SKU: CA.3914203

ISBN 9790007166670. Language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score available separately - see item CA.3914200.

SKU: CA.3914212

ISBN 9790007216283. Language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score and part available separately - see item CA.3914200.

SKU: CA.3914225

Text language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score and part available separately - see item CA.3914200.

SKU: CA.3914200

ISBN 9790007166663. Text language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part.

SKU: CA.3914211

ISBN 9790007216276. Language: German.

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part. Score and part available separately - see item CA.3914200.

SKU: CA.3912005

ISBN 9790007055622. Language: German/English.

This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score available separately - see item CA.3912000.

SKU: CA.3909805

ISBN 9790007162122. Language: Latin.

Telemann's Missa brevis on the Easter chorale Christ lag in Todes Banden is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score available separately - see item CA.3909800.

SKU: CA.3949519

ISBN 9790007134358. Language: German/English.

Of the five surviving St. Luke Passions by Telemann, this first printing of the Passion of 1744 distinguishes itself first with, aside from expressive arias, the dramatic choruses. In contrast to his other Passions, Telemann only uses three chorales here: as an opening, during the scene on the Mount of Olives, and as a closing. This setting of the Passion is an full-evening of music of only moderate difficulty and moderate scoring requirements. Score and parts available separately - see item CA.3949500.

SKU: CA.3949509

ISBN 9790007056490. Language: German/English.

Of the five surviving St. Luke Passions by Telemann, this first printing of the Passion of 1744 distinguishes itself first with, aside from expressive arias, the dramatic choruses. In contrast to his other Passions, Telemann only uses three chorales here: as an opening, during the scene on the Mount of Olives, and as a closing. This setting of the Passion is an full-evening of music of only moderate difficulty and moderate scoring requirements. Score and parts available separately - see item CA.3949500.

SKU: CA.3913419

ISBN 9790007144272. Text language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and parts available separately - see item CA.3913400.