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EUPHONIUM
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Chamber Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Tenor voice (48)
Symphonic Band (48)
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Parties Orchestrales (46)
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Educatif (45)
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Choral, Orchestra (41)
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:: (39)
CD (39)
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Trombone or Euphonium (37)
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Flûte Traversière ou Hautboi… (28)
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Musique de chambre (24)
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Quintette à vent (24)
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Solo A, Choeur SATB/SATB, 2 Or… (23)
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Livres (23)
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Trio (2 Soli Avec Réduction D… (22)
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Piano, Guitar (duet) (21)
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Violon, Ensembles de Cordes et… (21)
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Chanson (21)
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Voice, String Quartet (20)
Quatuor à Cordes ou Orchestre… (20)
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Quintette de Cuivres (20)
String Quartet : 4 violas (20)
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Batterie et Percussions (20)
Solistes SATBB, Choeur SATB, 2… (19)
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Quintette Variable (19)
Soli (ATB), Choeur Mixte (SATB… (19)
5 Recorders (19)
Cello, String Bass (duet) (19)
Flute, Clarinet, Piano (trio) (19)
Travaux Pour Choeurs (19)
Harpsichord and Strings (19)
Choeur Mixte a Cappella (19)
Orgue Et Orchestre (19)
Timpani (19)
Violoncello, Basso continuo (19)
Ensemble (19)
Children choir, Instruments (18)
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Solistes SATB, Choeur SATB, 2 … (18)
Solistes (SATB), Choeur Mixte … (18)
Lyrics only (18)
Saxophone Baryton (18)
Saxophone and Orchestra (18)
2 Flutes, Piano (18)
Saxophone Ténor et Piano (18)
Piccolo, Piano (18)
Viola da Gamba (18)
Quintette avec Piano (17)
Clavier Electronique et Ligne … (17)
Medium Voice (17)
Brass Quartet: 4 trumpets (17)
Ensemble Instrumental (17)
Ensemble Mixte (17)
Quatuor à vent (16)
2 Hautbois, 2 Violons, Alto, V… (16)
Soli (SATB), Choeur Mixte (SAT… (16)
Cor en Fa (16)
Flûte à Bec F1, Hautbois et … (16)
Baritone Saxophone (16)
Ensemble Divers (16)
Instruments A Vent (16)
2 Violins and Basso (16)
Percussion, Piano (duet) (16)
Recorder, Guitar (duet) (16)
Solo SATB, Choeur SATB, Hautbo… (15)
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Electric bass, Drums (15)
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Xylophone (15)
Cornet and Piano (15)
Brass ensemble, Organ (15)
Cornet (15)
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Recorder, Bass Continuo (15)
Descant (Soprano) Recorder, Ba… (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Solistes ATB, Choeur SATB, Fl… (14)
Choeur D'Enfants (MezMezMez) A… (14)
3 Violons, Instruments à Cord… (14)
Solistes ATB, Choeur SATB, (Ct… (14)
Flûte A Bec, Chant Et Percuss… (14)
Flûte Traversière, Violon, I… (14)
Choeur SSATB et Basse Continue… (14)
Solistes et Choeur SATB/SATB, … (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Accordion - Piano, Voice, Guit… (14)
Flûte Traversière Hautbois, … (14)
Voix Et Instruments Divers (14)
Soprano, Piano (14)
Organ, Piano (duet) (14)
Soli and Orchestra (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Brass Quartet: 4 trombones (14)
String Quintet: 2 violins, vio… (14)
Horn and Orchestra (14)
Violin, Horn and Piano (14)
2 Violins, Piano (14)
Viola and orchestra (14)
English horn, Piano (14)
Clavier ou Orgue Electronique (13)
Solo A, Choeur SATB, 2 Hautboi… (13)
Livre Musical (13)
Soli (STB), Choeur Mixte (SATB… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Trompette et Concert Band ou H… (13)
Bagpipe (13)
Libretto (13)
Contrebasse (Partie séparée)… (13)
Quatuor (2 Trompettes, Trombon… (13)
Baritone Ukulele (13)
Harp and Piano (13)
Ensemble D'Altos (13)
Flûtes A Bec (SSATB), Cordes,… (12)
Flûte à Bec F1, Violon et Ba… (12)
Violin, Organ (12)
Cello, Organ (12)
Flûte Traversière, Hautbois,… (12)
2 Flûtes A Bec Alto, 2 Hautbo… (12)
Chorale (12)
2 Flûtes A Bec (SA) Et Piano (12)
3 Hautbois, 2 Violons, Alto et… (12)
Solistes SATB, Choeur SATB, (C… (12)
Cello Ensemble (12)
3 Parties Voix Aigues (SSA) A … (12)
3 Violons et Basse Continue ou… (12)
Clarinette, Violon, Violoncell… (12)
Flûte Traversière, Clarinett… (12)
Partition D'Orchestre (12)
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Flûte Traversière, Violon et… (12)
Choeur SATB, 2 Violons, Violon… (12)
Violon 2 (12)
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Solistes SBar, Choeur SATB, 2 … (11)
Solistes SATB, Choeur SATB, Ha… (11)
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Voix Mixtes SAB et Piano (11)
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Quatuor A Vent (11)
Vocal duet (11)
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Sextuor A Cordes (11)
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Violon II (11)
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String trio (11)
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Harmonie (11)
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Matériel D'Orchestre (11)
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Septuor De Cuivres (11)
Choeur De Femmes (SSA) A Cappe… (11)
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Percussions Diverses (11)
Violon 1 (11)
Harpe Et Instruments Divers (11)
S, A, A, T, B, Choeur Mixte A … (10)
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Flûte A Bec Soprano, Cordes E… (10)
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Solistes (STB), Choeur Mixte (… (10)
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4 Clavecins Et Cordes (10)
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Solistes SAB, Choeur SATB, 4 F… (10)
Clavecin, 2 Flûtes A Bec Et I… (10)
Solistes et Choeur SSATTB, 2 V… (10)
Solistes SATB, Choeur SATB, Fl… (10)
2 French horns (duet) (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
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Trio De Cuivres (10)
3 Trombones (trio) (10)
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Choeur De Femmes A 1 A 5 Voix,… (10)
Voix Et Orchestre (10)
Choeur SSAATTBB, 2 Cornetti, 3… (10)
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Soprano Saxophone (10)
Guitar, Orchestra (10)
3 Flûtes A Bec Alto (10)
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Voix et Piano Réduction (10)
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Choral SAATTBB A Cappella (10)
Septuor (10)
2 Flûtes A Bec Soprano Et Pia… (10)
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Choeur De Femmes (SA) Et Piano… (10)
Flûte à Bec et Piano (10)
2 Harps (duet) (10)
Tout Instrument (10)
Choral SSATBB (10)
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Baryton ou Tuba Basse Continue… (9)
Choeur SAM, 2 Flûtes Traversi… (9)
2 Oboes and English horn (9)
Soprano voice, Organ (9)
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2 Violons, Violoncelle Et Orch… (9)
Trompette, Cordes Et Basse Con… (9)
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Solistes SATB, Choeur SATB, Fl… (9)
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Solistes SATB, Choeur SATB, 3 … (9)
Clavecin, Flûte Traversière,… (9)
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Choeur Mixte (SATB) Avec Solo … (9)
Solistes, Choeur SATB, 2 Flût… (9)
Voice and Big Band (9)
Solo A, Choeur SATB, Timbales,… (9)
2 Flûtes A Bec Alto, 2 Hautbo… (9)
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Soli (SAB), Choeur Mixte (SATB… (9)
Concert Band ou Harmonie et Tr… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Tuba en Do et Piano (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Choeur d'Enfants à 2 Parties … (9)
Solistes S (A) TB, Choeur SATB… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Choeur De Chapelle, Choeur Mix… (9)
2 Trompettes, Cordes Et Basse … (9)
Violon, Ensembles de Cordes et… (9)
5 Solistes, Choeur(s) Et Orche… (9)
Soli (SATB, Soprano Aussi Chor… (9)
Choeur D'Enfants (SSA) Et Pian… (9)
Tenor Banjo (9)
Violon, Instruments à Cordes … (9)
Solo S, 2 Hautbois ou 2 Flûte… (9)
Orchestre: Choeur SSA, Flûte … (9)
Clarinet and Strings (9)
2 Violons Et Instrument(s) A C… (9)
Chants Minés, Saynétes et Ba… (9)
Viola, Organ (9)
Choeur SATB, 2 Cors, 2 Violons… (9)
Soli (T (Evangelist), B (Jesus… (9)
5 A 9 Instruments A Vent (9)
Cornet et Brass Band (9)
Saxhorn and Piano (9)
Euphonium Ensemble (9)
Orchestre De Chambre (9)
Hautbois et Cordes (9)
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Fake Book (9)
Organ, Voice (9)
Flûte A Bec Alto (Ou Flûte T… (9)
Bodhran (9)
2 Oboes (duet) (9)
Harpe Et Autres Instrument A C… (9)
Flûte A Bec Soprano Et Flûte… (9)
Violon I (9)
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String quartet: 4 violins (9)
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Guitare (Fingerpick) (9)
Horn Ensemble (9)
2 Flûtes Traversièresou Picc… (8)
Quatuor à Cordes et Piano (8)
Hautbois et Quatuor à Cordes (8)
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Niels Marthinsen: The Dreamers: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: ...
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The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: The Dreamers for horn violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one pieceappear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales. The story is made up of three tales with different narrators but with the same principal caracter in various disguises all three imbedded within a fourth tale that serves as a framework for the entire short story.The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss and the tragedy drives her into assuming different personality guises in order to escape reality.Toward the end she is confronted with her true identity and dies.THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression...except one might say that the three players try their best to either catch or escape each other and that when they finally meet it happens abruptly even tragically - and only barely provides a little consolation.
49.99 GBP - Sold by Musicroom UK
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
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Intermediate/advanced
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
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Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
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Anne Boyd: The Quiet Place: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubl...
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Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp.The Quiet Place was commissioned by the Warwick andLeamington Festival for performance by Okeanos on their New Music Day on 14th July 2002.'The Quiet Place' is a meditation site in the University of York dedicated by Dame Janet Baker 'In honour of thespirituality which is in all people'. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the worldfelt a very unstable place especially to be so far from my Australian home. It was difficult to make much sense of existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I foundmyself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written forOkeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as 'Now the closed door has opened for us / What the serpent hassuffocated in woman./ Therefore shines forth in thedawn/ the flower from the Virgin Mary. ' The music of 'The Quiet Place' is a simple meditation which explores the moods of this text often retreating into a silencewhich is both breath and transcendence. - Anne Boyd
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César Franck: Panis Angelicus: Chamber Orchestra: Score & Parts
Chamber Orchestra
[Score and Parts]
Hal Leonard
This setting of César Franck's exquisite Latin hymn will enhance many concerts ...
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This setting of César Franck's exquisite Latin hymn will enhance many concerts with a high floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe harp and strings. Availableseparately: SATB/Solo SSA/Solo ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (hp ob vn 1-2 va vc db). Duration: ca. 3:15.
54.99 GBP - Sold by Musicroom UK
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Three Shades Without Angles: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute viola and harp-Three Shades Without Angles is a piece that plays with...
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for flute viola and harp-Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece I was inspired by Auguste Rodin’s sculpture The Three Shades a detail sitting atop the sculptor’s work The Gates of Hell depicting a scene from Dante’s The Inferno. Although my music is not representative or depictive of Dante or an image of hell I was deeply drawn to the sinewy character of Rodin’s work its intensity muscularity consistency and the way in which movement and energy is represented in his shapes - Hannah Lash
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Per Nørgård: Suite: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Babette's Feast-Based on a story by Isak Dinesen (Karen Blixen) who also wrote ...
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Babette's Feast-Based on a story by Isak Dinesen (Karen Blixen) who also wrote Out of Africa the inspiration for the 1985 Academy Award winning film. Babette's Feast tells the story of Babette Hertsard (Stéphane Audran) a 19th century Parisian political refugee who flees on a boat to Frederikshavn in Denmark with the help of her nephew and her relationship with two elderly and religious sisters. The sisters Martina (named for Martin Luther) and Philippa (named for Luther's friend and biographer Philip Melanchthon) were the daughters of a pastor who had founded his own religious sect.
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Drollerie-Polka Op. 231 (STRAUSS JOHANN (FILS))
Chamber Orchestra
Doblinger
Polka Schnell F. Klar., 2 Vl., Vla., Vc.. Par STRAUSS JOHANN (FILS). Weil kultiv...
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Polka Schnell F. Klar., 2 Vl., Vla., Vc.. Par STRAUSS JOHANN (FILS). Weil kultivierte Geselligkeit ohne Musik kaum denkbar ist, konnte das traditionsreiche Verlagshaus Doblinger kaum einen besseren Titel als 'Wiener Melange' für seine Reihe mit Alt-Wiener Tanzmusik wählen, in der effektvolle und gut spielbare Bearbeitungen populärer Kompositionen von Johann Strauß Sohn u. a. erschienen sind. Die Besetzung orientiert sich an den Gepflogenheiten bürgerlicher Haus- und Salonmusik - was dem ungarischen Fürsten die eigene Hofkapelle im Ballsaal seiner Wiener Residenz, war dem Geheimen Rat das Streichquartett im großbürgerlichen Salon (oft übernahm dabei der klangstärkere Kontrabass die Stelle des Cellos)./ Répertoire / Musique de Chambre
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Per Nørgård: Delta: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are c...
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Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are created in several stages where an earlier work or movement are reborn or recomposed as part of a new work. For instance “Suite for Martin” (1967) for saxophone amplified accordion and prepared piano - used in a Danish documentary film “Kongens Enghave” - was rearranged by me in 2004 in a new instrumentation for saxophone cello and piano and named MELANCOLIA (duration 12 minutes) which became the third movement (with the title MALINCONIA) in an enlarged version from 2005 with the title DELTA (duration around 20minutes). A delta is be nature moving outwards or rather downwards downstream.This movement is characteristic for all three works mentioned. EUFONIA. In the first movement of DELTA the music changes from the light hearted and harmonious towards a darker sound.In the second movement NOSTALGIA this darker colour is intensified dominating the whole movement. MALINCONIA the third and last movement completes the direction downwards – during six shorter sections – going towards a black edged pessimism (and a “black sound”). Per Nørgård (2005)
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Thomas Adès: Chamber Symphony For Fifteen Players Op.2: Orchestra: Score
Chamber Orchestra
[Sheet music]
Faber Music Limited
Thomas Ades' Chamber Symphony Op.2 was first performed on the 24th February 1991...
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Thomas Ades' Chamber Symphony Op.2 was first performed on the 24th February 1991 in Cambridge at the West Road Concert Hall. It was performed by the Contemporary Music Festival Ensemble for the Cambridge Festival of Contemporary Music conducted by the composer himself. Chamber Symphony Op.2 is a written for a chamber orchestra consisting of fifteen players.
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Katharina Blum (HENZE HANS WERNER)
Chamber Orchestra
[Study Score / Miniature]
Schott
Concert Suite. Par HENZE HANS WERNER. Henze also wrote the music of the successf...
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Concert Suite. Par HENZE HANS WERNER. Henze also wrote the music of the successful film Die verlorene Ehre der Katharina Blum, co-produced by Volker Schlöndorff and Margarethe von Trotta from the novel by Heinrich Böll: 'Böll's novella is about a young woman whose life is ruined because of the persecution and slander of the German yellow press. The story is set in Cologne and its surroundings and casts a light on Germany in the Seventies: estrangement, destruction of the environment, triumph of the middle classes, use of force by the police. The music comments on these circumstances, rather than describing them. Everything that sounds soft and sentimental refers to Katharina and her friend who is pursued by the police and suspected of being a terrorist. Scenes of violence, traffic chaos and, right in the middle, the carnival of Cologne are subjects of the other pieces.'/ Répertoire / Orchestre de Chambre
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Standford Ser. Parties Pour Quatuor A Cordes, Contrebasse, Flûte, Clarinette En
Français
Chamber Orchestra
Eschig
SI BEMOL, BASSON, TROMPETTE EN UT, HARPE ET PERCUSSION / Musique De Chambre
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Jorgen Jersild: Fantasia E Canto Affetuoso: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Jörgen Jersild's Fantasia E Canto Affetuoso is a work for Flute Clarinet Cell...
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Jörgen Jersild's Fantasia E Canto Affetuoso is a work for Flute Clarinet Cello and Harp. Score and Parts.
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Outi Tarkiainen: The Lustful Mother: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Version with Piano and String Quartet - Parts)-A song cycle for baritone voice ...
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Version with Piano and String Quartet - Parts)-A song cycle for baritone voice string quartet and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Ãrbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures'. Score available: WH33187 A song cycle for baritone voice string quartet and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Ãrbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures'. Score available: WH33187
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Symphonie Nr. 3 In A Op. 65 'schottisch'. Hrsg Christopher Hogwood
Chamber Orchestra
Barenreiter
Mendelssohn fait sa première visite en Ecosse en 1829, il a écrit quelques Sui...
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Mendelssohn fait sa première visite en Ecosse en 1829, il a écrit quelques Suite Lequel de ses oeuvres les plus réussies, inspiré par le paysage écossais. Le 'Scottish' Symphonie ne fut achevée qu'en 1842 Toutefois, après un processus compliqué de gestation plus de 12 ans.Le travail a été accueillie avec enthousiasme lors de sa première à Leipzig cette année Mars, et une performance deuxième a eu lieu il ya deux semaines plus tard. Dans la courte période entre les deux concerts, le Mendelssohn symphonie entièrement révisée, et cette nouvelle version a été la base de la performance qui a réalisé en Juin 1842 h, à Londres. En 1843, Mendelssohn, puis la publication autorisée de l'oeuvre.Le 'Scottish', qui est souvent considérée comme la plus grande contribution de Mendelssohn à la forme symphonique, survit dans plusieurs sources et de Christopher Hogwood est nouvelle édition critique fait usage de tous ces facteurs. La préface contient des informations précieuses et décrit processus de composition de Mendelssohn à partir du 12 Impressions de première année dans sa jeunesse jusqu'à maturité à grande échelle symphonie.L'édition critique offre non seulement la version bien connue publié Autorisé par le compositeur en 1843, mais également la version de Londres de 1842. Les deux versions sont présentées dans le score et la performance dans le matériau. Mouvements 1 et 4 sont présentés à deux reprises, en 1842 et la version 1843, considérant le petit nombre de représenter ce que les changements sont rendus dans la version 1842 de Londres 2 et 3 qui est, de mouvements dans les deux bâtons partition et les parties.- Inclut la version officiel publié par le compositeur et les versions de Londres du 1er et 4ème mouvements- Avec des pages de télécopie et préface instructive et en Italiano allemande / Musique De Chambre
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Michael Nyman: Michael Nyman: MGV (Musique A Grande Vitesse): Orchestra: Score
Chamber Orchestra
[Sheet music]
Chester
Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed m...
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Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed music’ and was commissioned by the Festival de Lille for the inauguration of the TGV North EuropeanParis-Lille line in 1993. This piece of sheet music runs continuously but was conceived as an abstract imaginary journey; or rather five inter-connected journeys each ending with a slow mainly stepwise melody which isonly heard in its 'genuine' form when the piece reaches its destination. Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic melodic harmonic motivic textural -constantly change their identity as they pass through different musical 'environments'. The opening bars establish both a recurrent rhythmic principle - 9 11 or 13-beat rhythmic cycles heard against a regular 8 - and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally MGV begins in C and ends in E). A later scalic syncopated figure (again first heard over C E and A)begins the second section featuring Brass in D flat. The topography of MGV should be experienced without reference to planning description or timetables. Its tempo changes and unpredictable slowings downbear no logical relation to the high speed of the Paris-Lille journey while the temptation to treat MGV as a concerto grosso with the Michael Nyman band as the ripeno was resisted: more suitably theband (amplified in live performance) lays down the tracks on which MGV runs.
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Streichquartett A-Dur
Chamber Orchestra
Doblinger
2Vl Va Vc / Musique De Chambre
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Streichquartett A-Dur
Chamber Orchestra
Doblinger
2Vl Va Vc / Musique De Chambre
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Streichquartett Nr. 3 A-Dur
Chamber Orchestra
Doblinger
2Vl Va Vc / Musique De Chambre
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Streichquartett Nr. 3 A-Dur
Chamber Orchestra
Doblinger
2Vl Va Vc / Musique De Chambre
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