SKU: CF.CM9558
ISBN 9781491150900. UPC: 680160908400. 6.875 x 10.5 inches.
Amy Carmichael has been inspiring people for years with her thought-provoking an inspirational poetry. Unsatisfied and disconsolate are the words Carmichael used to express her feelings as she listened to the voices around her. Denice Rippentrop captures the essence of this text in both the vocals and the piano accompaniment in this wonderful SATB score appropriate for ensembles of varying abilities and size.
SKU: HL.14025273
SKU: HL.50600080
ISBN 9781495008528. UPC: 888680041786. 6.75x10.5x0.065 inches.
Written for SSATB, semi-chorus and unison children's choir, this is the perfect ending to a concert featuring multiple ensembles. With an original text by the composer, this a cappella composition has a sense of contemporary pop a cappella style and will instantly become a favorite of singers and listeners. ScorePlay - click to view score with recording.
SKU: HL.1248098
UPC: 196288153252. 6.75x10.5 inches. Psalm 98.
This fresh arrangement of a holiday classic leaps from the page with engaging textures and spirited vocal effects. Suitable for concerts halls and sanctuaries, this modern take on a time-honored carol will leave your listeners asking for more. Well considered choral part writing makes the anthem sound harder than it actually is!
SKU: HL.49001437
ISBN 9790001016650. 7.5x10.5x0.045 inches. English - German.
SKU: HL.1145664
ISBN 9781705185322. UPC: 196288117469. 6.75x10.5x0.029 inches.
This lesser-known poem is intriguing and mysterious, perfect for singers to discuss and interpret in rehearsal. The piano accompaniment gently steps and tiptoes under the haunting melody and harmonic writing. Drama, tempo, and dynamic contrast create a mixture of moments in storytelling, and are sure to capture your singers' and audience's attention.
SKU: HL.1291682
UPC: 196288168683. 6.75x10.5x0.036 inches. Acts 2:2, Isaiah 17:13, Jeremiah 4:13, Job 38:1.
An engaging new take on a classic text, this mixed-meter octavo is a choral tour de force. Driving forward with confidence and power, the music is both artful and contemporary, with an almost cinematic sweep to its musical architecture. A challenge worth taking for both choir and instrumentalists.
SKU: HL.14021021
ISBN 9780711975187. UPC: 884088440541. 9x12 inches.
A work for SATB soli, SATB chorus and orchestra, using a variety of texts, selected by Alistair Grant, who commissioned the work to commemorate the 250th anniversary of the Jacobite rising (1745-6). It was first performed in October 1997 in Glasgow by Lisa Tyrrell (soprano), Margaret McDonald (mezzo soprano), Neil Mackie (tenor) and David Wilson-Johnson (baritone), the Scottish Chamber Orchestra Chorus (chorus master Ben Parry) and the Scottish Chamber Orchestra, conducted by the composer. Vocal score with piano reduction of the instrumental score. Duration c. 40mins.
SKU: HL.1437384
UPC: 196288204497.
“The Listening,” written by Grammy-nominated composer Cheryl B. Engelhardt in December 2017 for VOICES 21C under the artistic direction of André de Quadros, draws its inspiration from Dr. Martin Luther King Jr.'s impactful 1967 speech, “Beyond Vietnam: A Time to Break Silence.” This dynamic, emotion-filled piece expresses King's call to end societal silence. The rhythmic elements in the piece are derived from the poetic nature of King's speech. The inclusion of a children's choir, inspired by the Parkland school shooting and subsequent protests, symbolizes the disruption of childhood peace by violence. Notably, the virtual collaboration, featuring Donzaleigh Abernathy, Dr. King's goddaughter, emphasizes the song's contemporary relevance in addressing social issues, and was featured in PEOPLE. Premiered live at the Massachusetts Music Educators Conference in 2018 by VOICES 21C, and digitally released during Black History month in 2021, “The Listening” stands as a profound anthem for breaking silence and to foster positive change.
SKU: HL.50601107
ISBN 9781540006875. UPC: 888680713805. 6.75x10.5x0.131 inches.
This is the latest â?? and 7th â?? in an a cappella series going back three decades in which the texts are taken from Shakespeare's plays. â??Come Unto These Yellow Sandsâ? is a gentle invitation to the listener, at least until the animals take over. â??Thou Canst Not Hit It,â? in this interpretation, is a song about trying to hit the high and low notes. Surrounded by comedy and tragedy, â??Honour, Riches, Marriage-Blessingâ? is the idyllic center of the set. â??O Sweet Oliver,â? with its dueling boy and girl choirs, leads into â??Willow, Willow,â? where the poem's word repetitions inspire the driving rhythm.
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