Take Mozart's Eine kleine Nachtmusic add some lyrics from Deck the Hall a few ho-ho-hos and a lot of fa-la-las arrange it for a cappella voices and you've got one fun-filled choral for the holidays. Absolutely delightful!

Mozart's Missa Brevis In C K220 'Sparrow Mass' for SATB and Piano accompaniment.Mozart likely composed his 'Sparrow Mass' after 1775. The nickname 'Spatzenmesse' was created in the 19th century due to the accompanying figure of the Violins in the Sanctus. All traditional handwritten sources were used for the issue.

The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale

The New Novello Choral Edition of Mozart's masterpiece edited by Michael Pilkington.

Mozart?s final work the Requiem K. 626 was left incomplete. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart?s thoughts. Arranged for SATB and Piano accompaniment.

This collection draws together six of the great accompanied motets by Mozart expertly edited by scholar Denis McCaldin. Originally written for choir and orchestra these motets are here made available for the first time with alternative keyboard accompaniments. Includes the classic devotional motet Venite Populi for double-choir and contemplative gradual Sancta Maria Mater Dei as well as three of Mozart's early works. Ideal both for concert programmes and liturgical use this extraordinary value-for-money collection is a must for every choir library.

Zakpartituur-The Magic Flute remains Mozart's most popular opera worldwide to this day. Schikaneder?s Freihaustheater auf der Wieden was a theatre in the suburbs of Vienna. It was a kind of people?s theatre with a corresponding repertoire and its attraction for the public was due not least to the use of spectacular stage effects. The concept ?machine-comedy? refers to the theatrical genre to which ?The Magic Flute? owes its origins and to which the work originally belonged. The premiere was given on 30 September 1791 conducted by Mozart.Urtext of the New Mozart EditionFull score (BA4553-01) vocal score (BA4553-90) and study score format22.5 x 16.5cm (TP155) available for salePerformance material (BA4553-72 available for hire

The spontaneity and charm of Mozart are evident in this brief choral work. Contrasting sections allow considerable space for musical interpetations. Two violins and cello or continuo help to create an authentic and stylistic performance. Originally written for the best soloists and instrumentalists in Munich this delightful work by the 19 year old prodigy is a joy and a challenge for any fine choir.

W.A Mozart's Mass In C Minor K.427/417a as edited and reconstructed by Philip Wilby for two Sopranos Tenor and Bass soloists and double SATB Choir with Piano reduction by Michael Pilkington.

This beautiful little motet has become one of Mozart's most beloved works. Here is a performing edition which is accurate in every detail to the original and which offers the opportunity to perform the work either with keyboard accompaniment alone or as Mozart intended with a small orchestral accompaniment containing a realized continuo part for organ.

KV 339-We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae Solennes De Confessore K. 339 both call for four Vocal parts two Violins two Clarinets Timpani Basses (Violoncello Double Bass and Bassoon) three Trombones and Organ. They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomousunit; the Doxology at the end is derived from the themes of the various Psalms. Urtext of the New Mozart Edition Performance material (BA4894) vocal score (BA4894-90) available for sale

The Missa Brevis by Mozart was written in 1774 for an unknown occasion but it has been suggested that the basilica of St Maria Plain near Salzburg was its intended recipitent. A powerful and attractive work which is ideal for a liturgical context as well as in the concert hall. This full vocal score for Missa Brevis contains the complete setting for full mixed SATB choir with Piano accompaniment and solo passages for sections of the Gloria Credo Benedictus and Agnus Dei.

Inter Natos Mulierum in G major K.72 is an offertory composed in Salzburg in 1771 for the feast of St John the Baptist. It’s scored for SATB chorus Trombones (3) Organ and Strings without Viola.Full score vocal score (BA4788-90) and performance material (BA4788) based on the Urtext New Mozart Edition is available for sale.