SKU: HL.8301924
UPC: 884088552701. 5x5 inches.
Uses: PraiseScripture: Psalm 150Power, strength and majesty are the words that best describe this setting of Psalm 150. Written for organ and optional brass, the opening builds to the choir's entry. A unison choral statement ensues that is noble and direct. Following a softer middle section, the piece returns to the opening material to a glorious conclusion.
SKU: HL.2050286
UPC: 797242236396. 6.75x10.5x0.29 inches.
Welcome to the wonderful story of David and Goliath contained in The Slingshot Heard 'Round the World. Told with creativity and humor, this musical seeks to show children that “God judges persons differently than humans do. Men and women look at the face; God looks into the heart.” (I Samuel 16:7b The Message).Children will also learn that though life will confront them with many fears, like David they can take positive, faith-filled action to conquer their fears and their foes!As in all musicals from Dave Noel and Jay Rouse, the songs in this musical are easy to learn and fun to sing.Directors will appreciate the additional ideas and tools available in the Resource Kit and Instructional DVD.
SKU: HL.2050279
UPC: 797242216190. 6.75x10.5x0.219 inches.
PraiseGathering Publications presents an inspiring musical adventure from Dave Noel and Jay Rouse. Joseph and the Dream Team Xtreme is a powerful tool for teaching children that God can make dreams come true despite impossible odds. Told with humor and sensitivity, this story shows the destructive power of jealousy and envy as well as the necessity of moral integrity. We also see the awesome power of forgiveness and the amazing parallels between the lives of Joseph and our Lord and Savior, Jesus Christ. Directors will appreciate the additional ideas and direction available in the Resource Kit and Instructional Video. Allow your children to show that through God's plan of salvation, we can all be a part of His “Dream Team Xtreme!”.
SKU: HL.14042246
ISBN 9781780382227. UPC: 884088922061. 6.5x9.75x0.045 inches.
This setting of the opening to Psalm 102 was composed in the early 1680s. Purcell, who was in his early twenties, had succeeded John Blow as organist of Westminster Abbey around the beginning of the decade and his star was in the ascendant as a court composer.In this piece he pulls off a remarkable compositional coup: a single, gradual climax, lasting over two minutes and culminating on the final repetition of the word 'come', is achieved through a sublime, freely developing eight-part weave of the opening material. The harmonies that result from the chromatic inflections on the word 'crying' all serve the mounting tension in this extraordinary miniature.Studyof the autograph manuscript suggest that this anthem was intended to be the opening part of a larger work which was never completed.
SKU: BR.SON-453
ISBN 9790004803639. 10 x 12.5 inches.
This Felix Mendelssohn Bartholdy anthology contains 19 sacred vocal works in various choral and sometimes additional solo settings, with organ, harpsichord, or basso continuo accompaniment. Among these pieces composed from 1821 to 1847 are six works that were not published during Mendelssohn's lifetime. Seven of the works presented are each extant in at least one other authorized version that has also been edited here. The occasions and circumstances of their composition vary as much as their musical structures and characteristics: Several were intended for specific performances; others were written from the outset for publication.
SKU: BT.MUSM570367863
Meadow is an installation for any performers – singers, instrumentalists of any type – and requires large numbers (minimum 20). It should be performed without musical score, although the text to be spoken may be printed on a piece of card that can be held in the hand by performers. In addition, each performer will require a coloured tissue paper ‘butterfly’, as detailed in the score. The performers populate a sonic wildflower meadow, constantly varied in detail but unchanging in overall texture. They collectively produce a highly variegated, quiet ‘hum’ – a dense but delicate weave of sound that may rise only a little above theambient sound of the performance space, revealing its intricacies only to those listening close-up. Meadow was designed to work as a pop-up performance within a large, multipurpose public space, though a relatively quiet environment is necessary. Performers work independently from each other. The whole group should be quite densely clustered, close together, but one or more paths through the performer ‘meadow’ should be left. The audience should be able to walk among, around and through the performance as much as possible.
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