SKU: GH.N01624
ISBN 9790070025737. A4 inches.
SKU: GI.G-9624
UPC: 785147962403. English. Text Source: Psalm 139:1–2a and 3, 7–8, 9–10, 13–14b, 23–24, The Revised Grail Psalms, ref.: Ephrem Feeley. Scripture: Psalm 139:1–2a and 3, 7–8, 9–10, 13–14b, 23–24.
The clarinet in B-flat part is a substitute for viola.
SKU: GI.G-4020
Text Source: vs. of sprinkling rite. Text by Rory Cooney.
SKU: GI.G-9718
UPC: 785147971801. English. Text Source: Vv: Celtic prayer, first millennium, adapt. Michael Joncas, Ref.: Michael Joncas. Text by J. Michael Joncas.
Smaller choirs are not “left out” in this SAB-with-piano version of a wonderful Communion (or eucharistic adoration) hymn reflecting Celtic spirituality and musical heritage. Rumored to be already instantly popular. The English horn may be substituted by clarinet or viola. An edition for SATB, assembly, and organ is also available, G-9727. The instrument parts are optional. The clarinet and viola parts are substitues for English horn.
SKU: HP.C6289
UPC: 763628162894.
Original hymn tune Thomas Chisholm's beloved hymn text is given a new melody and dynamic choral treatment by Joel Raney, complete with a powerful orchestral accompaniment, now also available for medium-high voice vocal soloists. . The familiar words of this classic hymn come to life afresh in this compelling new treatment. The orchestration by Brant Adams includes parts for conductor's score, 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 3 trumpets in B-flat, 2 trombones, bass trombone or tuba, timpani, percussion 1 and 2, harp, 2 violins, viola, cello, and double bass.
SKU: GI.G-6078
UPC: 785147607809. English. Text Source: Vv., Sylvia Dunstan, 1955–1993, ref., Bob Moore. Text by Sylvia Dunstan.
A beautiful addition to your Pentecost or confirmation service! Bob Moore’s setting of the text by Sylvia Dunstan includes a part for flute. Parts for a string quintet are also available separately. String Quintet part is optional.Ă‚Â
SKU: CA.2707500
ISBN 9790007142667. Language: Latin.
With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani.
