A Musical for Easter-Using Above All as the focal point this new Easter musical is filled with incredible songs of praise. The arrangements and orchestrations are spectacular. A biblical based narrative is included. It contains In Christ Alone Be Unto Your Name For the Bread Which You Have Broken Above All We Will Glorify and Worthy is the Lamb as well as original material. Instrumental ePak contains score and parts for Flute 1 2 Oboe Bb Clarinet 1 2 Bass Clarinet F Horn 1 2 3 Bb Trumpet 1 2 3 Trombone 1 2 Bass Trombone Timpani Percussion Violin 1 2 Viola Cello String Bass Guitar Bass and Drums. ChoirTrax CD also available. Performance Time (if perform in itsentirety): Approx. 30 minutes

From Walter S. Collins' familiar choral masterworks 'Thomas Morley's bright sixteen-measure masterpiece is perhaps the most frequently sung piece from the entire English madrigal period though it is not itself a madrigal.' It is a light fun dance tune to brighten class concert alike.

SATB-The Fox TV smash show continued in Season 2 as an incredibly powerful force in the world of choral music! Opening with a reflective snippet of Pure Imagination the 7-minute medley bursts into a colourful fast-paced parade of pop hits both classic and current. Songs include Pure Imagination (Willy Wonka and the Chocolate Factory) Time Warp (The Rocky Horror Picture Show) Rolling in the Deep (Adele) Loser Like Me (Glee original) Dog Days Are Over (Florence and the Machine) Raise Your Glass (Pink) River Deep - Mountain High (Tina Turner).Available separately: SATB SAB 2-Part ShowTrax CD.

Johannis Cantabrigiense-Nico Muhly's Third Service (Magnificat & Nunc Dimittis) is a work for SATB Choir and Organ Accompaniment. Commissioned by the Master and Fellows of St John's College Cambridge it was first performed by St John's College Choir on 29th May 2016. A full performance lasts around 7.5 minutes. 'The American composer Nico Muhly has often spoken of his love of the early English church music which he sang as a choirboy and his recent choral works include a Third Service composed for St John's College Cambridge. (Given his love of music by Thomas Weelkes we can perhaps hope for at least six more.) This setting though has nothing to do with the early English repertoire and is in a bold modern idiom more akin to Tippett's famous setting for St. John's. The Organ plays a varied and independent role throughout sometimes with dynamics that are quite different to those in the voice parts. The Organ part is sometimes written on two staves without further comment and it's not entirely clear what is required between pages 3 and 4 where three staves become two. The vocal parts include some modest vocal effects and there are Soprano and Alto solos in the Nunc dmittis. The Gloria of the Nunc is a varied repeat of the Magnificat Gloria together with a subtly reworked conclusion to match the general mood of the movement. - Geoffrey Webber Choir & Organ Magazine 

Compiled and edited by Lionel Dakers & John Scott SATB accompanied & unaccompanied-This wonderful collection aims to provide a comprehensive resource-book covering a highly significant part of the Church's year. Its contents span all periods of what is a marvellously rich and uniquely prolific area of church music and it contains much that is not widely available elsewhere under one cover.A major policy in compiling the contents has been to ensure that they are relevant to a broad range of musical traditions with pieces of varying degrees of difficulty to suit the needs and abilities of all choirs. The requirements of the increasing number of small choral groups as distinct from church and cathederal choirs have similarly been catered for inthe choice of material. Presents pieces in order according to the Church's calendar from Ash Wednesday and Lent to Easter with a generous number of pieces for each season or day Includes the best of the standard repertoire for example Byrd's Civitas Sancti Tui and Stainer's God So Loved The World Contains fine less familiar works and new or recent arrangements of well-known tunes such as This Joyful Eastertide Now The Green Blade Riseth and Were You There Contains a number of newly comissioned anthems from well-known church composers Includes important liturgical settings for example two versions of the Litany (BCP and ASB) Vidi Aquam and Easter Alleluias Ranges widely from the sixteenth century to the present day and across all the major traditions

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

Vocal Score-Contemporary American composer Nico Muhly is a prolific writer and arranger who at 32 is the youngest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includes two operas and many solo pieces and works for small ensemble Orchestra and Chorus. Muhly has collaborated widely. This Choral work manifests some influences of Phillip Glass for whom he has previously worked. Like As The Hart is Muhly’s response to Herbert Howells’s setting of the psalm though in this version elongated harmonies ‘drag’ melodic fragments behind them.

Uses: Palm Sunday Call to Worship Scripture: Matthew 21:1-11 Bubbling with joy and life this anthem in 6/8 has an almost classical vibe! Hosannas repeat again and again creating a sonic engine that propels the piece forward with joy and purpose. A short contrasting middle section offers expressive potential before returning to the energy of the opening theme. The brevity of this selection makes it exceptionally useful as a Palm Sunday opener and the handbells will add to the celebration. Jubilant! Handbell part (3 octaves) available as a digital download.

Muhly fell in love with Byrd’s setting of the Christmas words Senex Puerum Portabat as a chorister so much that the ‘fluidity of the lines the relentless lilting rhythm and the way Byrd both avoided and cradled the text’ that he was inspired to follow a life in music. Early in his career he set the same text in modern style. The first statement of the words is a capella with ecstatic brass entering in the restatement. The ancient Hodie Christus Natus Est follows on seamlessly in a new mood.Contemporary American composer Nico Muhly is a prolific writer and arranger who at 32 is the youngest composer ever to have been commissioned by the Metropolitan Operain New York. His oeuvre includes two operas and many solo pieces and works for small ensemble Orchestra and Chorus and he has collaborated widely.

Revised Edition - Vocal Score-This musical with a book by John Weidman explores the history of presidential assassination in America from John Wilkes Booth to John Hinckley Jr. Assassins climaxes in a surreal sequence where the assassins convince Lee Harvey Oswald that his act is the only way he will connect with them with history and with the world.Newly edited with new music engravings. Based on the 2004 Broadway production.

This unforgettable anthem for musicians everywhere is sure to become a classic. Incorporating the hymn “Happy Land ” Joseph Martin gives the listener a glimpse of heaven as a land of great beauty and never-endingpraise. It challenges the choir to fulfill their calling as musicians of mission while offering the assurance of joy in heaven. Follow the Music is an anthem that will work with school and church groups everywhere.

Vocal score for Thomas Hewitt Jones' Past Three O'Clock for SATB choir and Piano/Organ accompaniment.Thomas Hewitt Jones is an award-winning composer of contemporary classical and commercial music. Winner of the 2003 BBC Young Composer Competition his music has been published by Boosey & Hawkes Oxford University Press Banks Music the RSCM Encore Publications Universal Music and is frequently heard on radio  TV and the cinema in the UK and abroad.

Musicke's Praier draws together ten classic English prayer settings from the 16th and 17th centuries which was a Golden Age in the history of English church music. From Tallis to Tomkins and Ford to Farrant this collection will serve as a wonderful introduction to a rich and varied repertoire. An invaluable resource of introits and easy anthems for both concert and liturgical use.

The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery.  Originally published in 1915 Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London all the while writing works for light orchestra chorus and brass bands.  Unfortunately Fletcher's music has largely been lost to the annals of classical history. However with this sheet music ofSong Of The Grey Seas your SATB choir can revive the forgotten glory of this piece something that audiences will surely love.

The Oxford Book of Choral Music by Black Composers. for SATB accompanied (piano or organ) and unaccompanied The Oxford Book of Choral Music by Black Composers is a landmark collection of non-idiomatic compositions from the sixteenth century to the present day, providing a comprehensive introduction to an area of choral music that has been historically under-represented.