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For Michael
Choral
INSTRUMENTS
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Bumblebee! Rounds And Warm Ups (GRIFFIN MICHAEL)
Choral
[Sheet music]
Faber Music Limited
Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just...
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Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just a wonderful collection of 130 choir exercises including 50 rounds. Michael Griffin, who has taught and consulted throughout the world, shares timeless wisdom to help you get your choir into shape. 'Will prove useful for almost everyone” -Rhinegold Music Teacher Magazine. 'This is a great resource to add to one's library of rehearsal tricks.' - Anacrusis, ACCC, Canada 'Bumblebee contains excellent new ideas and extensions on some of those well-known warm-ups that we all love to use. Backed by clear explanations of the purpose of each, it is a must have, particularly for less experienced choral directors.” - S Turner, PLC, Sydney. 'Vocal physiology, singing pedagogy, and effective vocal examples to practise are excellently combined in Bumble Bee, making it a kind of 'one stop shop' for singing teachers and choir conductors. The vocal work is fun with music examples ranging in difficulty, catering for a variety of vocal contexts. The rounds are invaluable in themselves, offering participants many opportunities to make beautiful music. I even use some of these vocal exercises with my tertiary drama students, as they encourage vocal health and illustrate how the vocal mechanism works. I would highly recommend this resource to anyone who cares about voices and loves to sing well!” - S. Chapman, QLD 'This is really good stuff for all kinds of vocal groups, choirs, conductors. Bravo!!' - Harrie Spronken, Netherlands. 'This is the thinking person's guide to training a choir! Love it.' - Margaret May, Australia. 'It's great to have some fresh warm-ups to add to the repertory. Being short and repetitive by their nature, we need lots of different ones and most of these are new to my choir. The tips for actions and techniques etc. are really useful, and the advice at the back of the book has made me review some of my strategies.' - Philip Duffy, UK./ Méthode / Choeur
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Michael Gohl Jan Schumacher: Sing Along - Sing Together!: Mixed Choir: Vocal
Choral
[Sheet music]
Peters
The Open Singing Choir Songbook-Open Singing is all about creating moments of ma...
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The Open Singing Choir Songbook-Open Singing is all about creating moments of magic and pure pleasure through singing with others. At Open Singing sessions everyone is invited to sing: the event is neither choral rehearsalor choral concert. It is – pure and simple – all about turning up and making music. Open Singing transcends age style and culture. Along with a methodical approach and good communication skills a clever choice of repertoire is one of the most important preconditions for a successful session. This album presents a varied selection of time-honoured classics and new pieces suitable for all kinds of Open Singing. Additionally Sing Along – SingTogether! offers valuable tips and performance suggestions for successful planning and realization of Open Singing sessions.
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Michael Bublé: Hollywood.: Mixed Choir: Vocal Score
Choral
[Sheet music]
Faber Music Limited
Hollywood (Michael Buble) arranged for upper voices with piano accompaniment.T...
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Hollywood (Michael Buble) arranged for upper voices with piano accompaniment.This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniment perfect for the amateur pianist. Also includes chord symbols.
3.50 GBP - Sold by Musicroom UK
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Michael Jothen: Master Strategies for Choir: Reference
Choral
[Sheet music]
Hal Leonard
Ready-to-Use Resource Material for the Choir Rehearsal. MASTER STRATEGIES FOR CH...
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Ready-to-Use Resource Material for the Choir Rehearsal. MASTER STRATEGIES FOR CHOIR presents over 70 ready-to-use reproducible rubrics and activities for the choral rehearsal grades 6-12. It is organized into three areas: 1) choir as a sound laboratory covering choral techniques; 2) choir as a rehearsal-classroom addressing history style and theory; and 3) choir as a concert venue addressing concert etiquette and assessment. Add variety to your choral rehearsal with this new resource. Available: Resource Book (with reproducible activity pages). For Gr. 6-12.
29.99 GBP - Sold by Musicroom UK
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Amy Grant Michael W. Smith: No Eye Had Seen: Mixed Choir: Backing Tracks
Choral
Hal Leonard
All the wonder of the Christmas season is revealed in this stunning setting of t...
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All the wonder of the Christmas season is revealed in this stunning setting of the inspirational song recorded by Michael W. Smith. Beginning gently it steadily builds to a gorgeous high point. A fantastic selection for both church and community programming! Available separately: SATB SAB SSA ChoirTrax CD. Score and parts (fl ob hn hp gtr b dm perc timp vn 1-2. va vc) available as a Printed Edition and as a digital download. Duration: ca. 3:30.
29.40 GBP - Sold by Musicroom UK
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Jill Gallina Michael Gallina: Happy the High-Tech Snowman: Classroom Musical
Choral
Shawnee Press
A One-Act Musical-It's a snow day! Samantha tweets her friends with an invitatio...
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A One-Act Musical-It's a snow day! Samantha tweets her friends with an invitation to hang out. The friends bury themselves not in the snow but in their individual electronic devices. Although resistant to play outdoors in the snow the childrensoon find themselves face-to-face with a walking talking sunglass-wearing snowman!Happy the Snowman used a slush fund to come to life to learn about today's technology. Quite frankly up until now he's been frozen out!Very quickly Happy is lost in a blizzard of techno-speak and electronic devices. After posting a video online of the snowman's song and dance Happy's adventure takes a dramatic turn as the video goes viral! When chased byscientists reporters and paparazzi his new friends text everyone they know to join in a friendly flash mob to distract his pursuers and to rescue our hero.Happy the High-Tech Snowman can be used anytime betweenlate fall and the end of the winter months and it lends itself to many community and instructional settings. For Grades 4-8. Available: Teacher Edition; Singer Edition 5-Pak; Listening CD; Enhanced StudioTrax CD; Preview Pack;Performance Kit.
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Francis Pott: My Song is Love Unknown: SATB: Vocal Score
Choral
Peters
Francis Pott’s My song is love unknown sets all of Samuel Crossman&rsquo...
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Francis Pott’s My song is love unknown sets all of Samuel Crossman’s famous verses but one (commonly omitted when the poem is sung metrically as a hymn). The music begins with offbeat repeated chords prompted—not inappropriately—by the opening to Richard Strauss’s tone poem Death and transfiguration. In its early stages only trebles and altos are heard. The sequential flow of Crossman’s poem is soon disrupted with particular dramatic ends in mind. After a seemingly anxious harmonic distortion of the opening chords the word ‘crucify’ arises initially as a mere mutter from the lowervoices so timed as to afford assonance with other words in the upper parts and thus remain barely discernible as if only imagined. In due course however cries of ‘Hosanna’ find themselves on a collision course with a rising tide of ‘Crucify’ during which the ‘Hosanna’ faction gradually loses heart and sheep-like defects until a single treble voice—plaintively daring to repeat the ‘offending’ word—is swept aside by a murderous outcry. In due course ‘Crucify’ recurs as a further angry climax before the opening music returns this time expanding into an extended polyphonic final section for double choir and SATB soloists. The principal climax of the work subsides into a form of epilogue crowned sorrowfully by a treble soloist to whom the music in toto has by now presented many challenges. The anthem ends in the key and mood of its opening. The character of its demanding organ part reflects the possibility that it may one day be orchestrated. My song is love unknown was composed in memory of Michael Renton a craftsman and largely self-taught ‘Renaissance’ man who was not only a member of the Winchester cathedral congregation but also the cathedral’s stonemason. He was beloved of many in the Cathedral community; a true and
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Felix Mendelssohn Bartholdy: The First Walpurgis Night Op.60: Mixed Choir: Vocal
Choral
[Vocal Score]
Barenreiter
Ballade by Johann Wolfgang von Goethe-During the summer of 1799 Goethe wrote hi...
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Ballade by Johann Wolfgang von Goethe-During the summer of 1799 Goethe wrote his ballad ?Die erste Walpurgisnacht ? and asked his friend Carl Friedrich Zelter to set the work to music. Zelter however felt unable to do this and so Goethe?s wish was only realised thirty years later by Felix Mendelssohn Bartholdy.The ?heavenly words? of the pagan ballads had impressed the composer so much after a visit to Weimar that he was inspired to set them to music. In 1832 the composition took shape and was performed a year later in the Sing- Akademie in Berlin.Mendelssohn was however unhappy with the first version of the work and held it back until he decided on a radical revision ofthe work ten years after its premiere. Die ?erste Walpurgisnacht? was first performed in 1843 in Leipzig in the presence of Robert Schumann and Hector Berlioz in the form in which the work is still performed today. The publication of this edition by John Michael Cooper Associate Professor of Music History at the University of North Texas (Denton) makes the work available in an Urtext edition for the first time in time for the 200th anniversary of the composer?s birth. The edition reflects the latest state of research and the volume includes a Critical Commentary.- One of Mendelssohn?s most important secular works in an edition reflecting the latest research findings.- Bärenreiter Urtext for the Mendelssohn anniversary year 2009.- Critical Commentary (Eng)- Full score (BA9072) and vocal score (BA9072-90) for sale; performance material (BA9072-72) available for hire.
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Mass In D Major
Choral
Novello & Co Ltd.
Dvorak's Mass in D Op.86 was completed in 1887. It is scored for Soprano, Alto, ...
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Dvorak's Mass in D Op.86 was completed in 1887. It is scored for Soprano, Alto, Tenor and Bass soloists, SATB and organ, or SATB (with optional soloists) and orchestra. Edited by Michael Pilkington. / Choeur
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Musica Corale Di 1000 Anni
Choral
EMB (Editio Musica Budapest)
/ Choeur
23.20 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
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