A stunning composition that combines three sections all on the beautiful Maria text each section with its own expression. It gives the opportunity for the choir to express phrase and dynamics text and music - a truly rewarding experience.

for SATB Chorus a cappella-Set to the Latin ?Pulchra es amica mea? text from Song of Solomon this easy-to-prepare composition is a great selection for high school church and community choirs.Listen to the Choir only version of Northern Lights: With music inspired by the aurora borealis atmospheric lights this song will render a most impressive performance. Duration: ca. 4:35.

Diese Kyrie-Vertonung für Doppelchor bedient die zeitgenössische Chormusik und ist sowohl im Konzert als auch im Gottesdienst einsetzbar. Die Komposition spielt mit vereinzelten Reibungen, ist jedoch größtenteils harmonisch gesetzt. Durch den doppelchörigen Aufbau kann bei der Interpretation mit einer räumlich getrennten Aufstellung gespielt werden, die Komposition füllt aber durch verwobene Strukturen auch selbst den Raum. Das Werk ist Preisträger beim Internationalen Kompositionswettbewerb ?Musica Sacra Nova'. Dazu passend: C 57295 Agnus Dei. / Choeur Mixte (SATB)

Paul Mealor's Hush! my dear lie still and slumber for SATB divisi chorus had its World Premiere at St Sepulchre without Newgate London Youth Choir on the 17th March 2014. Rebecca Tavener in the December 2014 edition of Organists' Review writes that with this work 'Mealor continues to prove himself as a composer of reliable craftsmanship' making 'a fine case for the current lyrical accessible tonal zeitgeist in British choral music.'

Vocal Score-First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomatic Piano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann?s ?uvre. His 1754 setting of the church hymn Christus Der Ist Mein Leben based on Melchoir Vulpius? melody from the Hamburg Hymnal is especially well-suited to display his mastery in depicting the words of the chorale. The so-called ?Ausfüllungsbass? (a vocal bass added tothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg?s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.

This 8-minute work set entirely in Latin recounts King David's grief at the death of his son Absalom. Opening with a fiery Piano introduction a solo Tenor emerges from the echoing Keyboard clusters followed by a mournfulchoral response. The music then moves into a molto agitato Dies Irae with angry dissonance and mixed meters eventually resolving into a peaceful and tranquil Requiem Aeternam. A powerful and dramatic work for advancedensembles! Duration: ca. 8:20.

Violin 1-First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomatic Piano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann?s ?uvre. His 1754 setting of the church hymn Christus Der Ist Mein Leben based on Melchoir Vulpius? melody from the Hamburg Hymnal is especially well-suited to display his mastery in depicting the words of the chorale. The so-called ?Ausfüllungsbass? (a vocal bass added tothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg?s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.

From Quatre Motets Sur Des Themes Gregoriens-Duruflé grew up in Louviers in the northern French region of Haute-Normandie (Upper Normandy) where as a boy he was a chorister and studied piano. At the age of 17 he moved to Paris to study organ with Charles Tournemire. A year later Duruflé wasadmitted to the Paris Conservatoire where he studied organ piano and composition and was awarded five first prizes in various subjects. Upon graduation Duruflé became musical assistant to Louis Vierne at Notre Dame but soon after this wasappointed organist at Saint Étienne-du-Mont in Paris where he would remain for the rest of his life. In 1943 he was appointed professor of harmony at the Conservatoire a position he maintained for 27 years. From 1926 until 1977 Duruflé published 14compositions including the Requiem Op. 9 (1947). Duruflé traveled extensively as a concert organist and was active as a recording artist. Later in life he and his second wife often performed as an organ duo. The composer suffered severe injuriesin an automobile accident in 1975 which left him nearly bed-ridden for the final decade of his life.Composed in 1960 Quatre Motets sur des thèmes grégoriens Op. 10 (Four Motets on Gregorian Themes) were dedicated to Auguste le Guennant director of the Gregorian Institute in Paris. Each of the four motets begins with an incipit of Gregorianchant which serves as melodic inspiration for the composition that follows. The four motets are (in order): ?Ubi caritas ? ?Tota pulchra es ? ?Tu es Petrus ? and ?Tantum ergo.? ?Ubi caritas? is an early Christian antiphon traditionally used in the Maundy Thursday service during the washing of the feet an act of Jesus from the Last Supper. The antiphon has become closely associated with the Eucharist and is sometimes alsoused at weddings. Duruflé sets only the first of the four stanzas of the text.

Capellchor 2-Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.Our full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation ofthe Latin text.- Full score and performance material available for sale (BA4334)