Par BACH JOHANN / BACH JOHANN CHRISTOPH. Gattungen: Motetten - Verwendung / Anlässe: Trauer, Tod - / Mottet / Répertoire / Choeur Mixte

Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance with his arrangement and performance of the “St Matthew Passion”. It was revived for the first time in the Berlin Singakademie on 11 March 1829, one hundred years after its premiere in Leipzig’s Thomaskirche. A second arrangement was performed in Leipzig in 1841. Originally only available on hire as part of the edition published by Bärenreiter in 2009, this vocal score is now available on sale. It enables both the Berlin and the later Leipzig versions to be performed. A concordance provides information on the respective sequence of movements and their relation to the Bach Works Catalogue (BWV) and the “New Bach Edition”. - Both Mendelssohn versions available in one edition - Easy-to-play idiomatic piano reduction Edition no.: BA 9088-90 ISMN: 9790006502363 Editor: Winkler, Klaus Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XV, 258 S. - 27,0 x 19,0 cm

Ces arrangements pour choeur et orgue répondre à la demande souvent fait pour être en mesure d'effectuer des mouvements bien connus des cantates de Bach sans les frais d'un plus grand ensemble / orchestre. Les mouvements de cantates peuvent être effectuées en conformité avec l'année liturgique, mais conviennent également pour la performance dans les services festives et des concerts. choeurs festifs (GER / ENG), arrangés pour choeur et orgue Pour les services de l'église et des concerts Facile à jouer réductions d'organesD'après le contenu:'Gott, wie dein Name, afin ist auch dein Ruhm' (BWV 171/1) / 'Bleib bei uns, denn es sera Abend werden' (BWV 6/1) / 'Wer da gläubet und wird getauft' (BWV 37 / 1) / 'Aussi chapeau Gott die Welt geliebt' (BWV 68/1) / 'Bringet dem Herrn Ehre seines Namens' (BWV 148/1)Ingo Bredenbach a travaillé comme Cantor et Organiste à Tübingen depuis 2010. Jusqu'en 2009, il a été professeur et recteur de la Hochschule de Kirchenmusik à Tübingen. Il a déjà organisé 'Requiem' de Gabriel Fauré pour la série de choeur et orgue. / Choeur Mixte (SATB)

Kantate Zum 2. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. J. S. Bach's Ach Gott, Wie Manches Herzeleid (BWV 3; A-Dur) for SATB./ Répertoire / Solistes SATB, Choeur SATB, (Cor et Trombone), 2 H

Par BLEZZARD JUDITH. Baroque Christmas Classics is an inspired volume bringing together well-known tunes such as In Dulci Jubilo and Resonet in Laudibus with superb lesser-known material from the 17th and 18th centuries by JS Bach, Eccard, Scheidt, Schutz and Schroeter. The Choral Programme Series is a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. / Choral Music / Recueil / Voix Mixtes et Piano

Kantate Zum 1. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. J. S. Bach's Brich Dem Hungrigen Dein Brot for SATB. / Musique religieuse / Répertoire / Solistes SAB, Choeur SATB, 2 Flûtes à Bec F1, 2 Ha

Noel! is an exciting collection for mixed voice choirs, selected and edited by David Hill. The contents range from the Renaissance to the present: the polyphony of Victoria and Byrd, via Bach, familiar settings of traditional and lesser known carols through the ages, and works by today's composers including Richard Rodney Bennett, Judith Bingham, John Tavener and Judith Weir. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. / Choeur SATB

Ich hab ein herzlich Freud. Par BACH JOHANN SEBASTIAN / LOSSIUS LUCAS / STOBAEUS J. Gattungen: Kirchenlieder, Sätze -/ Répertoire / Choeur Mixte

Hasse, Johann Adolf / Neubacher, Jürgen / Hochstein, Wolfgang / Hofmann, Klaus / Landmann, Ortrun / Marx, Hans-Joachim / Ryschawy, Hans / Wiesend, Reinhard / Schmidt-Hensel, Roland Dieter / Drauschke, Hansjörg (Trad.) -/ Répertoire / Livre

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

Series : Chor-Archiv Edition : Singing Score; Playing Score; Piano Reduction/Vocal Score Editor: Dürr, Alfred Binding : stapled Instrumentation: Mixed Choir-SATB, Organ ad lib.

Ce livre est un recueil de choeurs mixtes - clairement disposées selon les professions (SAB, SATB, SATB +) et sur ??la base des niveaux de difficulté triés. De vieux maîtres au tableau le titre actuel ici tous les genres de style est représenté. Beaucoup de titres pour la première fois et exclusivement apparaissent dans ce tout nouveau arrangements de arrangeurs bien connus. Dans le même temps le choix du répertoire est le résultat d'un enseignement et chorale longue et intensive conduite pratique. Il ya aussi de nombreux accompagnements au piano, aides pratiques et textes de base, et un espace en ligne privé. Le Choeur du livre 2 continue le succès 'Le chant est une grande' série continue de faCon transparente et s'appuie sur le premier livre de cantiques bande (Schott ED 20930 - S / SA / SSA / SAB SATB et phrases lumineuses). / Choeur Mixte (SATB)