| There Is No Rose Choral 3-part SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580). ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. $1.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pong Pong Piyangsaw Choral 3-part SSA A Cappella Pavane Publishing
Composed by Jaromir Hruska. Arranged by Maria Theresa Vizconde-Roldan. Sheet m...(+)
Composed by Jaromir Hruska.
Arranged by Maria Theresa
Vizconde-Roldan. Sheet music.
Pavane Secular. Octavo. 12
pages. Pavane Publishing
#P1588. Published by Pavane
Publishing
$2.55 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| We Built This City Choral 3-part SSA Hal Leonard
Choral (SSA Choir) SKU: HL.287163 By Starship. By Bernie Taupin, Dennis L...(+)
Choral (SSA Choir) SKU: HL.287163 By Starship. By Bernie Taupin, Dennis Lambert, Martin Page, and Peter Wolf. Arranged by Kirby Shaw. Pop Choral Series. Concert, Eighties, Pop, Rock, Show Choir. Octavo. Duration 210 seconds. Published by Hal Leonard (HL.287163). UPC: 888680902254. 6.75x10.5x0.024 inches. Classic rock and roll is here merged with Kirby Shaw harmonies and style. There is a history lesson in this song as there are many references to major musical cities across America that will be fun to discover. The song was released by the band Starship and there is much rock history to be uncovered about the band and the time. $2.15 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| We Built This City Choral 3-part SAB Hal Leonard
Choral (SAB Choir) SKU: HL.287162 By Starship. By Bernie Taupin, Dennis L...(+)
Choral (SAB Choir) SKU: HL.287162 By Starship. By Bernie Taupin, Dennis Lambert, Martin Page, and Peter Wolf. Arranged by Kirby Shaw. Pop Choral Series. Concert, Eighties, Pop, Rock, Show Choir. Octavo. 12 pages. Duration 210 seconds. Published by Hal Leonard (HL.287162). UPC: 888680902247. 6.75x10.5x0.029 inches. Classic rock and roll is here merged with Kirby Shaw harmonies and style. There is a history lesson in this song as there are many references to major musical cities across America that will be fun to discover. The song was released by the band Starship and there is much rock history to be uncovered about the band and the time. $2.15 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Give Our Regards to Broadway Choral 3-part 3-Part Mixed - Intermediate Alfred Publishing
Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Broadway. Le...(+)
Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Broadway. Level: Moderate (grade 3). Choral Octavo. 108 pages. Published by Alfred Publishing.
$30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| There's a Hero Choral 3-part 3-Part Mixed - Easy Hal Leonard
Discovery Level 2. Composed by Don Cook and John Jarvis. Arranged by Cristi Ca...(+)
Discovery Level 2. Composed
by Don Cook and John Jarvis.
Arranged by Cristi Cary
Miller. Discovery Choral.
Pop. Octavo. 12 pages.
Published by Hal Leonard
$2.15 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Patriotic Salute (the Yankee Doodle Boy/you're A Grand Old Flag)/sab Choral 3-part SAB [Octavo] - Intermediate Alfred Publishing
For choir. Choral/Vocal (Choral Performance Music). Level: Level 3. Published by...(+)
For choir. Choral/Vocal (Choral Performance Music). Level: Level 3. Published by Alfred Publishing. (18651) 6-PACK includes six original copies of this piece.
$2.95 $2.8025 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Carols For Choirs 4
Choral 3-part SSA [Sheet music] Oxford University Press
By Willcocks and Rutter. For (Choral Collection) SSA Choir. Published by Oxford ...(+)
By Willcocks and Rutter. For (Choral Collection) SSA Choir. Published by Oxford University Press.
(1)$28.50 - See more - Buy online | | |
| Guiding Light Choral 3-part SAB Hal Leonard
Choral (SAB Choir) SKU: HL.293851 By Mumford & Sons. Arranged by Mark A. ...(+)
Choral (SAB Choir) SKU: HL.293851 By Mumford & Sons. Arranged by Mark A. Brymer. Pop Choral Series. Folk/Rock, Light Concert, Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard (HL.293851). UPC: 888680939458. 6.75x10.5 inches. “Cause even when there is no star in sight, you'll always be my only guiding light.” This song about love and commitment is a huge international hit from the British band Mumford & Sons and it will be a hit with your choir. Pop style and raw emotions are captured in this great arrangement. $2.15 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wooly Bully Choral 3-part SAB Alfred Publishing
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.41617 Composed by Do...(+)
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.41617 Composed by Domingo Samudio. Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Rock; Secular. Choral Octavo. 12 pages. Alfred Music #00-41617. Published by Alfred Music (AP.41617). UPC: 038081466972. English. Sam the Sham and The Pharoahs became a worldwide sensation with this novelty hit based on a standard blues progression. Easy-to-sing harmonies and fun lyrics will stick with you long after the concert has ended. As for the strange title: according to Sam, The name of my cat was Wooly Bully, so I started from there. About Alfred Pop Choral Series The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. $1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazzy Ol' Nick Choral 3-part SAB Shawnee Press
(SAB Choir) SKU: HL.35029428 Arranged by David Lantz. Choral. 12 pages. P...(+)
(SAB Choir) SKU: HL.35029428 Arranged by David Lantz. Choral. 12 pages. Published by Shawnee Press (HL.35029428). ISBN 9781480363533. UPC: 884088959227. 6.75x10.5 inches. Jolly Old Saint Nicholas gets a bit jazzy in this new arrangement for the holidays. Starting with the familiar tune, it moves into a relaxed-rock feel with easy jazz harmonies and continues into a jazz waltz. There's even a classical section and plenty of opportunities for solos. A terrifically musical choice for your holiday concert! $2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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