Par PORTER COLE. Written by Cole Porter, I’ve Got You Under My Skin became a signature song for Frank Sinatra and was one of his most requested songs at concerts. In 1966, the song became a top ten hit for the Four Seasons and has also been covered by countless others since. A key piece to include in any programme celebrating the Great American Songbook. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano

Arrangement: Huff. Par PORTER COLE. Witty, sophistiqué, impertinent et poignant, stand de chansons de Cole Porter comme jalons dans l'histoire de la musique américaine. Cette spectaculaire medley chorale en six sections flexibles met en valeur la véritable artisanat de la légendaire Cole Porter. Un brillant hommage à un homme plus extraordinaire !/ Feuillet / Chant Mixtes

Arrangement: Mattson P.. Par PORTER COLE. 'I've Got You Under My Skin' was written by Cole Porter. It became a signature song for Sinatra and was one of the most requested songs at his concerts. / Feuillet / Chant Mixtes

The Constant Lover is an unaccompanied part-song for SATB Chorus by William Cole with words by prominent English Cavalier poet Sir John Suckling.

Cole Porter's Anything Goes from the musical of the same name has been arranged here by Teena Chinn for SATB Choir with Piano accompaniment and optional Bass Guitar and Drums.

The Rose-Bud is composer William Cole's setting of William Browne's poem for unaccompanied SATB chorus.

An anthem by Henry Coleman setting a text by F.W.Faber for SATB chorus and Piano accompaniment.

Coleridge-Taylor 'Now Late On The Sabbath Day' arranged for mixed voice choir SATB with organ accompaniment.

A concert showstopper! Feel the tingle in your fingers and your feet with this wonderful new Roger Emerson setting of the popular Cy Coleman classic from Sweet Charity. This ShowTrax CD contains all the backings for performance.

Samuel Coleridge-Taylor's The Lee Shore is a four-part song for SATB choir with words written by Thomas Hood. A Piano accompaniment is included here for rehearsal purposes only.

Awake my soul. This short, approachable piece by Owain Park sets Psalm 57 and is scored for four part choir unaccompanied. The score includes a piano reduction for rehearsal purposes. Awake, my soul was given its first performance on Thursday 17th October 2019 by Wells Cathedral Choir, conducted by Jeremy Cole, in the presence of the composer during new music wells 79-19. The work was commissioned by Cathedral Commissions of Wells Cathedral (cathedralcommissions.co.uk), with the generous support of patrons and commissioners. It is dedicated to Iain Ball MBE, Chairman of the Wells Cathedral Chorister Trust 2004-2015.

Thea Musgrave's Missa Brevis for SATB and Organ.Thea Musgrave's Missa Brevis was given its first performance by Wells Cathedral Choir on the Feast of John the Baptist Sunday 24th June 2018 by Wells Cathedral Choir Jeremy Cole (organ) and Matthew Owens (conductor) in the presence of the composer.The work was commissioned by Cathedral Commissions of Wells Cathedral (cathedralcomissions.co.uk).Duration: 12 minutes

Gabriel Fauré composa cette oeuvre d'une étonnante maturité musicale en 1864, à l'âge de 19 ans. Elle lui valut son premier prix de composition à l'école Niedermeyer, couronnement de 10 années d'études.On trouve une grande sincérité dans cette partition de jeunesse, et qui ne fut précédée que de quelques romances et autres petites pièces pour piano. Les écrits de Fauré nous prouvent que ce sont bien les textes choisis, latins ou français, qui inspiraient en premier lieu sa musique religieuse. Ici, Fauré a parfaitement su capter l'atmosphère du poème de Jean Racine dans une ferveur toute contenue.Gabriel FAURE a réalisé plusieurs versions de son Cantique. La version à 4 voix mixtes, en ré bémol majeur a été transposée en ré majeur, ce qui lui confère une plus grande clarté. Le compositeur a adapté sa pièce pour voix d'enfants et orgue, lorsqu'il était maître de chapelle à l'église de la Madeleine à Paris. Ces fonctions de maître de chapelle étaient lourdes, les cérémonies nombreuses, avec une partie musicale importante. La direction de la Maîtrise d'enfants, les répétitions demandaient une grande dépense d'énergie et beaucoup de patience ! En 1919 FAURE écrit à sa femme : ' Je n'ai jamais été bon pour le travail le matin, sauf pour les besognes de mercenaire, maîtrise, orgue etc? '.Cette pièce universellement connue et appréciée peut être chantée aisément par tous les choeurs. / Choeur (SATB) Et Piano / 12 pages / Partition