Right Down Santa Claus Lane-Gene Autry's famous Christmas song from 1948 is a bona fide holiday classic and gets a vocal jazz makeover in this swingin' setting that will showcase your singers at their best! Perfect for all kinds of concerts! Availableseparately: SATB SAB SSAA ShowTrax CD. Rhythm parts available digitally (gtr b dm). Duration: ca. 4:30.

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

Traditional Zulu Dowry Song-Here is a popular Zulu traditional song as arranged by Rudolf de Beer former conductor of the Drakensberg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authenticpercussion and movement suggestions give this selection great visual appeal. Available separately: SATB SSAA. Duration: ca. 1:50.

Introduce your choir to the fun of a cappella singing with this accessible arrangement of the Lee Ann Womack hit that topped the charts in 2001. Crafted for success this setting gives all the parts a chance to sing the melody while the background vocals are easy and create a perfect stylistic texture. Available separately: SATB a cappella SSAA a cappella. Duration: ca. 2:45.

Here is the Rodgers and Hammerstein classic in an irresistible vocal jazz setting that really swings over a pulsating groove. A fine showcase for jazz and pop groups!

The SATB edition (00159337) was released last year and became an immediate hit. Carrying the positive message that we are all ?connected? and need to take care of one another is just the beginning of why this is a great piece. It has a style all itsown: rhythmic a cappella with simple but engaging counterpoint a culminating chorus and a winning ending. For SSAA choirs of all ages. Easy to medium.

Based on Psalm 34:13-15 Who is the man that desires life and loves days that he may see good therein? Keep your tongue from evil and your lips from speaking guile. Depart from evil and do good; seek peace and pursue it.

From Pitch Perfect 3-Originally released by teen pop sensation Daya and then re-energized in the movie Pitch Perfect 3 this is a song of empowerment for girls and women. In her own words Daya states that ?this is a song about a girl that goes after her own dreams and really fights for what she wants.? All of these good vibes are wrapped up in a dynamite pop a cappella arrangement.

Puer Pacis. Puer Pacis (The Dulwich Peace Carol) was jointly commissioned by Dulwich College and Dulwich College International, with the generous support of the Alvarez Family. First performed by the Choir of Dulwich College, directed by Richard Mayo, on 6 December 2019 at Southwark Cathedral. Scored for unaccompanied divisi choir, the text asks what can we offer to the baby in the manger when it is Mary's gift to humanity that is the greatest of all.

Parker's arrangement of the beloved Quaker folk hymn begins with a mezzo soprano solo then progresses to some fairly tight harmony that sounds more complex than it actually is.

POD-Tantum Ergo is a work by Franz Liszt for Upper Voices and Organ Accompaniment that sets text by Thomas Aquinas translated by Edward Caswall and lasts around 3 minutes.

Commissioned by the Alliance for Arts and Understanding for the 2004 Alliance World Festival with uplifting text by Minnie Louise Haskins - Give me a light that I may tread safely into the unknown - and complemented by a simple Latin chorus this work offers a powerful showcase for female voices. In English and Latin.

Drawn from the English tradition that brought blessings to crops and flocks this Somerset melody is rousingly arranged for full chorus.

Here is the traditional spiritual in a contemporary and dramatic setting for women's unaccompanied voices opening with a beginning unison melody performed in a slow heavy manner. When the tempo picks up the melody is supportedby the other voices and a recurring rhythmic groove that adds to the urgency of the text.

Ysaye Barnwell is a member of Sweet Honey in the Rock and the unique stylings and vocal techniques of that famed ensemble are evident in this piece. “Wade in the Watah” borrows from another spiritual “Done MadeMy Vow ” and references the great Harriet Tubman as freedom's guide. The incredible train effects are amazing. The broad range of this piece which occasionally divides into six-part treble covers the full spectrum from lowD to high B! A most impressive entry for contest festival or worship. “Wade in the Watah” will leave listeners in awe!