SKU: HL.49044179
ISBN 9790001190152. 8.25x11.75x0.057 inches. Italian.
SKU: HL.1446143
ISBN 9798350124576. UPC: 196288206613.
Comissioned by Roomful of Teeth, 7 Planets is an interplanetary exploration for 8 voices. Conceived in 2020 when observing the planets became a solace, providing a necessary stability for Alev Lenz, the seven movements are each based on one of the planetary frequencies. The work lasts around half an hour and requires some percussion at moments.
SKU: HL.51485823
ISBN 9790201858234. UPC: 888680891718. 6.75x9.5 inches.
Written entirely in German.When Haydn stopped in Passau on his second journey to England, he heard a vocal version of his own orchestral work “The Seven Last Words.” It had been made by the Kapellmeister at Passau cathedral Joseph Friebert and Haydn was quite impressed – except: “I believe I could have done the voice parts better.” He acquired a copy and set about making his own vocal version, taking over most of the text. Haydn particularly liked his own vocal work and it was also enthusiastically received by his contemporaries. The study edition is based on the volume (HN 5822) published as part of the Complete Edition by the Joseph Haydn Institute in Cologne.
SKU: BT.MUSM570367917
Thomas Simaku's La Leggiadra Luna arranged for choir a capella. The music begins with a song-like expression introduced at a slow pace, as if emerging from the remoteness of time itself. It is clearly based on the musical utterance of the 'white modality', but these modal segments are constantly surrounded by chromatic inflections throughout the work. Each section of the choir pursues its own path, but during a compositional process of ‘zooming in and out’, as it were, their individual qualities are highlighted. It is as if the initial sound object - which to begin with was far away- is brought nearer to us, in time and space. A variety of shortsegments, predominantly modal, but stemming from different chromatic ‘locations’, are often superimposed. The task of filtering out this 'amourphous' texture and giving its constituent elements - be they melodic or harmonic, or a combination of both - a renewed identity, becomes an essential compositional aim, through which the process of crystallization occurs. The main strategy of the piece is thus exploring the interrelationship between these two sound-worlds (modal and chromatic) and their temporal qualities (ancient and modern), musical or otherwise.
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