Par STANFORD CHARLES VILLIERS. Here is a set of five glorious and rousing songs by Charles Villiers Stanford. This is the Vocal Score edition of Songs of the Fleet and contains the score for Baritone solo, SATB chorus and a Piano reduction of the Orchestral material./ Répertoire / SATB, Ba Solo et Orchestre

Par STANFORD CHARLES VILLIERS. 'The Blue Bird' was one of eight settings included in Op. 119; the other seven are no longer well-known. If this was the only work that we remembered Charles Villiers Stanford for, he would be well-worth recalling./ Répertoire / SATB

Par STANFORD CHARLES VILLIERS. A jewel of English music, The Blue Bird first appeared as the third of these eight-part songs to words by the Victorian poet and novelist Mary Coleridge. Published shortly after her death in 1908, Op. 119 is the first of two such cycles composed in response to the refined sensibility of her poetry, which proved an ideal match for Stanford’s mastery of word-setting and of the romantic choral idiom./ Répertoire / Choeur Mixte (SATB)

Aus Op. 10. Par STANFORD CHARLES VILLIERS. This Stanford 'Mass' consists of 'Kyrie', 'Gloria', 'Credo' and 'Sanctus'. These movements are from his famous 'Morning, Communion and Evening Service in B flat', op. 10. The work was published by Novello in 1879; it quickly became popular, and served as a model for other composers. / Messe / Répertoire / Choeur SATB et Orgue

Par STANFORD CHARLES VILLIERS. SATB and organ/piano./ Répertoire / SATB et Orgue

Par STANFORD CHARLES VILLIERS. Chorus Part SATB, Ba solo and orchestra. Orchestral material available for rental (Ref. HL203)./ Répertoire / SATB, Ba Solo et Orchestre

A Symphonic Cantata. Par STANFORD CHARLES VILLIERS. A Symphonic Cantata/ Répertoire / Solistes (SATB), Choeur Mixte et Orchestre

The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coronation of HM King George V on 22 June 1911. It was an occasion of some note in the annals of British music, for Elgar's Coronation March and Parry's grand festival Te Deum were also heard for the first time that day. In addition, there was music by Thomas Tallis, Orlando Gibbons and Sir John Stainer, as well as by the Master of the King's Music and organist of St George's Chapel, Windsor, Sir Walter Parratt. It was published the following year as part of Stanford's Opus 128, the Festal Communion Service for voices and orchestra, which was also made available withthe accompaniment arranged by the composer for organ. However, such was the popularity of the Gloria, a magnificent and wholly representative example of Stanford's genius for church music, that it soon became popular as a separate piece, either with organ or orchestral accompaniment, and it was included in the orders of service for the coronations of HM King George VI on 12 May 1937 and HM Queen Elizabeth II on 2 June 1953./ Recueil / Choeur Mixte (SATB) et Orgue

Eight-part chorus (SATB/SATB). This Latin setting of the Nunc Dimittis for eight-part chorus was commission by Southern Cathedrals Festival as a counterpart to Charles Villiers Stanford's 1918 Magnificat (also in Latin and for eight-part chorus). It was premiered under the direction of Andrew Lumsden at the Festival Evensong on 19 July, 2008 in Winchester Cathedral by the combined Choirs of Winchester, Chichester and Salisbury Cathedrals. / SATB