SKU: HL.8202443
UPC: 884088392895. 6.75x10.5 inches.
Enjoy the top hits from the sensational Jonas Brothers in this 5-minute medley that's perfectly suited for young performers! Songs include: Burnin' Up, Hold On, Lovebug, Play My Music. Available separately: SAB, SSA, 2-Part, ShowTrax CD. Duration: ca. 6:30.
SKU: SU.91480701
SSA Chorus & Piano Duration: 2' Composed: 2013 Published by: Subito Music Publishing Also available: The Playful Rainbow (complete) (91480700) 2. Duty SSA Chorus & Piano, opt. Flute (91480702) 3. Evensong SA & Unison Chorus & Piano (91480703) 4. Knock, Knock SSA & Piano, opt. Flute and Tom-toms (91480704) Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440. YouTube:.
SKU: HL.1428064
UPC: 196288202080. 6.75x10.5 inches.
An inspiring pop anthem with winning lyrics and a chorus that sticks, Meghan Trainor's â??Run Like the Riverâ? (from Playmobil: The Movie) is given a first-rate choral arrangement by Roger Emerson. Building a sound both distinctive and faithful to the original, Emerson weaves a tapestry of melodies and countermelodies, complex rhythms, and exhilarating harmonies. A sonic force to be reckoned with!
SKU: CF.CM9585
ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint†the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.
SKU: MN.60-2003A
Composed for Rodney Schrank, founder of MorningStar Music Publishers. Concertato includes harmonizations based on period settings of the chorale, WIE SCHÖN LEUCHTET, by Michael Praetorius and Johann Hermann Schein in addition to the innovative settings of Michael Burkhardt. Different treatment for each stanza. ll forces join together for the final stanza celebrating the never-ending presence and guidance of the Morning Star. Handbells (3 octaves-17 bells) play from Choral Score. Reproducible pages for Congregation found in the Full Score. Organist plays from the Full Score.
SKU: XC.2402012
10.5 x 6.75 inches.
This energetic and relatable song bursts onto the scene like a show-stopping opening number from Broadway, depicting the comically over-scheduled whirlwind of a typical student's day. Packed with humor, it playfully chronicles the juggling act of classes, commitments, and after school activities. The quirky, catchy melodies will resonate with students and audiences, making this an excellent choice for graduations and general concerts.Please note the concert band version of this song is in a different key and cannot be combined with the choral version. An accompaniment MP3 and part-dominant MP3 bundles to share with your whole choir are also available to make learning even easier.
SKU: XC.2402013
SKU: LO.15-2517H
ISBN 9781429107532.
Cynthia Gray’s robust setting of Lowell’s delightful poem from “A Dome of Many-Coloured Glass†is filled with playful energy, delightful imagery, and word-painting, all supported by an inventive accompaniment. Ideal for young and developing choirs!
SKU: LO.15-3526H
ISBN 9780787760694.
Beginning with a simple statement of O Christmas Tree, this playful arrangement suddenly breaks out in a happy swing style with an original tune and clever text: We’re gonna decorate the Christmas tree, dress it all in colors bright. Making sure it’s covered in ornaments and hit it with a string of lights. Comfortable ranges, simple voice leading, and a whole lot of fun put this right in the groove for your younger choirs. Add the cool Yule synth track for extra glitter and glow!
SKU: HL.141253
UPC: 888680044114. 6.75x10.5 inches.
This song from the Yiddish theater also found popularity in the folk movement of the 1960s and this arrangement will be a nice addition to multicultural programming for choirs of today. Use dynamics and phrasing to help tell the story of the calf on the way to market. ScorePlay - click to view score with recording.
SKU: HL.285843
UPC: 888680891084. 6.75x10.5x0.036 inches. Mary Donnelly/George L.O. Strid.
Word painting takes center stage with this light and bright setting of the Sara Teasdale poem The Cloud. A light and wistful flute obligato (included in the back of the octavo) help students capture this feeling of playfulness and wonder that young people often feel when considering fluffy clouds overhead. The supportive piano accompaniment makes this easy to learn.
SKU: PR.312418290
UPC: 680160051816. Key: E minor. Text: Anonymous. Anonymous.
Adolphus Hailstork’s setting of this celebrated spiritual adds rhythmic fire, sophistication, and syncopated twists to the familiar tune. The choral writing is primarily 2-part (S.A.), with occasional divisi in both voice parts.
SKU: HL.35028239
UPC: 884088632441. 6.75x10.5 inches. Arr. Lois Brownsey/Marti Lunn Lantz.
Jingle Bells takes on a funky '70s/'80s-feel complete with the choir playing sleigh bells! A fun new take on a favorite holiday tune. Add some choreography for a great finish to your concert or encore selection! Available: 3-Part Mixed; 2-Part; StudioTrax CD.
SKU: HL.323086
UPC: 888680977559. 6.75x10.5x0.029 inches. Genesis 1:31, Psalm 57:8-9.
This celebrated text to the tune of BUNESSAN has invited the world to celebrate Spring for years. Made famous on the pop charts, this song is now a treasured part of many hymnals and a regular feature in congregational worship moments. This choral version is a classic setting of refined grace, creating a seamless fabric of expressive tonal beauty. The piano accompaniment is a pleasure to play and adds a subtle watercolor nuance to the impact of the piece. Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-3, hp, vn 1-2, va, vc, db) available as a digital download.