Par RODGERS SARAH. Choral settings of ‘Lift up your heads, O ye gates’ from Psalm 24 are numerous, from that of the sixteenth-century Geneva Psalter of Claude Goudimel to the present day. Unsurprisingly so, as the text has many appropriate liturgical applications. In this jubilant setting, The King of Glory, Sarah Rodgers has provided church choirs of all abilities with a truly celebratory anthem that in its writing for SATB displays many elements of choral craft, from unison and two-part textures to a satisfyingly contrapuntal full harmony. The driving, rhythmic figure in the organ accompaniment underpins and uplifts the voices, and occasional harmonic juxtapositions add delightfully unexpected moments of colour. Importantly, with a proficient organist, the anthem can be prepared with just one or two rehearsals. It is certain to be of great appeal both to choirs and to congregations. / Date parution : 1905-07-10/ Feuillet / SATB et Orgue

This jubilant single-movement setting of the Latin Gloria by celebrated organist Simon Johnson has something for everyone. Scored for SATB choir with Brass Ensemble Organ and Timpani (or Organ alone) the work is highly original and packed with content including recurring rhythmic and melodic motifs harmonic twists a peaceful central section and a four-part fugue.Johnson's Choral writing is clean and concise and more experienced singers will find the vocal lines approachable and enjoyable. The instrumental Ensemble/Organ part is integral to the work featuring short interludes driving rhythms and melodic and textural interest aswell as providing support to the voices where necessary. This exciting work holds its own among more established Gloria settings and will stand the test of time.

This 1981 hit for The Manhattan Transfer is now a hot new choral arrangement from Greg Jasperse. A driving beat leads this chart of fresh new chord changes and rhythmic surprises. Terrific for show jazz or concert choirs and the SSA voicing will thrill your women's groups! Available separately: SATB SSA Digital Instrument Pack (guitar bass drums). Duration: ca. 3:10.

A thrilling flute obbligato driving energy and mixed meter make this triumphant choral a joy to sing. For advanced high school through adult mixed choirs “Sing Hosanna Sing!” is exciting and electric for concert contest or festival. Appropriate for school or church use. Available: SATB with Flute; PianoTrax CD 35016948.

Made most successful by the Chordettes a new arrangement from Greg Jasperse takes this favorite and whimsical tune in a fresh new choral direction with a driving straight eighth-note feel and contemporary jazz-tinged harmoniesthroughout. Fun for the whole choir.Available separately: SATB SSA StudioTrax CD. Duration: ca. 2:09.

from Legacy of Faith-Uses: General Ordination Baptism BaccalaureateScripture: Philippians 1:6From the successful cantata Legacy of Faith comes this driving acclamation of purpose and fulfilled promises.Adapting Scripture from the writings of Paul we are reminded by the writers to live a life worthy of the high calling of Christ. This exciting choral is ideal for ordinations graduations and commissioning services. Availableseparately: SATB TTBB StudioTrax CD Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1 2 & 3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 3:50.

From the composer of “The Awakening” comes an anthem that will become a stunning success for your choral group. Scintillating keyboard writing coupled with a virtuosic approach to the choral composing make for anunforgettable combination. A driving mixed meter opening theme jumps off the page while a contrasting middle section makes use of a vocal duet for added variety and contrast. With brass and percussion this is an excellent choicefor program finales. Dynamic!

Perfect for massed choral events High School and College choirs. Written in an African call-and-response style with driving percussion and thrilling vocal climaxes. For SATB Percussion and optional Shofar.

Newly remixed with a driving guitar and backbeat and a twangy Duane Eddy-style intro this Elvis pop hit from 1969 will be a big hit today's kids and audiences. This choral setting is a super choice for choreography! Availableseparately: SATB SAB SSA ShowTrax CD. Combo parts available digitally (tpt 1 tpt 2 tsx tbn barsx syn gtr b dm). Duration: ca. 3:05.

There is a driving confidence in both the message and the music of this new invitation to faith. After a short slower quote from the traditional hymn Lead Me Lord the song energizes into a contemporary sound that will energizethe gathered faithful. This anthem is an excellent example of blended approach to stylistic inclusivity. Youth and adults alike will resonate with the festive spirit of this sacred choral. A winner! Included on LiteTraxAccompaniment CD. Supports: Proverbs 3:5-6 Psalms 5:8 4:8 Jeremiah 20:7-13 Genesis 21:8-21

Designed and commissioned as a concert opening piece “I Will Sing ” demands attention and drafts even the most reserved into singing. Available with optional brass (2 tpts 2 tbns) and percussion the accompaniment iscrisp and rhythmic. The choral sentences are exuberant and driving and soon break into canon. A soft and reflective middle section exalts the oneness of God before a return to the opening fanfare. Ending with strength andexcitement it is great for festival and general use.

Trumpet-This joyful and expressive choral cantata is a setting of what is often thought of as a Thanksgiving psalm or a psalm in praise of Harvest time. From its atmospheric opening to its upbeat ending the work contrasts driving rhythms with reflective passages for soprano solo.

Uses: General Call To Worship ConcertScripture: Psalm 100; Exodus 25:8; Habakkuk 2A driving psalm of praise with brass and percussion punctuates this mixed meter “tour de force” with afestive sensibility that energizes any worship gatherings. Some counterpoint interacts with richly harmonized choral styled writing for a good balance of compositional elements. Incorporating God Himself Is With Us thisanthem provides a lofty call to worship for choirs of distinction.

Let thanksgiving services resound with worship as your choir presents this outstanding new offering from Joseph Martin. The inspiration of the Psalms and the glory of creation form the basis for this powerful rhythmic anthem ofpraise. From the opening choral fanfare to the contrasting richness of the second theme the driving piano accompaniment and the final affirming declarations of blessing this new contemporary anthem will make known the marvelousworks of the Creator as you sing. “Proclaim the Works of the Lord” is triumphant and celebrative!

Uses: GeneralScripture: Psalm 146:2; Psalm 109:30From the driving opening to the final punctuated chords this anthem is a brilliant paean of praise that is rich with choral opportunities to encourageworship. The repetitive rhythmic motive is quickly learned and the toccata-like piano part maintains a constant stream of energy to propel the piece to unbounded jubilation. The contrasting middle section offers relief with deepresonating chords that enrich the text. After an arresting accelerando a wall of climbing 4ths brings a virtuosic element to the piece and enables a striking recapitulation and festive codetta.