Serenade no. 3 H 218. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Prague publishing house Melantrich in 1949. Their premiere took place two years previously on 16 October 1947 and was performed by members of the Prague Symphony Orchestra (FOK). Although the study score of the Serenades Nos. 1 and 3 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.

for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.

Serenade no. 1 H 217. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate, of which the Serenade No. 1 was composed in 1932. The serenades were published by the Prague publishing house of Melantrich in 1949. Although the study score of the Serenade No. 1 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.

Chamber Orch Full Score and Parts - 1.1.0.0-1.1.0.0 hp. timp 2 perc. Str (13 players). Par TROTTA MICHAEL JOHN. / Date parution : 2021-11-30/ Répertoire / Orchestre de Chambre

Edited by Clara Schumann-Superb collection of eight works including the celebrated 'Piano Quintet Op. 44' four 'Quartets' (Op. 41 Nos. 1-3 Op. 47) three 'Trios' (Opp. 63 80 110). Breitkopf

Intermezzo in un atto su libretto di Vincenzo De Vivo. Par DALL'ONGARO MICHELE. / Date parution : 2023-06-01/ Répertoire / Ensemble de Chambre

Arr. SERGE HAERRING, RESON'ANCHES. Par BIZET GEORGES. / Niveau : Cycle 2 / Musique de Chambre / Date parution : 2023-03-21/ Répertoire / Musique de Chambre