Choral (SAB Choir)

SKU: HL.428248

A Beatles Super Medley. By The Beatles. By George Harrison, John Lennon, and Paul McCartney. Arranged by Mark A. Brymer. Pop Choral Series. Classic Rock, Medley, Novelty, Pop, Pop/Rock, Rock, Sixties. Octavo. Duration 240 seconds. Published by Hal Leonard (HL.428248).

UPC: 196288063391. 6.75x10.5x0.045 inches.

A Fab Four Medley with 18 classic songs in just four minutes!? As Brian Wilson once said, “There's no outdoing the Beatles.” Includes: All You Need Is Love, Blackbird, Come Together, Eight Days a Week, Eleanor Rigby, A Hard Day's Night, Here Comes the Sun, Hey Jude, I Want to Hold Your Hand, In My Life, Let It Me, Love Me Do, Penny Lane, Strawberry Fields Forever, We Can Work it Out, With a Little Help from My Friends and Hello, Goodbye.

Composed by Tim Attride. The antiphon for use with the Seven Penitential Psalms and the Lenten chant Parce Domine are presented here in chant with Latin text, followed by SAB polyphony with English text. This is an accessible and wonderfully appropriate anthem for your choir this. Lent, General. Published by CanticaNOVA Publications (C5.5042).

SSA choir, piano

SKU: LO.15-3754H

Composed by Mark Hayes. Choral. Secular Christmas. Octavo. Heritage Music Press #15/3754H. Published by Heritage Music Press (LO.15-3754H).

ISBN 9780787770037.

This lush unaccompanied choral selection from Mark Hayes celebrates the winter solstice, describing the change of seasons as the days grow shorter and the nights grow longer. Gorgeous melodies beg to be sung with tenderness and expression. Rubato moments and plenty of opportunities to showcase your choir's blend and rich tone help to create moments that tug at your heart.

SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, trumpet in B-flat, trumpet in C, cello, guitar - Early intermediate

SKU: GI.G-10515

Music of the Paschal Triduum / Música del Triduo Pascual. Composed by Tony Alonso S.J. Lent, Eastertide, Holy Thursday, Good Friday, Easter Vigil, Easter Sunday, Easter PM. Sacred. With guitar chord names. 296 pages. GIA Publications #10515. Published by GIA Publications (GI.G-10515).

UPC: 785147051527. English, Spanish. Scripture: Psalm 16, Psalm 19, Psalm 30, Psalm 31, Psalm 42:3, 5cdef, Psalm 43:3, 4, Psalm 103:1–2a, 5–6, 10, 12, 13–14, 24, 35c, Psalm 103:30, Psalm 116, Psalm 118, 1 Corinthians 10:16, Luke 23:46, Isaiah 12.

The first comprehensive resource of its kind, Gloriosi contains a treasure trove of ritual music that bridges linguistic, cultural, and musical differences for the liturgies of Holy Thursday, Good Friday, and the Easter Vigil. Weaving together familiar tunes and ancient chants with newly-composed pieces, Tony Alonso has meticulously crafted the music of Gloriosi to inspire the participation of a diverse assembly during these celebrations at the heart of the liturgical year. In addition to settings of all of the ritual texts found in the Roman Missal / Misal Romano for the Three Days, this collection contains settings of every prescribed psalm drawn from texts approved for liturgical use in English and in Spanish. El primer recurso completo de su tipo, Gloriosi es un tesoro rebosante de música ritual que supera las diferencias lingüísticas, culturales y musicales para las liturgias del Jueves Santo, Viernes Santo y la Vigilia Pascual. Tejiendo melodías familiares y cantos antiguos con piezas recién compuestas, Tony Alonso ha elaborado meticulosamente la música de Gloriosi para inspirar la participación de una asamblea diversa durante estas celebraciones que están al centro del año litúrgico. Además de proporcionar los textos rituales que se encuentran en el Misal Romano / Roman Missal para los Tres Días en forma musicalizada, esta colección también ofrece nueva música para todos los salmos prescritos para las liturgias del Triduo utilizando los textos oficiales en español y en inglés. Listen to Music Samples on the Gloriosi Recording Page by Clicking HERE. CONTENTS: Holy Thursday Mass of the Lord’s Supper / Jueves Santo de la Cena del Señor: We Should Glory in the Cross / Que Nuestro Único Orgullo Sea la Cruz • Blessed Be God Forever / Bendito Sea Dios por Siempre • Kyrie, Eleison • Our Blessing-Cup / El Cáliz que Bendecimos • Glory to You / Gloria a Ti • A New Commandment / Un Mandamiento Nuevo • Love One Another / Ámense Unos a Otros • Lord, Hear Our Prayer / Te Rogamos, Óyenos • Ubi Caritas • Agnus Dei • Called to the Supper of the Lamb / Llamados al Banquete del Señor • Called to Keep Vigil with the Lord / Llamados a Velar con el Señor • Tantum Ergo Sacramentum Good Friday of the Passion of the Lord / Viernes Santo de la Pasión del Señor: Into Your Hands / En Tus Manos • Glory to You / Gloria a Ti • Adoramus Te • The Solemn Intercessions of Good Friday / La Oración Universal del Viernes Santo • Behold the Wood of the Cross / Miren el Árbol de la Cruz • Faithful Cross / Cruz Fiel • Forgive Us, Your People / Perdona a Tu Pueblo • O Come, Let Us Worship / Venid, Oh Cristianos • Called to the Supper of the Lamb / Llamados al Banquete del Señor The Easter Vigil in the Holy Night / Vigilia Pascual en la Noche Santa: The Easter Proclamation / Pregón Pascual • Lord, Send Out Your Spirit / Envía Tu Espíritu, Señor • Keep Me Safe, O God / Protégeme, Dios Mío • Let Us Sing to the Lord / Cantemos al Señor • I Will Praise You, Lord / Te Ensalzaré, Señor • You Will Draw Water Joyfully / Ustedes Sacarán Agua con Gozo • Words of Everlasting Life / Palabras de Vida Eterna • Like a Deer that Longs / Como Busca la Cierva (Psalm 42, 43 / Salmo 42/41, 43/42) • Easter Alleluia / Aleluya Pascual • Litany of the Saints / Letanía de los Santos • Alleluia Popular: Blessing of Water / Aleluya Popular: Bendición del Agua • Alleluia Popular: Baptism / Aleluya Popular: Bautismo • Alleluia Popular: Acclamation / Aleluya Popular: Aclamación • Veni Sancte Spiritus • Alleluia Popular: Sprinkling / Aleluya Popular: Aspersión • Lord, We Ask You, Hear Our Prayer / Te Rogamos, Óyenos • Called to the Supper of the Lamb / Llamados al Banquete del Señor. Learn more about this collection in this webinar below featuring composer Tony Alonso.

Choral SSA Choir and Piano

SKU: CF.CM9716

Day of Wrath. Composed by David (D) Smith. 12 pages. Duration 0:01:57. Carl Fischer Music #CM9716. Published by Carl Fischer Music (CF.CM9716).

ISBN 9781491160954. UPC: 680160919550. Key: D minor. Latin. Early Latin Text.

This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section. Translation Dies irae, dies illa: Day of wrath, that day Solvet saeclum in favilla: shall dissolve the world into embers Teste David cum Sibylla: As David prophesied with the Sibyl. Voca me cum benedictis :Call me to be with the blessed. Salva me fons pietatis : Save me, fount of pity. The Sibyl is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars. About the Arranger D. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma. He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.
This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section.TranslationDies irae, dies illa: Day of wrath, that daySolvet saeclum in favilla: shall dissolve the world into embersTeste David cum Sibylla: As David prophesied with the Sibyl.Voca me cum benedictis :Call me to be with the blessed.Salva me fons pietatis : Save me, fount of pity.The “Sibyl” is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars.About the ArrangerD. Farrell Smith is the Director of Choirs at Hilldale Middle School,  and Hilldale High School in Muskogee, Oklahoma.   He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the  Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.

Composed by Lloyd Larson. Choral, cantatas. Advent, Christmas. Choral score. Lorenz Publishing Company #65/2092L. Published by Lorenz Publishing Company