SAM-Klang. Par SCHUBERT FRANZ. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Répertoire / SAM a Cappella

Franz Schubert's Ave Maria arranged for SSA choir with piano accompaniment by Kirby Shaw.

Totengesang Der Frauen Und Mädchen. Par SCHUBERT FRANZ. Tonalité : f-Moll - D 836/ Répertoire / Choeur SSA et Piano

Totengesang Der Frauen Und Mädchen. Par SCHUBERT FRANZ. Tonalité : f-Moll - D 836/ Répertoire / Choeur SSA et Piano

It Was on a Silent Night. Wafting as easily as a folk song, this tune feels like a familiar lullaby. Quoting the familiar Still, Still, Still, the piano ushers in the voices singing in thirds to create a dreamy ambience for this retelling of Jesus' birth. Composed by a direct descendant of Franz Grüber, the modern carol pays homage to classic carol style. The piano writing acts independently of the voices to festoon the melody with gentle passage work. Peace, love and joy for your worship services!

(from Mass No. 2)-A skillful arranger for young voices Joyce Eilers has crafted the “Kyrie Eleison” from Schubert's Mass No. 2 into an accessible masterwork for beginning choral groups. The vocal parts work well over the flowingarpeggiated keyboard accompaniment and the Latin text is easily learned. Available: 2-Part 3-Part Mixed. Performance Time: Approx. 4:50.

Un ouvrage de référence et un choix considérable : 69 polyphonies pour trois voix mixtes - 2 voix de femmes et 1 voix d'hommes - sériées par genres : canons, oeuvres avec accompagnement instrumental, oeuvres du XVe au XXe siècles, noëls, chansons populaires françaises et étrangères, chansons d'aujourd'hui... / Choeur Mixte / 160 pages / Partition

Incorporating J.S. Bach's Prelude in C Major-The familiar carol set to J.S. Bach's Prelude in C Major creates a stunningly beautiful twist to a well-known tune. Though measures have been adjusted from Bach's original work to create a different harmonic sequence itremains true to the original Bach piece. The optional a cappella section includes a simple bell part written in octaves. Available separately: SATB opt. handbells; SAB opt. handbells; 2-part opt. handbells; PianoTrax CD.Duration: ca. 4:02.

Six Psalms (Hob.XXIII: Appendix) for three-part mixed Chorus (SAB)During his second visit to England in 1794 Joseph Haydn made the acquaintance of the Rector of Westbourne the Reverend William Dechair Tattersall. He tried to interest Haydn in his plan to improve congregational singing more particularly the singing of psalms in the Anglican Church. Haydn's fame in England had been well founded durng his first visit in 1791/1792 and now at the height of his celebrity he was warmly welcomed on all sides. The Reverend Tattersall was more than delighted therefore when Haydn consented to help him and he expressed his thanks with the gift of a silver bowl. Inthese six English Psalms Haydn's feeling for accessible and easily remembered melody partwritingwhich is satisfying to sing interesting harmony well balanced form and a reasonable setting of the textis fully in evidence.Mixed choir SAB

For the Lenten season this is a very accessible piece for any choir: Jr. high high school or adult. From our Hal Hopson Choral Series

Abridged-One of Haydn's greatest choral masterpieces The Creation (Die Schopfung) was composed to a libretto during 1795 and based jointly upon the Book of Genesis the Book of Psalms and on John Milton's 'Paradise Lost.' Arranged for two sopranos and one alto.

with American Sign Language-Unique accessible to all ages and stunningly beautiful describes this arrangement of the beloved carol. Incorporating the use of American Sign Language throughout the piece begins in German sung by a soloist then by the choir singing then in English then with oos and finally only singing with American Sign Language filling the room with silent splendor. It is truly a work that will become a tradition for your choir. The ASL vocabulary is included in the choral.

from Creation-The well-loved movement from F.J. Haydn's Creation here in an excellent setting for choirs with an SAB preference. A fine classic for school and church it will become a favorite with both choir and audience. Duration: ca. 3:10.