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Choral SATB
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Short Mass (BURGON GEOFFREY)
Choral SATB
[Sheet music]
Stainer and Bell
Par BURGON GEOFFREY. Geoffrey Burgon's Short Mass for SATB unaccompanied. Latin ...
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Par BURGON GEOFFREY. Geoffrey Burgon's Short Mass for SATB unaccompanied. Latin and English texts Geoffrey Burgon's Short Mass for SATB unaccompanied. Latin and English texts/ Feuillet / SATB
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For Spacious Skies (SHORT PAUL / WARD SAMUEL AUGUSTUS)
Choral SATB
Boosey and Hawkes
Choral Music Experience. Par SHORT PAUL / WARD SAMUEL AUGUSTUS. La jolie mélodi...
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Choral Music Experience. Par SHORT PAUL / WARD SAMUEL AUGUSTUS. La jolie mélodie nouvelle par Paul Short est une mélodie lyrique et expansive, particulièrement bien adaptée pour la voix, tandis que l'apparence de la mélodie originale par Samuel Ward et la juxtaposition des deux dans le couplet final apporte un sentiment de familiarité./ Feuillet / Choeur Mixte (SATB)
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The New Novello Book Of Short And Easy Anthems For Mixed-Voice Choirs (SATB/Organ)
Choral SATB
SATB, Organ
Novello & Co Ltd.
A useful new resource for choirs, the New Novello Book Of Short and Easy Anthems...
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A useful new resource for choirs, the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is perfect for groups of all sizes and abilities. The pieces in this exciting collection have been carefully chosen to offer a selection of interesting contemporary works alongside older and more well-known anthems. It is recognised that many choirs have limited rehearsal time and, frequently, limited vocal resources. This collection aims to provide works that are easily and quickly learnable, with few splits in voice parts. In addition, many of the pieces in the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs can be adapted to work as unison settings with accompaniment, or in other flexible forms. The New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is arranged for SATB Choir, with Organ accompaniment. / Choeur Mixte (SATB) Et Orgue
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Short Anthems For Small Choirs (SHORT ANTHEMS)
Choral SATB
[Sheet music]
Kevin Mayhew
Par SHORT ANTHEMS. / Recueil / Choeur Mixte (SATB)
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Morning Canticles (The Short Service)
Choral SATB
SATB, Organ
[Sheet music]
Stainer and Bell
The Short Service. Par WEELKES THOMAS. / Répertoire / SATB et Orgue
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The Choral Collection (WHITBOURN JAMES)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WHITBOURN JAMES. This glorious collection of beautiful choral music by compo...
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Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue
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Choral collection Bruckner. Sacred choral music (BRUCKNER ANTON)
Choral SATB
SATB, Piano
Carus Verlag
Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works r...
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Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works reveal a more personal side to the master symphonist and creator of large-scale orchestral masses. Throughout his life, Bruckner?s deep faith and dedication to the Catholic liturgy inspired him to write church music in smaller forms suitable for performance at Sunday services or in sacred concerts. The long phrases and shimmering sounds of Locus iste, the chromatic modulations and thrilling climaxes in Christus factus est (1884) and in Virga Jesse (1885), or the use of church modes in almost all the motets present a range of fascinating challenges to any choir.In addition to the well-known motets, the choral collection includes smaller sacred works such as short mass settings (a cappella or with organ) and simple liturgical songs and hymns, some with organ or occasionally with trombones. In addition, the volume presents two somewhat longer works from Bruckner?s youth: a Magnificat and a setting of Psalm 23, both with piano accompaniment.The Choral Collection Bruckner. Sacred Choral Music is an expanded new edition of the successful choral collection Anton Bruckner für Gottesdienst und Konzert (Sacred works for worship and concert, Carus 2.065).A detailed preface and several indexes supplement the musical scores in the editionCHORLEITUNG with information on the works and their liturgical usability. An affordable volume (editionCHOR) is also available for purchase, as well as separate editions in print and digital form.?,New expanded volume featuring 39 sacred choral works at all levels of difficulty?,For use both in worship and in concert / Date parution : 2023-06-01/ Répertoire / SATB et Piano
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I Love All Beauteous Things (WEIR JUDITH)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Jud...
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Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Judith Weir's special new choral piece I Love All Beauteous Things Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include this approachable setting of Robert Bridges' poem. Directed by Andrew Carwood, the St Paul's Cathedral Choir will perform I love all beauteous things as part of the National Service of Thanksgiving which will take place on at 11am on 10 June in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury will give the address and the Prime Minister will read a lesson. The event will be televised live on BBC1. Judith Weir comments: 'It is a particular honour to contribute new music for this great occasion, and a pleasure to write a choral version of Robert Bridges' beautiful verse.' Preview the score here Download the digital sheet music here COMPOSER'S NOTE At the suggestion of Michael Hampel, Precentor of St Paul's Cathedral, I have set words by Robert Bridges, who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer, whose poetry has inspired me before in The Voice of Desire, a song-cycle for mezzo-soprano and piano. This short, fast-tempo setting aims to emulate the swift, fleet-footed rhyme and metre of the two-verse poem, with its unobtrusive but telling reference to 'man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen, generously supported by the Boltini Trust. Performed at the National Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral, London, on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir, Master of the Queen's Music, words by Robert Bridges, Poet Laureate in the year HM The Queen was born. Duration c. 3½ minutes I LOVE ALL BEAUTEOUS THINGS words by Robert Bridges OM (1844-1930) Poet Laureate 1913-30 I love all beauteous things, I seek and adore them - God hath no better praise, And man in his hasty days Is honoured for them. I too will something make And joy in the making - Altho' to-morrow it seem Like the empty words of a dream Remembered on waking. (I love all beauteous things, etc…)/ Feuillet / Choeur Mixte (SATB) et Orgue
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Ave Verum
Choral SATB
Novello & Co Ltd.
' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday o...
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' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this instance I felt their presence as a fellowship and, having their music in my head while writing, I was encouraged rather than daunted. In fact, if you listen with this in mind, you may hear a phrase or two in homage to the great masters.' - John Duggan An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Born in 1963, John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy, he dreamed of writing in the great European choral tradition of Victoria, Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States, and he composes regularly for film and dance. He has composed for a number of choirs including Commotio, Westminster Cathedral Choir, the Hildegard Choir and Sospiri, and has written commissions for the Edington Music Festival, Crossover Intergenerational Dance Group, Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College, Oxford. / Choeur SATB
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Lute-Book lullaby (BALLET WILLIAM)
Choral SATB
[Sheet music]
Faber Music Limited
Par BALLET WILLIAM. This is the 'a capella' version of Alexander L’Estrange’...
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Par BALLET WILLIAM. This is the 'a capella' version of Alexander L’Estrange’s beautiful mixed voice composition, Lute-book Lullaby. First performed by the choir Tenebrae, directed by Nigel Short, who also commissioned the work, it was first performed on 12th September 2002, at St Luke's, Chelsea, London at a concert in support of Downs Syndrome. The piece can be found on the Signum Records CD Mother and Child (SIGCD501) performed by Tenebrae and Nigel Short. / Choral Music / Répertoire / Voix Mixtes
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An Invocation to the Holy Spirit (MARTIN MATTHEW)
Choral SATB
[Sheet music]
Faber Music Limited
Par MARTIN MATTHEW. Invocation to the Holy Spirit is a short and simple work, de...
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Par MARTIN MATTHEW. Invocation to the Holy Spirit is a short and simple work, dedicated to the memory of David Trendell. It sets two Latin texts concerning baptism and the Holy Spirit. It is an ideal piece for confirmation or baptism services as well as for the season of Pentecost. SATB with Soprano Solo / Unaccompanied. Part of Faber Music’s Choral Signature Series. / Choral Music / Répertoire / Voix Mixtes et Soprano
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Soul Sessions (TOMPSETT BEN)
Choral SATB
SATB
[Sheet music + CD]
Faber Music Limited
Par TOMPSETT BEN. Peter Sculthorpe's programme note reads as follows 'Lullaby is...
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Par TOMPSETT BEN. Peter Sculthorpe's programme note reads as follows 'Lullaby is based upon one of the number of indigenous Australian melodies collected by Dr H. C. Lethbridge during the 1930s and is a lullaby for children victimised by war. It opens with several statements of indigenous melody, the words lovingly entreating children to embrace sleep, as night falls. This is followed by a short central section that questions the need for war, its text taken from another song in the Lethbridge collection. The melody then returns, leading to a quiet coda, suggesting the calmness of sleep and, for many children, the beauteousness of Paradise. ' The piece is set for unaccompanied mixedvoices. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Recueil / Saxophone Ténor
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Lute-Book Lullaby. SATB Acc. (Fncw) (L'ESTRANGE ALEXANDER)
Choral SATB
[Sheet music]
Faber Music Limited
Par L'ESTRANGE ALEXANDER. Composition de la belle voix mixtes de Alexander L'Est...
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Par L'ESTRANGE ALEXANDER. Composition de la belle voix mixtes de Alexander L'Estrange, livre de luth Lullaby, est la dernière addition à la très acclamée série de nouvelles oeuvres chorales de Faber. Tout d'abord interprété par la chorale Tenebrae, réalisée par Nigel Short, qui a également commandé le travail, il fut créé le 12 septembre 2002, à St Luke, Chelsea, Londres lors d'un concert à l'appui de Syndrome de Downs. La pièce se trouvent sur la Signum Records CD mère et l'enfant (SIGCD501), interprétée par Tenebrae et Nigel Short./ Feuillet / Choeur
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Kentucky Canticles. SATB And Organ (KELLY BRYAN)
Choral SATB
SATB, Organ
[Sheet music]
Stainer and Bell
Par KELLY BRYAN. Magnificat and Nunc Dimittis for SATB and Organ. Kentucky Canti...
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Par KELLY BRYAN. Magnificat and Nunc Dimittis for SATB and Organ. Kentucky Canticles pay homage to the unforgettable music of the deep south, and in particular to the legendary black singer Paul Robeson. Dancing spiritual rhythms infuse the Magnificat's energetic song of joy, and there are lively musical illustrations for the mighty, the proud, the rich, and the humble and meek before the return of the opening phrases heralds an exultant Gloria. In contrast, the Nunc Dimittis draws on the expressivity at the heart of the spiritual style to capture the deep yearning of Simeon's song of farewell. Both movements have short passages for solo voices that maybe taken by members of the choir. The Kentucky Canticles are dedicated to John Scott and the Choir of St Thomas Fifth Avenue, New York, and are the latest addition to a long and distinguished output with which Kelly has enriched the musical heritage of Anglican worship./ Feuillet / SATB et Orgue
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Vespro Della Beata Vergine / Marienvesper (PERGOLESI GIOVANNI BATTISTA)
Choral SATB
[Sheet music]
Barenreiter
Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a ...
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Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius, Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus, Laudate and Confitebor. Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus, Magnificat, several short instrumental interpolations, and the contrafactum of a secular cantata for the Salve Regina, thereby presenting a full cross-section of Pergolesi’s artistic evolution. The reconstructed Vespers ranges from the early Confitebor, with its allusions to Vivaldi, to the late Salve Regina with its reminiscences of thefamous Stabat Mater; from contrapuntal choral writing to operatic arias; and from the magnificently scored Dixit to the almost intimate Laudate. The present edition follows the original sources as closely as possible and contains an appendix with detailed notes on performance practice. Performance material available for hire Effective reconstruction of a full-length work Cross-section of Pergolesi’s sacred music Clear and easy-to-play piano reduction/ Répertoire / Solistes, Choeur Mixte (SATB) et Orchestre
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Ezekiel's Wheel
Choral SATB
Alfred Publishing
Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The ...
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Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately, then together. Features brief, optional solos, a rollicking piano accompaniment, and a short a cappella section. / Choeur Mixte (SATB)
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Benedictus And Agnus Dei In B Flat (STANFORD CHARLES VILLIERS)
Choral SATB
SATB, Organ
[Sheet music]
Stainer and Bell
Par STANFORD CHARLES VILLIERS. The Benedictus and Agnus Dei in B flat is publish...
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Par STANFORD CHARLES VILLIERS. The Benedictus and Agnus Dei in B flat is published as part of an ongoing policy to reissue works by Charles Villiers Stanford in the Autograph Edition, in new engravings but as the composer wrote and approved them, with no editing from another hand. Simple in texture but highly effective in performance, these two short movements are a useful addition to the repertoire of music available for a traditional celebration of Holy Communion, and would suit a small church choir with two or three voices per part./ Répertoire / SATB et Orgue
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Messe In G (SCHUBERT FRANZ)
Choral SATB
Soli, mixted choir and piano
Barenreiter
Par SCHUBERT FRANZ. Even for small choirs, Schubert’s Mass in G major poses no...
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Par SCHUBERT FRANZ. Even for small choirs, Schubert’s Mass in G major poses no scoring or performance problems and is thus ideal for use in church services. The work is full of surprises and musical ideas. Apart from the Benedictus, the solo parts are limited to short interpolations. Relatively easy choral and solo writing Straight-forward organ arrangement Ideal for church services The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists, choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements hasbeen taken into consideration. In some cases, the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists, singers and organist alike. / Classique / Répertoire / Solistes, Choeur Mixte et Orgue
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Ring Out, Wild Bells (VINE CARL)
Choral SATB
[Sheet music]
Faber Music Limited
Par VINE CARL. Ring Out, Wild Bells is a short and fantastically vital setting...
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Par VINE CARL. Ring Out, Wild Bells is a short and fantastically vital setting for a Lord Alfred Tennyson's poem composed for an unaccompanied double choir (SSAATTB) by Carl Vine. It premiered as part of the King’s College Cambridge 2012 Festival of Nine Lessons and Carols. / Choral Music / Répertoire / Voix Mixtes
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Missa Brevis E Flat Minor
Latin
Choral SATB
[Sheet music]
Barenreiter
The 'Missa brevis in E flat minor? for mixed choir a cappella has been composed ...
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The 'Missa brevis in E flat minor? for mixed choir a cappella has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness, it is suitable for use in church services, while its delightful harmonic layout and consciously simple melodies (with clear allusions to folk music) also make it perfect for concert performance.'My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as 'so sad that it sounds like birds who have lost their wings' but also as 'the happiest classical music that we have ever heard'.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.'Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of 'Carmen?, one of the most prominent womens' vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala. / Choeur Mixte
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Salve Regina
Choral SATB
SSAATTBB A Cappella
Boosey and Hawkes
'Each year at their Summer Festival in Tavistock, the Exon Singers feature the m...
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'Each year at their Summer Festival in Tavistock, the Exon Singers feature the music of a living composer. In the summer of 2008 I was privileged to be the chosen composer. Salve Regina was written for the Festival and was performed once at a concert and subsequently at the broadcast of Choral Evensong in Buckfast Abbey.The music is unaccompanied and set for a six-part choir, with two parts for both sopranos and basses (and divisi for altos and tenors in the final phrase). The music begins gently and there is some dialogue between upper and lower voices. The climax in the middle uses all six parts and the end is quiet and reflective. Although some of the phrases are short, they should be sung with much expression and with appropriate crescendos and diminuendos.' / Choeur SSAATTBB A Cappella
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Fuhr, sanftes Licht (Lead, kindly light) (RUTTER JOHN)
Choral SATB
SATB A Cappella
Oxford University Press
Par RUTTER JOHN. for SATB unaccompanied John Henry Newman's 'Lead, kindly light'...
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Par RUTTER JOHN. for SATB unaccompanied John Henry Newman's 'Lead, kindly light' is presented here in a German translation and is a short, moving piece perfectly suited for our current times. Step-like movement in the melody reflects the speaker seeking light in the darkness, slow but steady in their way out of the 'encircling gloom'. / Date parution : 2023-06-01/ Répertoire / SATB sans Accompagnement
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Missa Brevis 'Capella Regalis' (CAESAR ANTHONY)
Choral SATB
SATB, Organ
[Sheet music]
Stainer and Bell
Par CAESAR ANTHONY. SATB and organ A short Latin service without Creed. Dedicate...
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Par CAESAR ANTHONY. SATB and organ A short Latin service without Creed. Dedicated to the Children and Gentlemen of Her Majesty's Chapel Royal at St James's Palace, London./ Répertoire / SATB et Orgue
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Homo Natus De Muliere (HOFMANN LEOPOLD)
Choral SATB
SATB, Orchestra
[Sheet music]
Carus Verlag
Par HOFMANN LEOPOLD. 'Man that is born of woman hath but a short time to live' i...
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Par HOFMANN LEOPOLD. 'Man that is born of woman hath but a short time to live' is one of the central biblical texts dealing with the transitoriness of human existence. Leopold Hofmann, Kapellmeister at St. Stephen's Cathedral in Vienna from 1772 to 1793, where W. A. Mozart was his church music assistant, also set this strongly expressive text. Hofmann's setting, in C minor, offers an austere harmony, characterized by suspensions in a homophonic, through-composed four-part vocal setting (soloists or SATB choir), reinforced only by two trombones and organ continuo. Four concise instrumental transitional passages between the individual verses relieve the pathos laden Viennese church style of this composition. With its tragic air, in some passages it closely resembles Mozart's Requiem K. 626. For this first edition, the two trombone parts are available both in the original clef and in alto clef. The figured bass has been realized so that the piece can also be performed without trombones, with only organ accompaniment. For a performance this piece could easily be combined with the Salve Regina by Pietro Cassati (Carus 27.703) from the Vienna series./ Répertoire / Choeur Mixte (SATB) et Orchestre
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Spring In Winter. SATB Unacc. (Fncw) (WOOLRICH JOHN)
Choral SATB
SATB A Cappella
[Sheet music]
Faber Music Limited
Par WOOLRICH JOHN. Spring in Winter by John Woolrich for SATB was commissioned f...
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Par WOOLRICH JOHN. Spring in Winter by John Woolrich for SATB was commissioned for the expansive acoustic of King's College, Cambridge. Taking an extract from Christopher Smart's Hymn 32: The Nativity of Our Lord and Saviour Jesus Christ, this short yet effective setting was first performed by the Choir of King's College, Cambridge at the Festival of Nine Lessons and Carols 2001, and has subsequently been adopted into their repertoire./ Feuillet / Choeur
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Essential Carol Singer, The. SATB Acc. (PARRY BEN)
Choral SATB
SATB
[Sheet music]
-
Easy
Faber Music Limited
Arrangement: Parry Ben. Par PARRY BEN. At long last The Essential Carol Singer p...
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Arrangement: Parry Ben. Par PARRY BEN. At long last The Essential Carol Singer provides the solution to the endless problem of too many books and not enough hands! It includes thirty of the most popular carols in one book, all SATB, unaccompanied, with no divisi. This pocket-sized, lightweight volume is easy to read and the short score layout allows for optional accompaniment if required. All the carols are arranged in alphabetical order for ease of use, with one carol per page. Offering simple arrangements in practical keys, The Essential Carol Singer is every singer's companion for Christmas. / Niveau : Assez Facile / Date parution : 2002-08-22/ Feuillet / Voix Mixtes
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