SKU: GI.G-EH1009

Text source: Gaelic blessing.

Beautifully capturing the essence of this traditional Gaelic blessing, Elaine Hagenberg’s setting evokes the natural tranquility of a “gentle night” where the “moon and stars pour their healing light on you.” The gently flowing piano accompaniment supports the rolling legato vocal lines. Optional string quartet parts add serenity and depth to this well loved text. Full Score and Parts version also available. EH1009A. Scroll down for link.

SKU: GI.G-018200

UPC: 641151125848.

Instantly intuitive, this beautiful setting is easy to learn with a gentle call-and-response style.

SKU: LP.765762181502

UPC: 765762181502.

A warm and heartfelt reminder of how high how deep how wide is the love of God. This popular song written by Chris Tomlin and Matt Redman and beautifully arranged and orchestrated by Russell Mauldin has accessible vocal harmonies for choir with plenty of solo opportunities.

SKU: AU.9781506456775

ISBN 9781506456775. 7x10.25 inches.

In this delightful anthem the choir sings stanzas of Jesus Loves Me in alternation with the assembly singing We Are Baptized In Christ Jesus. Very effective for baptisms, healing services, funerals, or general use. Tune: Jesus Loves Me, Ouimette.

SKU: CA.3106999

ISBN 9790007206741. Language: German/English.

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

SKU: CA.3106953

ISBN 9790007186371. Language: German/English.

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

SKU: BP.1412

With this musical invocation, we acknowledge our need for the Lord's presence in all His healing power. Excellent for starting a service or as a prayer response. SATB, lyrics by Mary Kay Beall.