beat rhythmic cycles heard against a regular 8 - and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally MGV begins in C and ends in E). A later scalic syncopated figure (again first heard over C E and A)begins the second section featuring Brass in D flat. The topography of MGV should be experienced without reference to planning description or timetables. Its tempo changes and unpredictable slowings downbear no logical relation to the high speed of the Paris-Lille journey while the temptation to treat MGV as a concerto grosso with the Michael Nyman band as the ripeno was resisted: more suitably theband (amplified in live performance) lays down the tracks on which MGV runs.

for flute clarinet percussion piano violin and cello-Subtilior Lamento is a piece that draws some inspiration from the music of the so-called ‘Ars Subtilior’ movement of the fourteenth century. This early music features rhythmic complexities linear ornamentation and harmonic intricacy. In my piece I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece’s structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium - Hannah LashInstrumentation: fl.cl-perc(vib chimes)-pno-vn.vc

for flute viola and harp-Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece I was inspired by Auguste Rodin’s sculpture The Three Shades a detail sitting atop the sculptor’s work The Gates of Hell depicting a scene from Dante’s The Inferno. Although my music is not representative or depictive of Dante or an image of hell I was deeply drawn to the sinewy character of Rodin’s work its intensity muscularity consistency and the way in which movement and energy is represented in his shapes - Hannah Lash

Sound and colour are of most importance to Heribert Breuer in this work. The interplay between wind trio and string trio throughout this cycle is of particular interest.

Par YUN ISANG. Détails de la formation instrumentale: 1(=picc).1.1.b Clarinette 1-2.1.1.0-perc(1/2):5tom-t/glsp/5susp.cym/2maracas/rattle/claves/5wdbl/5gongs/ claves-harp- Pianot-strings - Durée: 33' -/ Répertoire / Orchestre de Chambre

Arr. SERGE HAERRING, RESON'ANCHES. Par DA PALESTRINA. / Niveau : Cycle 1 / Musique de Chambre / Date parution : 2023-03-21/ Répertoire / Musique de Chambre

Arr. RESON'ANCHES. Par JUND BERNARD. / Niveau : Cycle 2 / Musique de Chambre / Date parution : 2023-03-21/ Répertoire / Musique de Chambre

Arr. RESON'ANCHES. Par VANNSON JULIEN. / Niveau : Cycle 3 / Musique de Chambre / Date parution : 2023-03-21/ Répertoire / Musique de Chambre