Mendelssohns Hochzeitsmarsch-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier der Hochzeitsmarsch aus 'Ein Sommernachtstraum' op. 61 von Felix Mendelssohn-Bartholdy. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16162G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).

My soul doth magnify the Lord Op.69Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each edition contains the original Germantext and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes

Lord now lettest Thou Thy servant depart in peace Op.69Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. These editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Barenreiter also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each editioncontains the original German text and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes

Lord How Long Wilt Thou Forget Me? was beautifully composed by Felix Mendelssohn the German composer Pianist and Organist.Felix Mendelssohn was recognised early on as a musical prodigy but his parents where sceptical about capitalising from Mendelssohn's talent. This fantastic arrangement contains the first movement From Lord How Long Wilt Thou Forget Me? expertly arranged for Soprano SATB and Organ.

Chorwerke mit Orgelbegleitung-Felix Mendelssohn's Kirchenmusik - Volume 1 comes complete with twelve of Mendelssohn's Sacred Choruses in 3–8 parts arranged for SATB choir and Organ. Contents include Op. 23 No. 1–3 Op.39 No.1–3 Op.121 Lass o Herr mich Hilfe finden Deines Kind's Gebet erhöre Herr wir traum auf deine Güte Hör mein Bitten Herr neige dich zu mir We praise thee o God/Preis sei dir O Gott.

Felix Mendelssohn's Kirchenmusik - Volume 2 comes complete with thirteen of Mendelssohn's Unaccompanied Choruses arranged for SATB choir a cappella. Contents include Op.78 Jauchzet dem Herrn alle Welt Op.69 Op.79 Op.116 Ehre sei Gott in der Höhe Heilig (Sanctus) für 2 vierstimmige Chöre Kyrie eleison in A major für vierstimmige Chöre Zum Abendsegen für vierstimmigen Chor.

Choralkantate-During Mendelssohns years of study with Zelter the arrangement of chorales already played an important role and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir instruments and sometimes also for soloists.

Come Unto Him from the Hymn Of Praise by Felix Mendelssohn arranged for SATB chorus with Piano by Michael J. Diack.

Felix Mendelssohn Die Erste Walpurgisnacht Op.60 vocal score for SATB choir includes Piano accompaniment.

Symphonie-Kantate B-Dur Nr. 2-Mendelssohn's Lobgesang Op. 52 (Symphony No. 2) for SATB and Orchestra.Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements to which 12 choral- and solo- movements are appendaged; the words from the Psalms and indeed all pieces vocal and instrumental are composed in the words ‘Everything which has breath Praise the Lord’; one understands by this that first the instruments give praise in their own way and then the chorus and the individual voices.'

An Oratorio in vocal score composed by Felix Mendelssohn with the pianoforte accompaniment arranged by the composer.

This combination of a Felix Mendelssohn tune to the Charles Wesley text is a classic! Known for his creative ability in setting hymns in a concertato style Walter Pelz develops an exciting arrangement for large choir with organ brass timpani and even the congregation. This would make a terrific processional for your holiday concert.

An Oratorio in vocal score composed by Felix Mendelssohn with the pianoforte accompaniment arranged by the composer.

Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of ?Elijah? which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. ?Elijah? was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the first performance Mendelssohn undertook a revision of the oratorio inwhich whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn?s most popular works in an edition reflecting the latest editorial knowledge.- Bärenreiter-Urtext including numbers from the original version for the first time.- English and German singing texts.- Critical Commentary (Eng).- Full score performance material (BA9070) and vocal score (BA9070-90) available for sale.

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,