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Sing We Merrily. Music For 18Th Century Choirs
Choral
[Sheet music]
Stainer and Bell
Music For 18Th Century Choirs. / Recueil / Choeur
18.76 EUR - Sold by LMI-partitions
(Seller in french langage)
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Sacred Choral Music SWV 381-397: Mixed Choir: Score
Choral
Barenreiter
The Six and Seven-part Motets (nos. 13-29)-The Heinrich Schütz: Sacred Choral M...
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The Six and Seven-part Motets (nos. 13-29)-The Heinrich Schütz: Sacred Choral Music collection can be performed vocally and/or instrumentally. These motets offer smaller choirs and ensembles new possibilities to perform these works based on historically-informed performance practice.The Basso Continuo realisation follows the composer?s intention of using the score merely as a basis for performance but with its relatively simple realisation it allows performers to create their own version.Heinrich Schütz was a German composer and organist widely regarded as the most important German composer before Bach and one of the most important composers of the17th century. Schütz is said to have written what is considered to be the first German Opera in 1627 titled Dafne (Opitz- Shütz).
27.00 GBP - Sold by Musicroom UK
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Ralph Vaughan Williams: Ca The Yowes: Tenor & SATB: Vocal Score
Choral
Curwen
Vaughan Williams created this setting of Burnsâ?? later version of Caâ?? The Y...
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Vaughan Williams created this setting of Burnsâ?? later version of Caâ?? The Yowes with its original tune in 1922. This is a particularly atmospheric setting profiling lyrical solo male voices againstvery rich harmonies and varying this between the verses of the song. The Scottish folk song is arranged for Tenor solo and chorus of mixed voices with Piano accompaniment.Ralph Vaughan Williams was an Englishcomposer of symphonies chamber music opera choral music and film scores; as well as a collector of English folk music and song. He was one of the leading figures of the 20th century revival of English music and believed thatrestoring English music could only happen by studying and employing native resources rather than looking at foreign models. Today Williams is largely remembered for his â??musical nationalismâ?? although a greatercomplexity is attributed to it than in former times.
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The Eton Choirbook I: Mixed Choir: Vocal Score
Choral
[Vocal Score]
Stainer and Bell
Edited by Frank Harrison. An epic transcription of this most important document ...
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Edited by Frank Harrison. An epic transcription of this most important document of late 15th-century choral music; Volume I contains polyphonic antiphons by Browne Cornysh Davy Horwood Kellyk Lambe Sturton and Wylkynson. First published in 1956 revised 1967 and reprinted with corrections 1983.
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N. Temperley: Christmas Is Coming: Vocal Score
Choral
[Vocal Score]
Stainer and Bell
Both a dedicated carol singer and an authority on the history of English music ...
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Both a dedicated carol singer and an authority on the history of English music Nicholas Temperley here offers a unique book of 37 carols dating from the fifteenth century to the present.For over fifty years he has sung edited and composed carols each Christmas and in Christmas is Coming the fruit of his enthusiasm is combined with his wealth of knowledge to produce an outstanding and original new collection. As John Rutter observes in his Foreword the book does not pointlessly duplicate what can be found in many other carol books but has a personality and purpose of its own.Twenty-two fresh and practical arrangements include carols from Austria France Germany Mexico Poland and the USA alongside music both rare and familiar from the rich heritage of the English carol tradition. As well as eight of his personal favourites from J. S. Bach to Charles Ives the author includes seven new compositions of his own settings of medieval and traditional texts that reveal his skill as a choral composer whose command of style ranges from the humorous to the profound.In addition to sample programmes and translations there are invaluable notes on the performance and history of individual items plus an historical summary of the genre as a whole: everything in fact to make Christmas is Coming an indispensable companion for singers who wish to enrich the seasonal repertoire for concerts churches and traditional Yuletide carolling.
11.45 GBP - Sold by Musicroom UK
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Steal Away - Were You There?: Men's Voices: Vocal Work
Choral
[Sheet music]
Edwin Ashdown
These two spirituals -- Steal Away and Were You There? -- have become staples in...
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These two spirituals -- Steal Away and Were You There? -- have become staples in the gospel repertoire and have been skillfully and sensitively combined into a quodlibet for male Voices with Piano accompaniment. Twentieth centuryEnglish Organist Hazel Hudson has published many of these combinations of separate tunes into one work as well as works for student musicians and arrangements of religious music.The work is of intermediate difficulty and is anappealing piece for Choral programmes.
3.99 GBP - Sold by Musicroom UK
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Hector Berlioz: Les Troyens Hol. 133: Mixed Choir: Score
Choral
[Sheet music]
Barenreiter
Les Troyens - The Trojans: Opera in 5 Acts Berlioz composed Les Troyens towards ...
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Les Troyens - The Trojans: Opera in 5 Acts Berlioz composed Les Troyens towards the end of his life drawing on Virgil?s epic poem The Aeneid which he had admired since his childhood. In his Memoirs he recounts how his father a country doctor read Virgil to him and how the story of Dido?s tragic fate reduced him to tears which he tried hard to conceal. The score was finished in April 1858 but he was unable to persuade the Paris Opera to mount it (his earlier opera Benvenuto Cellini had been a failure there in 1838) and eventually he agreed to allow the last three acts to be performed under the title Les Troyens à Carthage. This took placeat the Théâtre-lyrique an enterprising but ill-equipped theatre in November 1863 and although it was much admired there were no more performances before Berlioz?s death in 1869. In the history of French music Les Troyens stand out as a grand opera that avoided the shallow glamour of Meyerbeer and Halévy but therefore paid the price of long neglect. In our own time the opera has finally come to be seen as one of the greatest operas of the 19th century. Urtext of the New Berlioz Edition Full score (BA5442) and vocal score (BA5442-90) available for sale Performance material (BA5442-72) available for hire
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Niels Wilhelm Gade: Works For Male Choir - Equal Voices: Mixed Choir: Score
Choral
[Sheet music]
Barenreiter
Volume 1-Works for Male Choir / Works for Equal Voices Volume 1Niels W. Gade. W...
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Volume 1-Works for Male Choir / Works for Equal Voices Volume 1Niels W. Gade. Werks Volume IV/10Niels Wilhelm Gade (1817?1890) WorksEdited by the Foundation for the Publication of the Works of Niels W. Gade CopenhagenNiels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific ?uvre has appeared in print. Given this fact and the growing current interest in Gade there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers.This edition will contain all of Gade's completed compositions and separate movements as wellas the arrangements he made of his own works and those of other composers. In general the main text presents the ?definitive? version based on Gade's personal copy of the printed work. However all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English).
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Reynaldo Hahn: Chansons et Madrigaux pour Trois et Quatre Voix: Mixed Choir:
Choral
Heugel
Reynaldo Hahn’s Songs And Madrigals for three- and four-part choir. The ti...
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Reynaldo Hahn’s Songs And Madrigals for three- and four-part choir. The time machine has no secrets for Reynaldo Hahn (1874-1947). After plunging his contemporaries into the delights of Renaissance revelry with the ‘Bal De Béatrice D'Este’ the composer continued to explore the past with a tribute in 1907 to Rameau (in the final drumroll of the ‘Sonatine’ for Piano). He also published Songs And Madrigals composed on a selection of texts written by famous 15th and 16th century poets: Charles d’Orléans Jean-Antoine de Baïf and Agrippa d’Aubigné.Composed for three- and four-part choir (with optional Piano accompaniment duplicating the Vocals) these six Songs And Madrigals radiate a powerful charm that preserves them from affectation: Un Loyal Coeur envelops the listener in the polyphonic latticework of an enchanting melancholy while Vivons Mignarde borrows rhythmically from Lully to exalt the 'sweet life' that Coralie's lips promise to make even more voluptuous. With its seductive melody and expressive delays Pleurez Avec Moi! bestows heartrending accents upon the sighs of a desolate soul. En Vous Disant Adieu Comment Se Peut-il Faire Ainsi and Les Fourriers D'Eté round off this collection of deliberately archaic songs that exhale an irresistible freshness.
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Georg Philipp Telemann: Die Hirten bei der Krippe zu Bethlehem: Mixed Choir:
Choral
[Vocal Score]
Barenreiter
Sacred Cantata-In the words of Karl Wilhelm Ramler this cantata is one of the m...
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Sacred Cantata-In the words of Karl Wilhelm Ramler this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759 it combines festive trumpet sounds with moving chorale settings.Telemann has used his musical resources with moderation and restraint allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmas setting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30) thereby providing a reliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.
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Peter Jenkyns: The Bats Unison And Piano: Unison Voices: Vocal Work
Choral
Novello & Co Ltd.
Jenkyns’s songs for children can best be described as art songs for the y...
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Jenkyns’s songs for children can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics as in The Bats are perfectly gauged for their performers.Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with charming lyrics of his own creation. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He was also a highly-regarded Gilbert and Sullivan patter-song singer and he founded a localGilbert & Sullivan society which is still thriving.
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John Merbecke: Merbecke The Office For The Holy Communion: Mixed Choir: Vocal
Choral
Novello & Co Ltd.
Composer and Organist John Merbecke lived in interesting times. He was born soo...
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Composer and Organist John Merbecke lived in interesting times. He was born soon after the beginning of the 16th century and spent his whole life in service of music at St George’s Chapel at Windsor Castle. In 1543 he was arrested for heresy and sentenced to death but received a royal pardon unlike the three others with whom he was arrested. He returned to his position at Windsor and began work on a concordance of the English Bible to replace the one that had been destroyed when he was arrested. The Book of Common Praier Noted was published in 1550 at a time when the continued use of plainchant was controversial. Here Merbecke sets the chants but in English ratherthan Latin.As a piece of history for students of monody and as a part of the church’s heritage Merbecke’s setting is invaluable.
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Marc-Antoine Charpentier: Te Deum: Mixed Choir: Vocal Score
Choral
[Vocal Score]
Barenreiter
The ?Te Deum? (H 146) is unquestionably the best known composition of Marc-Antoi...
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The ?Te Deum? (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643?1704) especially since its ? Prélude en rondeau ? was made the Eurovision signature tune. Although Charpentier set the ?Te Deum? altogether four times this is his only setting employing a ?military band? i.e. trumpets and kettledrums.This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.The present editionstands at the forefront of scholarship and provides a complete newly edited Urtext of Charpentier?s masterpiece.- Full score performance material (BA7593) and vocal score (BA7593-90) available for sale
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Dream Of The Song (BENJAMIN GEORGE)
Choral
[Sheet music]
Faber Music Limited
Par BENJAMIN GEORGE. A beguiling 20-minute work for countertenor, women's voices...
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Par BENJAMIN GEORGE. A beguiling 20-minute work for countertenor, women's voices and orchestra, Dream of the Song, George Benjamin's first work since his ground-breaking opera Written on Skin, was premiered in 2015 by the countertenor Bejun Mehta, the Netherlands Chamber Choir and the Royal Concertgebouw Orchestra conducted by the composer. Employing a reduced orchestra (two oboes, four horns, two percussionists and two harps and strings), the work sets verse by three major poets who spent formative years in Granada- two Hebrew poets of mid-11th century, Samuel HaNagid and Solomon Ibn Gabirol (sung by solo countertenor in English versions by Peter Cole), and Gabriel Garcia Lorca (sung by the female chorus in the original Spanish). This inspired pairing of texts creates a rich, melancholy and strange poetic conjunction, expressed most beautifully in the final movement which, overlaying soloist and choir, offers two simultaneous visions of dawn, conceived a millennium apart./ Répertoire / Choeur
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Reader On The Russian Choral Literalture During The First Half Of The 20Th Century
Choral
[Sheet music]
Kompozitor
/ Choeur / 142 pages / Partition
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Choir Laboratory. The 21St Century. Music For Children And Youth. Issue 0
Choral
[Sheet music]
Kompozitor
/ Choeur / 124 pages / Partition
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111 Bicinia From The 15Th Century For School And Liturgical Use
Choral
EMB (Editio Musica Budapest)
/ Choeur
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Fifteenth-Century Liturgical Music, IX
Choral
[Score and Parts]
Stainer and Bell
/ Recueil / Choeur
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Fifteenth-Century Liturgical Music: II: Mixed Choir
Choral
Stainer and Bell
Four Anonymous Masses
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Fifteenth-Century Liturgical Music: VIII
Choral
Stainer and Bell
/ Recueil / Choeur
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English Thirteenth-Century Polyphony
Choral
Stainer and Bell
/ Recueil / Choeur
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Anthems Old And New Vol.1
Choral
Kevin Mayhew
/ Choeur Mixte
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Eighteenth-Century Psalmody (LXXXv)
Chorale
[Sheet music]
Stainer and Bell
/ Recueil / Chorale
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Fifteenth-Century Liturgical Music VII
Chorale
[Sheet music]
Stainer and Bell
/ Recueil / Chorale
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Manuscripts Of Fourteenth-Century English Polyphony (Facsimiles)
Chorale
[Sheet music]
Stainer and Bell
Harrison And Wibberley (Ed). Par HARRISON / WIBBERLEY. / Recueil / Chorale
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Fifteenth-Century Liturgical Music Vi
Chorale
[Sheet music]
Stainer and Bell
/ Recueil / Chorale
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Fifteenth-Century Liturgical Music: V Settings Of The Sanctus And Agnus Dei
Chorale
[Sheet music]
Stainer and Bell
Settings Of The Sanctus and Agnus Dei. / Recueil / Chorale
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Fifteenth-Century Liturgical Music: III: Mixed Choir
Chorale
[Sheet music]
Stainer and Bell
The Brussels Masses
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Fifteenth-Century Liturgical Music: I: Mixed Choir
Chorale
[Sheet music]
Stainer and Bell
Antiphons and Music For Holy Week and Easter
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Fifteenth-Century Liturgical Music: Iv: Mixed Choir
Chorale
[Sheet music]
Stainer and Bell
Early Masses and Mass Pairs
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