SKU: CA.4048109
ISBN 9790007069964. Key: E flat major. Language: German/Latin. Text: Luther, Martin. Text: Martin Luther.
Also contains an arrangement for organ. In 1840 Schumann remarked: The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. Together with the orchestral version an version for choir and organ is available. Score and parts available separately - see item CA.4048100.
SKU: CA.2502809
ISBN 9790007038106. Language: German.
Score available separately - see item CA.2502800.
SKU: CA.4048114
ISBN 9790007070007. Key: E flat major. Language: German/Latin. Text: Luther, Martin. Text: Martin Luther.
Also contains an arrangement for organ. In 1840 Schumann remarked: The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. Together with the orchestral version an version for choir and organ is available. Score and part available separately - see item CA.4048100.
SKU: CA.4048111
ISBN 9790007069971. Key: E flat major. Language: German/Latin. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.4048115
ISBN 9790007070014. Key: E flat major. Language: German/Latin. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.4048113
ISBN 9790007069995. Key: E flat major. Language: German/Latin. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.2730109
ISBN 9790007201272. Key: F minor. Language: Latin.
In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and parts available separately - see item CA.2730100.
SKU: CA.2706909
ISBN 9790007199890. Key: C major. Language: Latin.
In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and parts available separately - see item CA.2706900.
SKU: HP.C5875O
UPC: 763628258757. Words by Charles H. Gabriel. Isaiah 53:4, Matthew 26:39, Mark 2:12, Mark 14:36, Luke 5:26, Luke 22:39, Luke 22:40, Luke 22:41, Luke 22:42, Luke 22:43, Luke 22:44, 1 Corinthians 13:12, 2 Corinthians 5:21, Ephesians 2:4, Ephesians 5:2, 1 Peter 2:24, 1 John 3:1.
Original anthem with words by Charles H. Gabriel Charles Gabriel penned the words I stand amazed in the presence of Jesus the Nazarene in 1905, and did so as an expression of his own awe and amazement of Jesus' love. Mary McDonald has taken that hymn text and expertly crafted a new melody befitting of soaring choral lines that more adequately express How marvelous! How wonderful! my song shall ever be. >The Orchestration includes a Conductor's Score and parts for: 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 3 trumpets in B-flat, 2 trombones, tuba, timpani, percussion, harp, piano, 2 violins, viola, cello, and string bass.
SKU: CA.2706911
ISBN 9790007199906. Key: C major. Language: Latin.
In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and part available separately - see item CA.2706900.
SKU: HL.49042434
ISBN 9783795794491. 10.25x13.5x1.141 inches. German.
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
SKU: CA.4018609
ISBN 9790007064365. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.
During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018600.
SKU: CA.4008709
ISBN 9790007217457. Key: G major. Language: Latin.
A special charm of the mass is the fact that it dispenses with soloists. In this mass, exemplary for Cherubini's church music is the richness of color in the treatment of the orchestra, as well as in the choral parts, and the expressiveness of the dynamic nuances. Score and parts available separately - see item CA.4008700.
SKU: CA.2705509
ISBN 9790007199623. Language: German.
Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and parts available separately - see item CA.2705500.
SKU: CA.2729409
ISBN 9790007201159. Language: Latin.
The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and parts available separately - see item CA.2729400.
SKU: CA.4007509
ISBN 9790007060923. Language: German/English.
The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Score and parts available separately - see item CA.4007500.
SKU: CA.5016409
ISBN 9790007080242. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.
He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and parts available separately - see item CA.5016400.
SKU: CA.2740309
ISBN 9790007201944. Language: Latin.
Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and parts available separately - see item CA.2740300.
SKU: CA.4006109
ISBN 9790007059880. Language: Latin.
Score available separately - see item CA.4006100.
SKU: CA.4009819
ISBN 9790007134532. Language: French/German/Latin.
Score and parts available separately - see item CA.4009800.
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