SKU: HL.244978
UPC: 888680709334. 6.75x10.5x0.052 inches.
Here is a high-energy piece suitable for either the concert stage or the sanctuary. Body percussion adds energy, and the gospel-style piano accompaniment drives it all to a powerful conclusion.
SKU: CF.CM9740
ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.
Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War†finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.†Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly†in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O†is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.
SKU: HP.GC996
UPC: 763628051143. Words by Fanny Crosby.
Original anthem with words by Fanny Crosby This exhilarating, high-energy composition uses an uplifting text by Fanny Crosby and can be done both with piano accompaniment, orchestra, or track. This exhilarating, high-energy composition uses an uplifting text by Fanny Crosby and can be done both with piano accompaniment, orchestra, or track.
SKU: XC.2101011
9 x 12 inches.
Brimming with pop energy, catchy hooks, and a modern, punchy backing track, this song will be a favorite for concert and show choirs. Built on the theme of developing much-needed harmony in our world and communities, the upbeat lyrics and carefully crafted harmonies combine to embrace this theme with directness and positive energy. Use the accompaniment MP3 to get the full impact of the song, and help your students learn their parts quickly with the part-dominant MP3 bundles that can be shared with your whole choir.
SKU: OU.9780193439160
ISBN 9780193439160. 10 x 7 inches.
For SATB unaccompanied The wonderful choral music of Howard Skempton has a unique voice that is instantly recognizable. Four by the Clock, which sets words by Longfellow, is a rich and brooding piece that although quiet and slow throughout, fizzes with a barely contained energy and excitement for the 'dawn that is to be'.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: HP.C5008B
UPC: 763628144883.
Original Anthem Overflowing with energy and joyful celebration, here is an original anthem from composer Stan Pethel that affirms the joy of worship throught music with a text drawn from several biblical passages that make reference to music. Overflowing with energy and joyful celebration, here is an original anthem from composer Stan Pethel that affirms the joy of worship throught music with a text drawn from several biblical passages that make reference to music.
SKU: OU.9780193355583
ISBN 9780193355583. 10 x 7 inches.
For SATB (with divisions) unaccompanied. Set to the text of a 12th-century Sequence in honour of the martyr St Olav and characterized by a mellifluous plainchant-style melody, this glorious motet pulses with understated intensity. The opening drones, performed in free time and re-stated throughout, establish a quiet energy which rises until the luminescent final section, in which the heavens are called to rejoice. The original Sequence provides a stately coda. This is splendid and original music, suitable for both concert and liturgical use.
SKU: SU.91480570
Text: Angier Brock.
SATB Chorus, Organ Duration: 7' Text: Angier Brock Composed: 2010 Published by: Subito Music Publishing YouTube: Ms. Brock’s moving poem is lyrical throughout. Even in its beautiful originality, the poem invokes The Book of Common Prayer and biblical scripture (the latter through references to dust and breath from Genesis 2 to the final line of the poem invoking the opening of Psalm 62). Ms. Brock’s poetry is also filled with wonderful twists on traditional texts (such as in the creative and reverse naming of the Trinity in speaking of Inventing Wind, Generous Christ, and Luminous God). Musically, the main melodic material of the piece is immediately heard on a solo organ color accompanied by organ strings over a recurring pedal pulse on the pitch C. The chorus soon enters with the first stanza of the text. As this stanza unfolds, the harmony starts to gradually change as the pulsing pedal rhythm begins to move upward by step. An organ interlude, reflective of the opening introduction, soon emerges (though now over a C-sharp recurring pedal pulse), and leads to a similar choral setting as found in stanza one. As the poem’s second stanza moves forward, it eventually folds into the more harmonically rich stanza three. A fast, dance-like section evolves at Inventing Wind, what a lively dance your energy creates! eventually bringing the work to its climax point. The spirit of dance soon subsides and leads to a quiet and gentle close on the words …for you alone my soul in silence waits. Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: OU.9780193388345
ISBN 9780193388345. 12 x 8 inches.
For SATB unaccompanied Bright, electric, and charged with energy, this setting of one of the seven Advent 'O' Antiphons features Jackson's characteristic flourishes of melodic ornamentation, tempered by moments of calm from the sustained lower voices and softly spoken phrases in the upper voices.
SKU: HL.466833
UPC: 196288070610. 6.75x10.5x0.036 inches.
Two of our greatest choral artists, one known for his mastery with words and the other for his exquisite musical compositions, have united to celebrate the powerful properties in music. Healing, unifying, inspiring, are some of those attributes. The piano accompaniment adds energy and strength to the piece. There is a high point when the single word, music, is decorated so masterfully, it is a moment of expressive genius.
SKU: HL.1412181
UPC: 196288195740. 6.75x10.5x0.036 inches.
The Formosa Singers from Taiwan are one of the world's renowned choral groups. They commission unbelievably creative and beautiful works by local composers. Pavane Publishing is very proud to launch a new choral series with them under the editorial excellence of Cristian Grases. Each edition is published in Taiwanese and IPA and English translations. The first folksong is a harvest song and captures the sounds of people working in the field. The second folksong seeks consolation for the friends and family we miss. The third folksong returns to the harvest with energy and joy in completing the toils in a cheerful dance. Each song is short and together make an excellent cultural choice to bring to your audiences; for advanced high school, community choirs and university ensembles.
SKU: AP.48835
UPC: 038081561592. English. William Blake.
Captivating. Adventurous. With just a hint of danger. This feisty minor key setting of William Blake's gripping poem immediately garners attention with a ferocious fanfare. Then a jaunty, detached piano motive (which later becomes a choral counterline), leads to contemporary choral writing firmly rooted in traditional techniques. Angular intervals and syncopated agitation provide energy, vim, and vigor. Guaranteed to be a highlight of rehearsals, concerts, contests, and festivals. Visit to download a free choral rehearsal guide: www.alfred.com/tigerrehearsalguide This title is available in MakeMusic Cloud.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
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