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Movement
Chamber Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
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LAP STEEL GUITAR
LUTE
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MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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3 Violons, Alto et Violoncelle… (8)
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B Flat, E Flat, C and Bass cle… (4)
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Soli (T (Evangelist), B (Jesus… (4)
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:: (3)
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Soprano voice, Organ (2)
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WIND 5TET::Quintette · Vent (2)
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CD only (2)
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For Soprano Saxophone and Cham… (1)
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DVD (1)
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Soprano and Harp (1)
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3 French horns (trio) (1)
Baritone Saxophone, Piano (1)
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Helen Grime: Seven Pierrot Miniatures (Piano): Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
-
Intermediate/advanced
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
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Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
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Suite Antique (RUTTER JOHN)
Chamber Orchestra
[Score]
Oxford University Press
Par RUTTER JOHN. for chamber orchestra The Suite is made up of six movements ran...
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Par RUTTER JOHN. for chamber orchestra The Suite is made up of six movements ranging from a 'Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Evoking an 'antique' spirit, each movement is based on a Baroque or Classical style. / Date parution : 2021-12-09/ Répertoire / Orchestre de Chambre
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Per Nørgård: Delta: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are c...
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Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are created in several stages where an earlier work or movement are reborn or recomposed as part of a new work. For instance “Suite for Martin” (1967) for saxophone amplified accordion and prepared piano - used in a Danish documentary film “Kongens Enghave” - was rearranged by me in 2004 in a new instrumentation for saxophone cello and piano and named MELANCOLIA (duration 12 minutes) which became the third movement (with the title MALINCONIA) in an enlarged version from 2005 with the title DELTA (duration around 20minutes). A delta is be nature moving outwards or rather downwards downstream.This movement is characteristic for all three works mentioned. EUFONIA. In the first movement of DELTA the music changes from the light hearted and harmonious towards a darker sound.In the second movement NOSTALGIA this darker colour is intensified dominating the whole movement. MALINCONIA the third and last movement completes the direction downwards – during six shorter sections – going towards a black edged pessimism (and a “black sound”). Per Nørgård (2005)
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Suite Antique (RUTTER JOHN)
Chamber Orchestra
[Set of Parts]
Oxford University Press
Par RUTTER JOHN. The instrumentation for this work is the same as Bach's Branden...
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Par RUTTER JOHN. The instrumentation for this work is the same as Bach's Brandenburg Concerto No.5. The Suite is made up of six movements ranging from a 'Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Rutter's own style comes through most strongly in the final Rondeau with its characteristically forward-driving rhythms and beautiful melodic lines. Evoking an 'antique' spirit, each movement is based on a Baroque or Classical style. / Date parution : 2021-12-09/ Répertoire / Orchestre de Chambre
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Nico Muhly: Moving Parts: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
St Rose Music Publishing
Moving Parts is the music for Benjamin Millepied’s ballet of the same nam...
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Moving Parts is the music for Benjamin Millepied’s ballet of the same name. Scored for Violin Clarinet and Pipe Organ the piece is a series of rhythmic etudes. The slow movement is a very slow passacaglia with I hope unexpected lyrical melodies in the violin. After an extended Organ toccata built over a drone a brief slow movement creates a natural midpoint. The violin aggressively plucking builds up to form a canon with a clarinet and after a loud outburst from the organ the piece ends quietly. Moving Parts written in 2012 is dedicated to Benjamin and the Los Angeles Dance Project.
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Subtilior Lamento: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute clarinet percussion piano violin and cello-Subtilior Lamento is a...
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for flute clarinet percussion piano violin and cello-Subtilior Lamento is a piece that draws some inspiration from the music of the so-called ‘Ars Subtilior’ movement of the fourteenth century. This early music features rhythmic complexities linear ornamentation and harmonic intricacy. In my piece I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece’s structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium - Hannah LashInstrumentation: fl.cl-perc(vib chimes)-pno-vn.vc
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Anders Brødsgaard: Klavertrio / Piano Trio: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Anders Brødsgaard's Piano Trio (1996) in one movement composed for the Danish ...
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Anders Brødsgaard's Piano Trio (1996) in one movement composed for the Danish Trio.
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Three Shades Without Angles: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute viola and harp-Three Shades Without Angles is a piece that plays with...
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for flute viola and harp-Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece I was inspired by Auguste Rodin’s sculpture The Three Shades a detail sitting atop the sculptor’s work The Gates of Hell depicting a scene from Dante’s The Inferno. Although my music is not representative or depictive of Dante or an image of hell I was deeply drawn to the sinewy character of Rodin’s work its intensity muscularity consistency and the way in which movement and energy is represented in his shapes - Hannah Lash
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Wolfgang Amadeus Mozart: Complete Serenades In Full Score - Series II:
Chamber Orchestra
[Score]
Dover Publications
Some of Mozart's most enduring and popular music was composed for relatively min...
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Some of Mozart's most enduring and popular music was composed for relatively minor occasions ? parties weddings and more ? including these multi-movement instrumental pieces. 'Eine kleine Nachtmusik ' K.525 'Posthorn' Serenade K.320 Serenade in E-flat Major K.375 Serenade in B-flat K.361/370a Serenade in D Major K.203/189b and more. Reprint of selections from Series 9 10 and 13 from Wolfgang Amadeus Mozart's Werke Breitkopf
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Bent Sørensen: Schattenlinie: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Schattenlinie - 5 movements for Clarinet Viola and Piano (2005-2010) by Bent S...
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Schattenlinie - 5 movements for Clarinet Viola and Piano (2005-2010) by Bent Sørensen. Commissioned by and composed for the Risør Festival of Chamber Music Norway.The completed work premiered by Martin Fröst Lars Anders Tomter and Leif Ove Andsnes Nov 20 2010 in Oslo Norway.
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Judith Weir: I Broke Off A Golden Branch: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
I Broke Off A Golden Branch was commissioned and first performed by the Schubert...
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I Broke Off A Golden Branch was commissioned and first performed by the Schubert Ensemble in 1992. The words ‘I broke off a golden branch’ come from a Croatian folksong which is very obliquely referred to inthe second of the work’s two movements. Judith Weir dedicated this lovely piece of chamber music for Violin Viola Cello Double Bass and Piano to William Howard. Full score. Violin Viola Cello and Double Bass partsare included separately as well. Duration ca. 15 minutes.Judith Weir is a British composer and Master of the Queen's Music. In 1994 Weir received the Critics’ Circle Music Section Award for the mostoutstanding contribution to British musical life.
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Snapshots (TURNAGE MARK-ANTHONY)
Chamber Orchestra
[Study Score / Miniature]
Schott
for large ensemble. Par TURNAGE MARK-ANTHONY. One of the movements in Scorched (...
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for large ensemble. Par TURNAGE MARK-ANTHONY. One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed. Snapshots starts off by revealing bits of each of the two bars (with episodes placed in-between). The full two bars of music are then revealed at the end of the piece. Snapshots is a tribute to Olly [Oliver Knussen] on his 50th birthday. Mark-Anthony Turnage/ Répertoire / Ensemble de Musique de Chambre
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Chamber Symphony No.12 (STANKOVYCH YEVHEN)
Chamber Orchestra
[Score]
Hal Leonard
Full Score. Par STANKOVYCH YEVHEN. This product is printed in small quantities. ...
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Full Score. Par STANKOVYCH YEVHEN. This product is printed in small quantities. Inventory is currently available but may change due to the low quantities normally kept on hand. Dedicated to Valeriy Matyukhin, conductor of the National Philharmonic of Ukraine. Movements: I. Fresko of Maidan, II. Praying for Peace. Duration ca. 16\' / Date parution : 2022-07-23/ Répertoire / Orchestre de Chambre
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Rheinberger: Kammermusik 1 (Gesamtausgabe, Bd. 29) (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s string quartets, his string quint...
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Par RHEINBERGER JOSEF GABRIEL. Rheinberger’s string quartets, his string quintet and his nonet for winds and strings were often performed and were very successful works during his lifetime. Their density, but also the delicateness of the scherzo movements are in the tradition of Schumann and Mendelssohn and these traits are combined with Rheinberger’s sense for the clear, defined structure of the movements and solid contrapuntal writing. The octet for winds and strings is published here for the first time and the nonet, which is actually a reworking of this octet that Rheinberger undertook some twenty years later, is also published in this volume. Rheinberger made major changes from the original octet and headded two new movements to the nonet. Both works show especially the interest and pleasure which he derived from the variety in the differentiation of colors in ensemble playing. The Thema mit Veränderungen op. 93, which until now has been known as a work for string quartet, is published here with the double bass part which Rheinberger later added./ Répertoire / Ensemble de Chambre
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Divertimento (CONNESSON GUILLAUME)
Chamber Orchestra
Billaudot
Par CONNESSON GUILLAUME. Arrangeur : Vlarko Nushev Ce Divertimento est un arra...
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Par CONNESSON GUILLAUME. Arrangeur : Vlarko Nushev Ce Divertimento est un arrangement de mon Sextuor réalisé par Vlatko Nushev. Divertimento était d'ailleurs le titre que j'avais envisagé au départ, car l' œuvre fut écrite pour un concert de nouvel an au Châtelet à Paris en 1998, à la demande d'Éric Le Sage et Paul Meyer. C'est donc une partition placée sous le signe de la joie et de la bonne humeur avec une suspension mélancolique dans le mouvement lent. Le premier mouvement Dynamique est une série de variations qui multiplie les processus rythmiques hérités de la musique répétitive américaine. Le Nocturne central est une confidence douce et douloureuse chantée par la clarinette sur les tapis harmoniques des cordes et du piano. Enfin le Festif libère une joie fébrile autour de motifs parmi lesquels on trouve un clin d' œil à la Truite de Schubert. La partition s'achève sur un pied de nez cadentiel. Guillaume CONNESSON / Date parution : 2022-11-29/ Répertoire / Ensemble de Chambre
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Rheinberger: Klaviertrios (Gesamtausgabe, Bd. 30) (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. On account of their melodic beauty and the networ...
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Par RHEINBERGER JOSEF GABRIEL. On account of their melodic beauty and the network of motivic development between the individual movements, the four piano trios are among the most attractive of Rheinberger's works. All works are also available in separate editions./ Répertoire / Ensemble de Chambre
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Solstice (TCHEREPNINE IVAN)
Chamber Orchestra
[Sheet music]
Belaieff
Par TCHEREPNINE IVAN. Solstice (pour 21 instrumentistes) est une évocation dans...
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Par TCHEREPNINE IVAN. Solstice (pour 21 instrumentistes) est une évocation dans un mouvement unique à l'aide de sons moelleux et acides, toujours magnifiquement artificielle. Ce que c'est une évocation de, peu importe - il est musique du sentiment dans le meilleur sens. Il avait la douceur et la sérénité d'un poème chinois... (Boston Globe)/ Répertoire / Orchestre de Chambre
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Etude Op. 45C (WYSCHNEGRADSKY IVAN ALEXANDROWITSCH)
Chamber Orchestra
[Sheet music]
Belaieff
Sur Les Mouvements Rotatoires En Quarts De Ton. Par WYSCHNEGRADSKY IVAN ALEXANDR...
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Sur Les Mouvements Rotatoires En Quarts De Ton. Par WYSCHNEGRADSKY IVAN ALEXANDROWITSCH. Cette pièce est régie par un principe similaire à celle qui obtient dans le ' Etude sur le Carré magique sonore ' (BEL 174). 8 cycles d'intervalle succèdent à proximité et forment une sorte de mouvement octogone qui est érigé et puis démantelé. Le cycle des quintes diminuées arrive à une conclusion qu'après qu'il a traversé 13 octaves, c'est-à-dire au-delà des limites de ce qu'est réellement audible. La requête posèrent est plus apparente au début et à la fin, où la roue moud graduellement arrêter. Entre là sont des passages avec des grappes de ton denses et trilles cordal. (Gottfried Eberle)/ Répertoire / Orchestre de Chambre
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