SKU: CA.1025909
ISBN 9790007022969. Language: German.
Score available separately - see item CA.1025900.
SKU: CA.5600100
ISBN 9790007137236. Language: Latin.
Available upon request. New edition with complete performance material: 56.001/01.
SKU: GH.CG-7439K
ISBN 9790070040785. 185 x 262 mm inches. Text: Susanne Bagenfelt / Stefan J. Bagenfelt.
SKU: GI.G-007254
Text by George Herbert.
SKU: CA.702100
ISBN 9790007013141. Language: German.
SKU: CA.3118419
ISBN 9790007134235. Key: G major / e minor. Language: German/English.
The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score and parts available separately - see item CA.3118400.
SKU: CA.3116105
ISBN 9790007113070. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score available separately - see item CA.3116100.
SKU: CA.3118407
ISBN 9790007050481. Key: G major / e minor. Language: German/English.
The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score available separately - see item CA.3118400.
SKU: CA.1025914
ISBN 9790007023003. Language: German.
SKU: CA.1025912
ISBN 9790007022983. Language: German.
SKU: CA.1025913
ISBN 9790007022990. Language: German.
SKU: CA.3116149
ISBN 9790007208882. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and part available separately - see item CA.3116100.
SKU: CA.1025911
ISBN 9790007022976. Language: German.
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