| American Pop Forever (Medley) Choral 3-part SAB [Score] Hal Leonard
Arranged by Mark A. Brymer. (SAB score). Choral. Size 9x12 inches. 96 pages. Pu...(+)
Arranged by Mark A. Brymer. (SAB score). Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.
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| Do Not Go My Love Choral 3-part SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9704 Composed by Richard Hageman. Ar...(+)
Choral SSA Choir and Piano SKU: CF.CM9704 Composed by Richard Hageman. Arranged by Stephen Rotz. Jbc. 12 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #CM9704. Published by Carl Fischer Music (CF.CM9704). ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore. Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker.  . Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic†to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. . $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For Him All Stars Choral 3-part SSA [Vocal Score] Oxford University Press
For Him all Stars. (15 Carols for Upper Voices). For Upper voices (SSA) accompan...(+)
For Him all Stars. (15 Carols for Upper Voices). For Upper voices (SSA) accompanied and a cappella (Ring the bells: 2 flutes, oboe (optional), 2 clarinets, bassoon (optional), 2 horns, trumpet, 2 trombones (optional), glockenspiel (optional), harp/piano (optional), strings; Love came down at Christmas: Strings Scots Nativity (brass): 2 trumpets, horn, t). Upper Voices. Christmas, Choral Collection. Vocal score. 88 pages. Published by Oxford University Press
$18.50 - See more - Buy online | | |
| Just Voices: Showtunes Vocal Score Ssa Or Sat And Piano Choral 3-part [Vocal Score] Novello & Co Ltd.
By Various. Music Sales America. Book only. 56 pages. Novello and Co Ltd. #NOV94...(+)
By Various. Music Sales America. Book only. 56 pages. Novello and Co Ltd. #NOV940786. Published by Novello and Co Ltd.
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lead Me Back to Bethlehem Choral 3-part SAB, Piano [Vocal Score] Lorenz Publishing Company
(Rediscovering the Joy, Peace, and Love of Christmas). By Pepper Choplin. For SA...(+)
(Rediscovering the Joy, Peace, and Love of Christmas). By Pepper Choplin. For SAB choir and piano. Choral: Christmas. Choral score. Published by Lorenz Publishing Company
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Venite Adoremus, Gesu Bambino Choral 3-part SAB Carl Fischer
Choral SAB Chorus, flute, piano SKU: CF.CM9597 Incorporating Gesu Bamb...(+)
Choral SAB Chorus, flute, piano SKU: CF.CM9597 Incorporating Gesu Bambino and Adeste Fidelis. Composed by Frédérick Martin, John Wade, and Pietro A. Yon. Arranged by Ruth Elaine Schram. Fold. Performance. 12 pages. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9597. Published by Carl Fischer Music (CF.CM9597). ISBN 9781491154199. UPC: 680160912698. 6.875 x 10.5 inches. Key: F major. English. This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life. As you work on this piece, try to remember the volume level that is indicated in the score. Its very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to un-learn the medium dynamic level. Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!. This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life. As you work on this piece, try to remember the volume level that is indicated in the score. Itas very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to aun-learna the medium dynamic level. Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!. This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life. As you work on this piece, try to remember the volume level that is indicated in the score. It's very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to un-learn the medium dynamic level. Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!. This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life. As you work on this piece, try to remember the volume level that is indicated in the score. It's very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to un-learn the medium dynamic level. Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!. This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life.As you work on this piece, try to remember the volume level that is indicated in the score. It’s very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to “un-learn†the medium dynamic level.Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice! $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Your Love Was a River Choral 3-part SSA, Piano [Octavo] Alfred Publishing
By Sheldon Curry. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. 1...(+)
By Sheldon Curry. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music Publishing
$1.80 $1.71 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| What Love Is This? SAB Choral 3-part SAB, Piano Lorenz Publishing Company
Choral, cantatas. Eastertide, Lent. Choral score. Lorenz Publishing Company #55...(+)
Choral, cantatas. Eastertide, Lent. Choral score. Lorenz Publishing Company #55/1187L. Published by Lorenz Publishing Company (LO.55-1187L).
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Paint Me Choral 3-part SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585). ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint†the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Do You Hear What I Hear Choral 3-part SSA Shawnee Press
By Regney, Shayne. Arranged by Harry Simeone. Choral - SSA. Christmas Music, Pop...(+)
By Regney, Shayne. Arranged by Harry Simeone. Choral - SSA. Christmas Music, Popular Standards/Show Tunes. Published by Shawnee Press.
(1)$2.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Do You Hear What I Hear Choral 3-part SAB Shawnee Press
By Regney, Shayne. Arranged by Harry Simeone. Choral - SAB. Christmas Music, Pop...(+)
By Regney, Shayne. Arranged by Harry Simeone. Choral - SAB. Christmas Music, Popular Standards/Show Tunes. Published by Shawnee Press.
$2.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Silver Buckle on Mozart's Shoe Choral 3-part SSA Boosey and Hawkes
Choral (SSA Choir) SKU: HL.48023291 CME In High Voice. Composed by...(+)
Choral (SSA Choir) SKU: HL.48023291 CME In High Voice. Composed by Kris Boerger. In High Voice. Concert, Contemporary, Festival. Octavo. 12 pages. Boosey and Hawkes #M051479955. Published by Boosey and Hawkes (HL.48023291). UPC: 888680027216. 6.75x10.5 inches. Kristina Boerger. This is the last in the trilogy of settings of verses from a collection that Sarah White calls her Widow Poems, written after the sudden death of a lover. Each of the three represents a different stage in the arc of the poet's grief. In this one, written on the first anniversary of the beloved's death, a trace of whimsy has entered White's language and the music masterfully captures this same emotion.
ScorePlay - click to view score with recording. $2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Dear John, Dear John Choral 3-part SSA, Piano [Octavo] Hinshaw Music Inc.
(Punctuated by Love?) Lyrics by Gloria Rosenthal, music by Steve Hopkins. Vocal ...(+)
(Punctuated by Love?) Lyrics by Gloria Rosenthal, music by Steve Hopkins. Vocal score for SSA chorus and piano accompaniment. Medium Junior High/High School or Easy Adult. 10 pages. Published by Hinshaw Music Inc.
$2.55 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Howdidow, deediddleumday Choral 3-part SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9627 Leatherwing Bat. Compose...(+)
Choral SSA Choir and Piano SKU: CF.CM9627 Leatherwing Bat. Composed by English Folk Song. Arranged by Vicki Tucker Courtney. Fold. Performance Score. 12 pages. Duration 1 minute, 59 seconds. Carl Fischer Music #CM9627. Published by Carl Fischer Music (CF.CM9627). ISBN 9781491156995. UPC: 680160915552. 6.875 x 10.5 inches. Key: Eb minor. English, English. English Folk Song. A fantastic piece to teach vowels, diction, rhythms, and pitch precision, this English folk song, titled Leatherwing Bat, is fun to sing and impressive to perform. The nonsense syllables represent birds and bats chatting to one another in a rhythmic, witty fashion that your students will love to sing. Also available for Three-Part Mixed Voices (CM9595), Two-Part Treble Voices (BL1102), and SATB Voices (BL1153). Leatherwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them. This folk song is about the bat and birds chatting to each other about love. Phonetic pronunciation suggestion: Hahee-dih-dahoo, dee-dih-dul-uhm-dehee Heh-lee-lee, lih-lahee-lih-loh. Leatherwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them.This folk song is about the bat and birds chatting to each other about love.Phonetic pronunciation suggestion:Hahee-dih-dahoo, dee-dih-dul-uhm-deheeHeh-lee-lee, lih-lahee-lih-loh. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Holst Christmas Choral 3-part SAB, Piano Alfred Publishing
(Featuring: In the Bleak Midwinter / Lullay My Liking / excerpts from Christmas...(+)
(Featuring: In the Bleak Midwinter / Lullay My Liking / excerpts from Christmas Day ). Arranged by Douglas E. Wagner. Choir Sacred. 3-Part Mixed Choir (SAB). Choral Octavo; Masterworks. Choral Designs. 20th Century; Christmas; Masterwork Arrangement; Romantic; Sacred; Winter. 16 pages. Published by Alfred Music
$1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| What If I Never Speed? Choral 3-part SSA Carl Fischer
Choral SSA choir SKU: CF.CM9076 Composed by John Dowland. Arranged by Rus...(+)
Choral SSA choir SKU: CF.CM9076 Composed by John Dowland. Arranged by Russell L. Robinson. Fold. Performance Score. With Standard notation. 8 pages. Carl Fischer Music #CM9076. Published by Carl Fischer Music (CF.CM9076). ISBN 9780825866371. UPC: 798408066376. 6.875 X 10.5 inches. Key: G minor. A popular piece by madrigal master John Dowland (1563-1626), has been expertly re-voiced by Russell Robinson. The text, devoted to the sorrows and joys of love, will have great meaning for the young singers and the classic music makes the piece eminently suitable for Festival and Contest situations. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beyond the Silver Mountains Choral 3-part SAB, Piano Heritage Music Press
SAB choir and piano SKU: LO.15-3666H Composed by Douglas E. Wagner. Chora...(+)
SAB choir and piano SKU: LO.15-3666H Composed by Douglas E. Wagner. Choral. Octavo. Heritage Music Press #15/3666H. Published by Heritage Music Press (LO.15-3666H). ISBN 9780787765620. Beyond the silver mountains, beyond the beautiful hills, my spirit and joy, my lovely one, has gone, and winds have been stilled. Douglas Wagner wrote this tender song of parting shortly after his mother's passing. Scored especially for smaller mixed ensembles, careful attention has been made to the voice leading in all parts. Teachable moments of phrasing, breath support, and tall vowels make this a strong selection for developing choirs. $2.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Faithfulness Choral 3-part SAB, Piano Hope Publishing Company
Choral SAB chorus and piano SKU: HP.C6289 Composed by Joel Raney. Piano A...(+)
Choral SAB chorus and piano SKU: HP.C6289 Composed by Joel Raney. Piano Accompaniment with Optional Orchestra. Thanksgiving, General Worship, God - Faithfulness, Praise of God. Octavo. 12 pages. Hope Publishing Company #C6289. Published by Hope Publishing Company (HP.C6289). UPC: 763628162894. Original hymn tune Thomas Chisholm's beloved hymn text is given a new melody and dynamic choral treatment by Joel Raney, complete with a powerful orchestral accompaniment, now also available for medium-high voice vocal soloists. . The familiar words of this classic hymn come to life afresh in this compelling new treatment. The orchestration by Brant Adams includes parts for conductor's score, 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 3 trumpets in B-flat, 2 trombones, bass trombone or tuba, timpani, percussion 1 and 2, harp, 2 violins, viola, cello, and double bass. $3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Funny Girl Highlights Choral 3-part SAB Alfred Publishing
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.50295 I'm the Gre...(+)
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.50295 I'm the Greatest Star * People * Don't Rain on My Parade. Composed by Jule Styne. Arranged by Lisa DeSpain. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Secular. Choral Octavo. 16 pages. Alfred Music #00-50295. Published by Alfred Music (AP.50295). UPC: 038081574653. English. Words by Bob Merrill. Hello, gorgeous! Fans of Lea Michelle rejoiced when the Glee star joined the first-ever Broadway revival of this Streisand star vehicle, which introduced the showbiz score to a whole new generation. Lisa DeSpain's pizzazy arrangement includes three beloved songs in just four minutes. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lift High the Cross SAB Choral 3-part SAB Shawnee Press | | |
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