SKU: HL.1132736
ISBN 9781705182864. UPC: 196288112426. 6.75x10.5x0.029 inches.
For SAB and SSA voicings, the spiritual, “This Train,†takes on new life with driving vocal and instrumental rhythm. Gospel rock style harmonies fill the work, and the energy is simply nonstop from beginning to end. A dynamic choice for concert or show choir.
SKU: HL.138732
UPC: 888680032869. 6.75x10.5x0.029 inches. Mary Donnelly/George L.O. Strid.
A lilting original work for beginning SSA choirs reflects on the sights and sounds of nature. Accessible ranges and part-writing and flute obbligato add to the effectiveness of this piece for middle school treble choirs. ScorePlay - click to view score with recording.
SKU: HL.390137
ISBN 9781705156551. UPC: 196288027553. 6.75x10.5x0.034 inches.
When the Saints Go Marching In is one of jazz music's most beloved songs. This easy arrangement with a driving Dixieland swing provides a first introduction to jazz music.
SKU: HL.202264
UPC: 888680655846. 6.75x10.5 inches.
This well-crafted setting for younger and developing choirs extends a heartfelt wish to cherish the special times, offering a perfect way to close any holiday program. “And we'll all join hands and remember this moment, 'til the season comes 'round again.&rdquo.
SKU: HL.211602
UPC: 888680661540. 6.75x10.5x0.018 inches.
One of the most performed and recorded songs ever, this classic standard will enhance programming for jazz, pop and concert choirs in this well-crafted setting. A gem!
SKU: HL.211603
UPC: 888680661557. 6.75x10.5x0.018 inches.
SKU: HL.250018
UPC: 888680713492. 6.75x10.5 inches.
With hints of soul and country, this midtempo ballad tells the story of starting over again following a tragedy. A positive message and a beautiful melody make this ballad a solid choice for any sort of concert.
SKU: HL.142331
UPC: 888680048198. 6.75x10.5 inches.
This classic song recorded in the 30s by Marlene Dietrich gets an update with this accessible setting which opens in a straight-forward 3/4 meter, then moves into a fun 4/4 swing. ScorePlay - click to view score with recording.
SKU: HL.158134
UPC: 888680611675. 6.75x10.5x0.026 inches.
Set in an up-tempo gospel style with energetic rhythms, call and response vocal lines and a driving accompaniment, this original spiritual is just the ticket for a fantastic choral showcase!
SKU: HL.254667
UPC: 888680721930. 6.75x10.5x0.029 inches.
Asking those who have much to consider those who do not is an important and popular theme today. To realize that this song was first published in 1854 makes the plea even more poignant. The optional violin obligato adds a longing voice to this socially conscious message.
SKU: HL.14019466
ISBN 9788759858257. UPC: 884088439934. 8.25x11.75x0.039 inches. English.
For SSA Choir (Upper Voices). Based on an old French double-motet consisting of Haec dies and Huic main.
SKU: HL.35031378
ISBN 9781495080630. UPC: 888680655662. 6.75x10.5 inches.
A tuneful Shaker melody is transformed with additional music and original text, creating a playful and thoughtful work celebrating the love of friendship. Beginning with the simple melody, the piece develops into a more complex performance of melodies gaining strength to the key change and then relaxing back to a simple, melodic ending.
SKU: CF.CM9585
ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint†the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.
SKU: LO.15-3581H
ISBN 9780787761967.
See the mountains kiss high heaven and the waves clasp one another ... and the sunlight clasps the earth, and the moonbeams kiss the sea ... From Berger’s Five Shelley Poems, this arrangement uses tempo changes and dynamic nuances to honor the contour of the text. Included are two short optional a cappella sections which make this a solid piece of concert repertoire for upper-voice ensembles.
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