SKU: BA.BA03983
ISBN 9790006442270. 27 x 19 cm inches. Text: Kurt Muller-Osten.
Geistliches Konzert - Lobgesang in der Jahresfeier der Weihnacht fur 5 Solostimmen oder Chor und Instrumente
SKU: HL.49002596
ISBN 9790220129810.
SKU: HL.49005919
ISBN 9790001064163. UPC: 073999333930. 7.25x10.75x0.051 inches. German.
SKU: HL.49005921
ISBN 9790001064187. 10.75x7.25x0.06 inches. German.
SKU: HL.49005920
ISBN 9790001064170. 8.25x11.75x0.159 inches. German.
SKU: HL.1152928
UPC: 196288119814. 6.75x10.5x0.045 inches.
This classic song by singer/songwriter Joni Mitchell is one of the most recorded ever, by artists of many musical styles. Appropriate for standard concerts or Christmas/Winter concerts, this “concert pop†arrangement is powerful and tender at the same time. The optional cello intensifies the longing and loneliness.
SKU: CA.3912005
ISBN 9790007055622. Language: German/English.
This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score available separately - see item CA.3912000.
SKU: CA.3104609
ISBN 9790007042967. Key: D minor. Language: German/English.
The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and parts available separately - see item CA.3104600.
SKU: CA.3912013
ISBN 9790007055653. Language: German/English.
This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score and part available separately - see item CA.3912000.
SKU: CA.3912019
ISBN 9790007144296. Text language: German/English.
This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score and parts available separately - see item CA.3912000.
SKU: BA.TP01039
ISBN 9790006205295. 22.5 x 16.5 cm inches. Language: German. Preface: Antje Wissemann.
This cantata for the First Sunday after Trinity, first performed in 1726, is one of the most musically attractive compositions composed by Bach during his time as cantor at St. Thomas Church, Leipzig. In its alternating scoring for oboes, recorders and strings, the opulently-structured opening chorus describes the gesture of the breaking of bread. The arias and recitatives for the two soloists, alto and tenor show Bach at the peak of his compositional powers. The two-part cantata concludes with a simple chorus.- Urtext edition based on theNew Bach Edition- Richly coloured scoring using recorders and oboes- Vocal score (Ger/Eng), foreword (Ger/Eng)
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49006378
ISBN 9790001069113. Latin.
SKU: HL.49006379
ISBN 9790001069120. 9.25x12.0x0.011 inches. Latin.
SKU: HL.49006384
ISBN 9790001069175. Latin.
SKU: HL.49006383
ISBN 9790001069168. Latin.
SKU: HL.49032106
ISBN 9790001069182. 9.25x12.0x0.03 inches. Latin.
SKU: HL.49006382
ISBN 9790001069151. Latin.
SKU: HL.49006380
ISBN 9790001069137. 9.25x12.0x0.011 inches. Latin.
SKU: HL.49006381
ISBN 9790001069144. Latin.
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