From Lady Gaga this colorful and dramatic dance-pop hit soared up the charts making it a perfect choice for show and pop groups looking to make a creative statement with their choreography and staging leading to what else...applause!

It's a celebration! The supersong from the 2014 World Cup by Ricky Martin is a bilingual extravaganza that will energize your stage with dance and color and life! ScorePlay - click to view score with recording.

From the And Winter Came album Enya brings her unique musical and lyric ability in this appealing winter soundscape! Evoking a quasi-Renaissance dance feel this will make a wonderful opening number or processional for a holiday or winter program.

With the foundation of the classic hymn “Sing Praise to God Who Reigns Above ” this praise-worthy anthem lifts hearts and voices on high in a shout of acclamation. Driving rhythmic choral writing dances with longexpressive lines to deliver a truly festive anthem appropriate for almost any worship event. The trumpet and percussion offer even more performance options. Sparkling!

Six Motets Op.169 for Mixed Chorus Based on texts by Franz Kafka and scored for mixed chorus (SATB). Ernst Krenek (1900-1991) “One need have no hesitation about designating my writing of the past ten years as dodecaphonic since the twelve tones are always in close proximity. It is atonal since it rejects tonal centers. I only occasionally employ the stricter disciplines of the dodecaphonic and serial techniques since I am more interested in a suppler writing style. I have nothing to do with new tendencies like ‘New Simplicity’ ‘Neoromanticism’ ‘Minimalism’ and so forth.” (Ernst Krenek 1989) Evenduring his lifetime Ernst Krenek who left behind an oeuvre of more than 240 works when he died at the age of 91 held quite an extreme position in music history. Because of his great versatility critics in Europe often spoke of him as constantly changing his “style of composing ” tacitly implying that a creative life must be stylistically uniform. In the United States however he was deemed the “one-man history of twentieth-century music ” a unique and nearly unbelievable fact Krenek lived up to through his creation of work that spans more than seven decades of the twentieth century from the end of the 1910s until the end of the 1980s. When taken seriously this bon mot does not refer to the temporal concordance of his works or his participation in the latest developments in music throughout his life; it rather points to his role as a twentieth-century contemporary.

The keyboard is bright and festive and choral lines joyful and invigorating. A simple canon for the voices make it a quick study while the keyboard part dances spritely below. An energetic anthem for church or concert programming.

Sparkling bright happy and simply gorgeous are a few words to describe this orchestrated arrangement by Mark Hayes. With an introduction that would surely thrill writers Sammy Cahn and Jule Styne Mark leads into a jazz waltz that dances into anending any Hollywood movie would dream of using and performing! Available separately: SATB SAB 2-Part Orchestration Parts and Score StudioTrax CD. Duration: ca. 3:20.

A stately declaration of thanksgiving breaks into a joyful lilting songs of praise. This dancelike setting of Psalm 92 for soprano alto tenor and bass voices piano and french horn is light and airy with soaring melody lines and accompaniment.

Uses: Christmas Epiphany Scripture: Isaiah 60:1-6 Matthew 2:1-12 Ephesians 3:1-12 Clearly one of the most unique offerings of the season this fabulous seasonal song will be an instant winner with your choir and congregation. Alive with a distinctive tropical spirit this Epiphany-themed song literally dances off the printed page. Decorated with great bass and percussion colors and with a cheerful flute part you will program this piece time and time again for concert or sanctuary usage. Flute part included. Parts for Bass and Percussion (claves congas shaker) avavailable as a digital download.

Festive and buoyant Ring Out the Bells of Christmas dances across the page with a joyful lilt. The good news is announced with music and praise just as the angels first proclaimed it. Sparkling with light and alleluias thisaccessible anthem is a must to herald the birth of the King.

Accessible to all choirs this successful Palm Sunday anthem flows in a fast 3/4 waltz-like melody which dances across each page. The text vividly recalls the sights sounds and feelings both good and bad which compose ourimage of Christ's entry into Jerusalem. The optional handbells add a sparkling crispness and an air of festivity. A change from the standard Palm Sunday processional this is an exciting piece!

Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance with his arrangement and performance of the “St Matthew Passion”. It was revived for the first time in the Berlin Singakademie on 11 March 1829, one hundred years after its premiere in Leipzig’s Thomaskirche. A second arrangement was performed in Leipzig in 1841. Originally only available on hire as part of the edition published by Bärenreiter in 2009, this vocal score is now available on sale. It enables both the Berlin and the later Leipzig versions to be performed. A concordance provides information on the respective sequence of movements and their relation to the Bach Works Catalogue (BWV) and the “New Bach Edition”. - Both Mendelssohn versions available in one edition - Easy-to-play idiomatic piano reduction Edition no.: BA 9088-90 ISMN: 9790006502363 Editor: Winkler, Klaus Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XV, 258 S. - 27,0 x 19,0 cm

This text welcomes the long-awaited arrival of the railway system and the benefits it will bring bidding good riddance to the slow rough-riding stage coaches of the era. The music has a folk-inspired melody while utilizing contemporary harmony and voice leading. The piano part changes throughout the short work adding interest while providing a stable foundation for the choir.