Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre

Goldfinger will always call to mind Shirley Bassey???s assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry Lesley Bricusse and Anthony Newley it became the definitive in-your-face Bond song before the series??? theme tunes became quieter and more pop-oriented.This version has been arranged for SATB choir with piano accompaniment by Thomas Lydon.

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry.This SATB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.

Modern composer Bernard Roger's 'Jubilate' is arranged for soprano alto tenor and bass vocal parts.

Novello's tonic SOL-FA edition of Great Is The Lord - Psalm 48 composed by Edward Elgar.For Chorus S.A.T.B Bass Solo with Organ Accompaniment. For the foundation or commemoration of a church or for general use.

Un classique American Folk Hymn prend un nouveau sens dans ce contexte Claude Bass. Ajouter l'option obligé C-instrument pour un moment poignant de la dévotion. / Choeur Mixte (SATB)

David Das is now a major force in the television music world and his setting of his friend Martin Bass'“Shout for Joy” clarifies why. A high energy piece containing elements of a good rock tune a lively spiritual and soloistic creative freedom combined with solid traditional writing make this an amazing selection for high school and college choirs.

Composer : Monteverdi, Claudio Edition : Score, urtext Editor : Ewerhart, Rudolf Separate Parts available on demand

A Worship Experience for All Seasons-This is Integrity Music's first Praise and Worship Musical and a bestseller created by Don Moen. Titles include Give Thanks Celebrate Jesus Worthy You Are Worthy Come Into His Presence and more. Orchestration includesscore and parts for Flute 1 2 Oboe Clarinet 1 2 Bass Clarinet Bassoon Trumpet 1-3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone Treble Clef) Trombone 3/Tuba Harp Violin Viola (Clarinet 3) Cello StringBass String Synthesizer Reduction Drums Percussion 1 2 Rhythm (Piano/Guitar/Bass). SATB CD Accompaniment Trax (Split) Rehearsal Trax (Cassette) Slide Pack Bulletin Pack (100) Poster Pack (10) Video also available.

Published in 1648 Heinrich Schütz?s ?Geistliche Chor-Music? is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig?s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ?choral? parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Unser keiner lebet ihm selber SWV 374 No.6 from Geistliche Chor-Music- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.

From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Verleih uns Frieden genädiglich No.4 SWV 372 from 'Geistliche Chor-Music'- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.