SKU: CA.2110205
ISBN 9790007187781. Language: French/English.
First critical edition. Together with Debussy, Ravel, and Dukas, Lili Boulanger was one of the most important representatives of impressionism. Despite her short life of just 24 years, she developed a distinctive personal style, and composed a wide variety of works including songs, piano music, operatic scenes, and choral music, all with huge inventiveness. In 1916, in the middle of the First World War, the composer learnt that she was ill and had only a short time to live. Her deep religiosity gave rise to works including a setting of Psaume XXIV (Psalm 24). In the version published here for mixed choir, tenor solo, and piano/ organ, this is a particularly powerful setting of the psalm and an impressive work for inclusion in an Advent church service. The edition contains both the original French text, with a singable English translation underlaid. Score available separately - see item CA.2110200.
SKU: BT.SCHBB5401134
SKU: HL.49018707
ISBN 9790001012966. French - English.
Puisque tout passe [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is framed by further poems of Rainer Maria Rilke.
SKU: CA.3124494
Language: German.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score available separately - see item CA.3124400.
SKU: CA.3124391
Key: D major. Language: Latin.
Johann Sebastian Bach's Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach's period in Leipzig, for the Visitation of Mary on 2.7.1723; for a further performance on the 1st day of Christmas, Bach added four extra Christmas movements following a Leipzig tradition. Only in the 1730s did Bach arrange the Magnificat in the well-known version in D; the orchestration was slightly altered, particularly improving the considerable practical performance problems encountered in the E flat major version. Our critical new edition contains the version of the Magnificat in D, based on Bach's autograph score. For Christmas performances the extra movements are available separately, transposed for performance with the D major version of the Magnificat (Carus 31.243/50). Score available separately - see item CA.3124300.
SKU: SU.91480840
1. That Music Always Round Me (Whitman) 2. The Singers (Longfellow) 3. A Hymn to the Morning (Wheatley) 4. Master of Music (Van Dyke) 5. The Musical Ass (Iriarte) SATB Chorus (divisi), a cappella Duration: 18' Composed: 2019 Published by: Subito Music Publishing YouTube:.
SKU: HL.48182783
R. Chagnon: 9 Fables de mon Jardin No.4: Concerto pour le Vent du Soir (Choral-Mixed accompanied).
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