Der argentinische Komponist Martín Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor beeindruckt es durch südamerikanischen Sound neben klassischen und traditionellen Elementen. / Choeur Mixte (SATB) Et Orchestre

Der argentinische Komponist Martín Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor beeindruckt es durch südamerikanischen Sound neben klassischen und traditionellen Elementen. / Choeur Mixte (SATB) Et Orchestre

Par SCHUBERT FRANZ. This edition of Franz Schubert's 'Magnificat” D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that make the performance practice of Schubert's day accessible to today's performers. This entertaining large-scale 'Magnificat” was composed in September 1815. The edition is based on the Urtext from the 'New Schubert Edition” and offers an informative Foreword with editorial notes in German and English. The original figured bass numerals found in Schubert's score have been modernised in all performance material and meticulously adapted to meet the demands of today's performers./ Répertoire / Voix et Orchestre

KV 193 186g, 321, 339. Anhang: Magnificat KV 321a Bruchstück. Par MOZART WOLFGANG AMADEUS. Neue Ausgabe Sämtlicher Werke. Urtext Bestellung Zur Fortsetzung Zu Einem Um 10 % Ermäßigten Serienpreis Möglich/ Répertoire / Choeur Mixte

Par HAMMERSCHMIDT ANDREAS. Gattungen: Magnificat, Motetten, Psalmen, deutsch - Reihen bei Carus: Chorsammlungen für Frauenchor, Chorsammlungen für gemischten Chor, Chorsammlungen für Männerchor - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Verwendung / Kirchenjahr: Advent, Besondere Tage, Fastenzeit und Passion, Karwoche, Ostern und nachösterliche Freudenzeit, Pianoingsten, Reformationsfest, Wei cor achten - / Mottet / Répertoire / Choeur Mixte

Par HOMILIUS GOTTFRIED AUGUST. Gattungen: Magnificat - Verwendung / Anlässe: Morgen, Mittag, Abend -/ Répertoire / Choeur Mixte

Capellchor 1. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz 's studies in Italy. This full score contains a comprehensive preface (German, English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translationof the Latin text. - Full score and performance material available for sale (BA4334)/ Répertoire / SATBasse (2 Grands Choeurs Mixtes à 4 Voix Ad Libi

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. J. S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den groß en Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den ubrigen oratorischen Werken hat Bach / Musique religieuse / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works reveal a more personal side to the master symphonist and creator of large-scale orchestral masses. Throughout his life, Bruckner?s deep faith and dedication to the Catholic liturgy inspired him to write church music in smaller forms suitable for performance at Sunday services or in sacred concerts. The long phrases and shimmering sounds of Locus iste, the chromatic modulations and thrilling climaxes in Christus factus est (1884) and in Virga Jesse (1885), or the use of church modes in almost all the motets present a range of fascinating challenges to any choir.In addition to the well-known motets, the choral collection includes smaller sacred works such as short mass settings (a cappella or with organ) and simple liturgical songs and hymns, some with organ or occasionally with trombones. In addition, the volume presents two somewhat longer works from Bruckner?s youth: a Magnificat and a setting of Psalm 23, both with piano accompaniment.The Choral Collection Bruckner. Sacred Choral Music is an expanded new edition of the successful choral collection Anton Bruckner für Gottesdienst und Konzert (Sacred works for worship and concert, Carus 2.065).A detailed preface and several indexes supplement the musical scores in the editionCHORLEITUNG with information on the works and their liturgical usability. An affordable volume (editionCHOR) is also available for purchase, as well as separate editions in print and digital form.?,New expanded volume featuring 39 sacred choral works at all levels of difficulty?,For use both in worship and in concert / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius, Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus, Laudate and Confitebor. Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus, Magnificat, several short instrumental interpolations, and the contrafactum of a secular cantata for the Salve Regina, thereby presenting a full cross-section of Pergolesi’s artistic evolution. The reconstructed Vespers ranges from the early Confitebor, with its allusions to Vivaldi, to the late Salve Regina with its reminiscences of thefamous Stabat Mater; from contrapuntal choral writing to operatic arias; and from the magnificently scored Dixit to the almost intimate Laudate. The present edition follows the original sources as closely as possible and contains an appendix with detailed notes on performance practice. Performance material available for hire Effective reconstruction of a full-length work Cross-section of Pergolesi’s sacred music Clear and easy-to-play piano reduction/ Répertoire / Solistes, Choeur Mixte (SATB) et Orchestre

Aus: Drei Motetten. Par MENDELSSOHN-BARTHOLDY FELIX. The 'Three Motets' op. 69, Jubilate Deo, Nunc Dimittis and Magnificat, were originally intended for the Anglican service, with whose rich choral tradition Mendelssohn became familiar on his many visits to England. / Mottet / Répertoire / Choeur SATB

Pour choeur SATB non accompagné, à partir Magnificat and Nunc dimittis.Cette oeuvre a été commandée par les choeurs nationaux de la jeunesse de la Grande-Bretagne. Première représentation le 9 Avril 2012, à la Royal Albert Hall, Londres, dirigé par Mike Brewer. / Choeur SATB

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work. / SATB Et Orgue