Four-part choir vocal score of One Day More , one of the highlights from Alain Boubil and and nbsp - Claude-Michel Schonberg's Les Miserables . Arranged here by Mark Brymer for Soprano, Alto, Tenor, Bass and Piano accompaniment, this is a moving choral work that audience and singers will love! Performance time = 3min 35sec / Rép International / Feuillet / Chant

Par SCHMIDT H. / JONES T.. Ecrit par Tom Jones et Harvey Schmidt, le duo créatif derrière le Fantasticks. L'exposition présente Michael et Agnès de jour de leur mariage, par le biais de la vie commune sur une période de 50 ans, jusqu'au jour, qu'ils quittent leur maison à la paire suivante de jeunes mariés./ Recueil / Chant

Par RIDGLEY SARA / MOLE GAVIN. Ce spectacle crée un voyage musical à travers les dix derniers siècles, mettant en vedette les contes de ce qui est vraiment arrivé aux caractères tristement célèbres de nos livres d'histoire. Les caractères de la tapisserie de Bayeux à la nuit - 11th century Britain avec le 'Equipage Doomsday' - Thomas ringot dans la cathédrale de Canterbury - roi Jean et la Magna Carta - la peste noire bascule EuAvailablee - l'insaisissable Robin des bois dans la forêt de Sherwood - Geoffrey Chaucer des recherches sur son prochain livre - Jeanne d'Arc à son procès pour sorcellerie - les six reines d'Henri VIII - Guy Fawkes, la révolution industrielle de l'agent - du capitaine Cook autour des voyages du monde - de non réussie d'espionnage et de l'ère victorienne - les personnes évacuées du monde Guerre II - jusqu'à, les développements technologiques du XXe siècle. Le spectacle est convenable pour clé étapes 2 et 3, pack inclut: CD de sauvegarde de pistes - CD de spectacles plein - idées sur la zone de transit, de collecte de fonds, publicitées et générales des fonctions dans les coulisses. / Pédagogie / Date parution : 2005-05-27/ Recueil / Chant

Medley. Par WEBBER ANDREW LLOYD. With music originally written by Andrew Lloyd Webber, and Lyrics by Tim Rice, available here is a fantastic Medley from the ever-popular Joseph and his Amazing Tecnicolor® Dreamcoat , as arranged by Roger Emerson. Includes: Jacob and Sons , Any Dream Will Do , One More Angel In Heaven , Song Of The King , Close Every Door , Benjamin Calypso , and Go, Go, Go Joseph . This is the version for SATB Choir with Piano Accompaniment. A Showtrax CD with professionally recorded backing tracks is also available - Catalogue No. AM946385. / Niveau : Elémentaire / Rép International / Feuillet / Chant

Canzone Boema Les Tringles Des Sistres. Par BIZET GEORGES. / Répertoire / Chant

Volume 2. Par GADE NIELS WILHELM. With only one exception, Gade composed his works for male choir with accompaniment for Danish choral societies, numerous of which had been founded across the country since 1839. These societies were often closely connected with professional associations, making them equally important for musical and social matters. This volume contains five occasional works for male choir with accompaniment that were composed between around 1838 and 1883. Three of them were intended for church usage (two funerals and one wedding). Among the works for equal voices and accompaniment in this volume, 'Aarstidsbilleder” op. 51 is the longest. It was composed for the women of The Music Society in Copenhagen and conducted by Gade himself during the 1871/72 seasons. The appendix contains works that were completed, but do not allow for definitive decisions regarding their final presentation. / Date parution : 2019-06-21/ Répertoire / Chant

Par MAY IMELDA. A Lick and a Promise is the debut poetry collection of one of Ireland’s most famed female musicians, Imelda May. Following the release of her first poetry EP Slip Of The Tongue in 2020, this collection contains 100 poems, including two each from both her father and young daughter. Using the themes of Breast, Below, Blood, Eyes, Tongue and Temple, the poems are written in May’s absorbing, visceral style and encapsulate heartbreak, sex, nature and womanhood. Included in the collection is ‘You Don’t Get to be Racist and Irish’, the powerful poem which was written in support of the Black Lives Matter movement and was recently used by Rethink Ireland campaign. This hardback edition features a bespoke cover design illustration on cloth with foil detailing and a page finder ribbon. Pen and ink drawings by Imelda accompany selected poems. / Date parution : 2021-12-09/ Recueil / Chant

Neue Ausgabe Sämtlicher Werke. Urtext Bestellung Zur Fortsetzung Zu Einem Um 10 % Ermäßigten Serienpreis Möglich. Par MOZART WOLFGANG AMADEUS. On the occasion of the marriage of her son Archduke Ferdinand of Austria to the Princess Maria Ricciarda Beatrice of Modena , the Empress Maria Theresia commissioned the young Mozart to compose the work, Serenata Teatrale ' Ascanio in Alba”. The librettist the Viennese Abate Guiseppe Parini , one of the most outstanding poets of the 18th century, wrote a baroque-designed libretto, which paid homage to and congratulated the royal couple. Mozart wrote the music in only a few weeks, from the end of August until 23 September 1771. The first performance took place on 17 October 1771 in Milan to rousing success. Shortly thereafter, Leopold Mozart wrote that his son's composition had so overpowered the main performance of Hasses opera, 'Il Ruggierio ” from the previous day, that he could hardly describe it. The vocal score is based on the Urtext of the New Mozart Edition./ Répertoire / Chant

Par HAENDEL GEORG FRIEDRICH. 'Rodrigo” was premiered in autumn 1707 in Florence and is therefore one of Handel's early stage works. The composer, only 22 years old, wrote a densely-woven musical scenario for his first opera composed in Italy . It masterfully portrays the dramatic states of mind of the protagonists surrounding the Iberian tyrant Rodrigo and the plot full of deception, betrayal , adultery, war as well as the transformation wrought by Rodrigo's abdication. The work was not, as was long thought, a commission from the Prince of Medici. Despite this, ' Rodrigo” seems to have been so popular that Handel extended his stay in Italy and was able to compose several operas during the following period. In ' Rodrigo” , the mastery which made Handel's succeeding opera ' Agrippina” such a success, is already clearly evident . ' Agrippina” consequently made Handel's name famous throughout Europe and soon led to his first journey to London . The new vocal score is based on Volume II/2 of the 'Halle Handel Edition” (BA 4083). The appendix contains the surviving variants in the versions of the first performances from Handel's lifetime./ Répertoire / Chant

Par BRASSENS GEORGES / PASSAQUET. The singer-songwriter and poet Georges Brassens ' emotional song La Guerre 14-18, arranged for four-part chorus by Passaquet. Often only accompanying himself on acoustic Guitar, George Brassens was a poet whose works convey extraordinary beauty with their black humour and their political statements. La Guerre 14-18 is one of his most famous pieces, and this arrangement breathes new life into a topic that is always relevant and pertinent./ Répertoire / Chant

36 More Accompanied Exercises that Teach Technique. Par BECK ANDY. Each exercise in this valuable resource is designed to reinforce fundamental vocal concepts for choral and solo singers of any age. Organized in 12 focused categories, the purpose of every warm-up is evident, and clearly stated directions optimize growth. Supportive piano accompaniments, including progressive modulations, are lightly orchestrated (available online)---perfect for ensemble rehearsals, studio lessons, or at-home practice. As an added bonus, downloadable PDFs provide extracted vocal lines on reproducible singer pages. An instructional book you will use again and again! Topics include: beginning warm-ups, posture/freedom, vowels, breath support, tone quality, resonance, diction, intonation, range, expression, harmony, and more. / Date parution : 2022-10-12/ Etude / Chant

Trattato - 2a edizione ampliata e corretta. Par JUVARRA ANTONIO. Molte sono le tecniche del canto elaborate nel corso dei secoli ma, come una sola è la perfetta intonazione di una nota, così uno solo è l’accordo acustico-aerodinamico che corrisponde al massimo grado di efficienza vocale, i cui effetti/causa sonorappresentati dalla facilità di emissione e dalla risonanza libera. La scuola di canto italiana storica (risalente al Sei/Settecento) ha delineato i principi fondamentali per raggiungere questa meta e tali principi sono dati dal senso di naturalezza globale, dalla purezza del suono, dal contatto dolce con l’energia edalla semplificazione degli strumenti di controllo della voce. La suprema forma di canto, resa possibile dal rispetto di questi principi, ha preso storicamente edesteticamente il nome di ‘belcanto’ e tecnicamente il nome di ‘canto sul fiato’. Questo libro tratta delle tecniche vocali più diffuse oggi: della loro struttura, dei loro pregi e difetti, e della loro origine storica. Nel canto, che è lo strumento più ‘mentale’ e insieme più ‘incarnato’, questa conoscenza si rivela fondamentaleper acquisire un’emissione di alto livello sia dal punto di vista funzionale, sia dal punto di vista estetico. ANTONIO JUVARRA è docente di canto al Conservatorio di Castelfranco Veneto. Ha insegnato alla Scuola dell’Opera Italiana di Bologna, all’Accademia d’arte lirica di Osimo e ai corsi di vocologia artistica presso la facoltà di medicina dell’Universitàdi Bologna. È stato invitato a tenere corsi e seminari di tecnica vocale al Mozarteum di Salisburgo e in numerosi conservatori e istituzioni musicali e universitarie italiane. Ha inoltre partecipato come relatore a numerosi congressi scientifi ci sulla vocecantata, tra cui il III e il V Congresso Internazionale sulla voce artistica, tenutisi a Ravenna nel 2003 e nel 2007. Ha cantato come solista nei più importanti teatri lirici, tra cui la Scala di Milano, l’Arena di Verona, la Fenice di Venezia, con direttori quali Riccardo Muti, Gianandrea Gavazzeni e Julius Rudel. Oltre al trattato Il canto e le sue tecniche, ha scritto il metodo Lo studio del canto (Ricordi, 1999) e i seguenti libri: Rifl essioni fi gurate sul canto (Armelin, 2002), I segreti del belcanto. Storia delle tecnichee dei metodi vocali dal Settecento a oggi (Curci, 2006), Cantare, decantare, incantare (Ut Orpheus, 2011), Incontri, esperienze e idee sul canto (Ut Orpheus, 2013), Canto perduto, canto ritrovato (Armando, 2014), Latecnica vocale italiana (Armelin, 2014) e Esserci o non esserci nel canto (Ut Orpheus, 2015). / Niveau : Intermédiaire / Formation musicale / Date parution : 1905-07-07/ Méthode / Chant

Nuova Edizione Critica a cura di Paolo Cherici - BWV 995, 996, 997, 998, 999, 1000, 1006a. Par BACH / CHERICI. In questa edizione critica a cura di Paolo Cherici vengono riportate le opere per Liuto composte da Bach, nonostante costituiscano una sezione musicale che continua a porre complessi interrogativi ai quali le indagini musicologiche non sono ancora riuscite a rispondere esaurientemente. Come è noto, Bach si avvicinò alla scrittura per liuto durante il periodo di Lipsia (1723-1750) poiché in Germania, contrariamente al resto d’Europa, la pratica liutistica era ancora largamente diffusa. / Musique contemporaine / Répertoire / Chant